Category Patrick Ehlers

Patrick Ehlers, Co-Editor-In-Chief
patrick@retcon-punch.com

Location: Los Angeles

History With Comics: Patrick came late to the comics game. After enjoying adaptations of Batman, Superman and the Justice League, he was finally tricked into picking up a set of graphic novels after seeing Robert Rodriguez’ Sin City. Naturally, this lead to further exploration of Frank Miller’s work, specifically with Batman. But it was not until an unexplainable desire to read Blackest Night that Patrick began purchasing the trades of Geoff Johns’ run Green Lantern. With a convenient new entry point and a handful of friends to follow him into the madness, Patrick began reading monthlies with the New 52’s Justice League #1.

New 52 Favorites: The Flash, Swamp Thing, Batwoman

Other Favorite Comics: Usagi Yojimbo, Teenage Mutant Ninja Turtles, Saga

May 12 2014

Original Sin 1

original sin 1

Today, Patrick and Taylor are discussing Original Sin 1, originally released May 7th, 2014.

Do we… check for a pulse or… did he even have a pulse? Do we know?

Captain America, Original Sin 1

Patrick: Superhero murder mysteries are a trip. In a traditional murder mystery, the audience should all have the same basic understanding of the rules of the game. That way, we’re able to play along as detectives in our own right. Half of the fun in watching a fictional detective solve a crime is feeling like you’re one step behind, just a shade less insightful than hero of our story. But superheroes live in a different universe, with scores of different rules that change and contradict each other throughout the course of history. The abilities and motives of the murder suspects could be…literally anything — you know how many of these characters can alter reality? The first proper issue of Original Sin sets a wildly complicated stage, and while I don’t think I have a chance in hell of reaching the conclusion before our heroes do, I do have a sense of what’s at stake for our lead detective: the original Nick Fury.

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May 9 2014

The New 52: Futures End 1

futures end 1Today, Patrick leads a discussion on The New 52: Futures End 1, originally released May 7th, 2014.

Patrick: Guys, I want to start this off by apologizing for the typo in the header: it’s “Futures End” and not “Future’s End.” That’s my bad, not Shelby’s. I want to keep it there for posterity and because it speaks to the general confusion regarding this title. The full name is “The New 52: Futures End.” As a weird consequence of that name, it’s the only series that takes place in the New 52 that doesn’t bear this logo on its cover:

The New 52

If Batman Eternal is about Batman losing control of Gotham, then certainly Futures End is about the superheroes losing control of the universe. Unfortunately, that also feels an awful lot like the creators losing control of the New 52.

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May 8 2014

Cyclops 1

Alternating Currents: Cyclops 1, Drew and PatrickToday, Drew and Patrick are discussing Cyclops 1, originally released May 7th, 2014.

Drew: Leaders are often defined by their circumstances than any personal characteristics. Abraham Lincoln may be remembered as a persuasive orator, but that reputation takes a back seat to his role in the Civil War. That tendency can flatten out historical leaders, but absolutely steamrolls fictional ones, turning “leadership” into a character trait at the expense of any others. Raphael may be “cool, but rude,” and Michelangelo may be “a party dude,” but “Leonardo leads.” I’ve long had this association with Scott Summers, who I know is the de facto leader of the X-Men, but that’s kind of it. Oh, and he shoots lasers from his eyes. Complicating his circumstances (transporting him in time, taking him to outer space) have multiplied the potential for elucidating his personality, but I was still unconvinced that there was enough to him to support his own title. Fortunately, writer Greg Rucka manages to find an incredibly relatable handhold — Scott’s relationship to his father — delivering a confident statement of purpose in Cyclops 1.

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May 6 2014

Commentary Track – Peter Tomasi Discusses Batman and Wonder Woman 30

commentary_tomasiPeter Tomasi  can be seen as a workhorse of DC’s writer stable. He is constantly dealing with other people’s baggage in his own series, including the Batman and Robin-altering death of Damian Wayne. But that’s not the only thread Tomasi has used to weave his Batman epic. Indeed, the loss of Robin has turned into survey of how the New 52’s Batman fits into rest of the Universe. Issue 30, titled Batman and Wonder Woman, plays with some of the best toys in the box. Patrick sat down with Pete and went through the issue page by page, so get your copy handy and join us on the Commentary Track.

Retcon Punch: First, can you talk about going after Wonder Woman and exploring the more magical end of the Universe. I know we’re chasing around resurrection pits and whatnot…

Peter Tomasi: Yeah, it seemed like a good place to explore. They’ve had Lazarus Pits all around the globe, and it felt like a cool bit that we hadn’t ever seen where: why wouldn’t a secret island full of Amazons have one? Maybe there’s a little something-something going on there, and we could play with a little magic there. I don’t really do this a lot, I’m a very linear storyteller — I wrote this whole sequence of them going to the island first and all this stuff. Continue reading →

May 6 2014

All-New X-Men 26

all new x-men 26

Today,  Patrick and Greg are discussing All-New X-Men 26, originally released April 20th, 2014.

Patrick: Superheroes are tools. No, not the “Superman is such a tool” kind of way, but in that they are all able to act as narrative and emotional shortcuts. Between shapeshifters and psychics, healers and teleporters, extra-dimensional sorcerers and reality-manipulators, there’s really nothing that the X-Men aren’t capable of. The brevity with which they can be used to evoke emotions might be even more impressive — just think of the ennui immediately invoked by the appearance of Jean Grey, or the uneasy sense of righteous revolution that accompanies Magneto. Brian Michael Bendis’ All-New X-Men seems designed to celebrate this tool box: bring the original quintet of X-Men to the present day brings all of those emotional shortcuts to the fore. Issue 26 might be the first time Bendis actually uses those tools, instead of laying them out neatly for us to all to quietly admire before putting them back in their protective cases. Continue reading →

May 2 2014

Batman Eternal 4

Batman eternal 4Today, Shelby leads a discussion on Batman Eternal 4, originally released April 30th, 2014.

Shelby: Last week, Spencer referenced the breakneck speed at which the Batman Eternal crew was giving us our story. While I do think this story is progressing along at a pretty good clip, I think it has more to do with us adjusting to a weekly story instead of a monthly one. Each issues gives us as much story as we’re used to, but now we’re getting 4 times the dosage every month. The weekly release schedule makes the story so much more effective — like Bruce, we are astounded and somewhat alarmed at how quickly events unfold.

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May 2 2014

Star Wars Rebel Heist 1

Today, Taylor and Patrick are discussing Star Wars Rebel Heist 1, originally released April 30th, 2014.

Taylor: Recently the cast for Star Wars Episode VII was announced. As long rumored, Mark Hamill, Carrie Fischer, and Harrison Ford will be reprising their roles as Luke, Leia, and Han in this installment, which is cause for mixed bag of emotions. I appreciate that the new Star Wars movies will attempt to link themselves to the original trilogy, but I also want the thing I loved preserved. George Lucas has given us ample reason to fear further Star Wars movies, and I worry that casting original actors in the new movie will somehow taint what came before it. At the same time, I’m also aware that my beloved characters have been taken out for a spin by multiple writers in the past. This hasn’t ruined my love of the original trilogy in the slightest, so maybe I just need to relax. With these ideas fresh in my mind, it’s interesting to pick up Star Wars Rebel Heist 1. Can it assert that use of beloved characters in new stories is okay? Or will it show they are best left to our memory? Continue reading →

May 1 2014

The Amazing Spider-Man 1

amazing spider-man 1Today, Patrick and Spencer are discussing The Amazing Spider-Man 1, originally released April 30th, 2014.

Patrick: If The Superior Spider-Man had us all asking what it means to be a hero (and, by extension, what it means to be a villain), then The Amazing Spider-Man seems poised to ask the question of what it means to be Spider-Man. It is a surprisingly wide question, with seemingly hundreds of discrete answers. What’s it mean to be Spider-Man? Kaine will tell you one thing, Miguel O’Hara will tell you another thing, Peter Parker will tell you something else, and Doc Ock (may he rest in peace) probably wouldn’t dignify the question with a response. Y’see, there are a lot of Spiders out there, and even more Spider-fans; what we want and what we expect from Spider-Man is so varied that even an issue designed to celebrate the hero can’t pick a tone and stick to it. It’s a fascinating, if uneven (and possibly even fascinatingly uneven), exploration of Spider-Man. Continue reading →

Apr 30 2014

The Manhattan Projects 20

manhattan projects 20Today, Patrick and Drew are discussing The Manhattan Projects 20, originally released April 23, 2014.

“Now I am become death, destroyer of worlds.”

Robert Oppenheimer, actual American History

Patrick: J. Robert Oppenheimer repeated this phrase, which he had read in the Bhadavad Gita, when we witnessed the first test of the atomic bomb. This is recorded in actual history text books, and widely believed to be true, but what exactly he meant by invoking the passage remains up to interpretation. Is he calmly asserting his own will over the strength of human life? Is he mourning his eternal loss of innocence? The odd syntax and the double verb make it an ungainly sentence, and speaking it aloud feels just as strange as the realization itself. Manhattan Projects has long been a series about an alternate American History, but this is the first issue to make a point of a similarity between all universes: Robert Oppenheimer is the face of evil.

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Apr 30 2014

Daredevil 2

daredevil 2Today, Patrick and Shelby are discussing Daredevil 2, originally released April 23rd, 2014. 

Patrick: If every issue is someone’s first issue, then every series must be someone’s first series. That’s precisely why Daredevil has kicked back to number one in the first place — to act as an easy access point for new readers. Mark Waid and Chris Samnee seem to be both embracing the possible newness of their readers while playing against the expectations of old readers with the character of Max Coleridge, The Shroud. Part Batman-homage, part Dardevil-mirror-match, part call-back to the scariest villain of the previous series, The Shroud is an interesting indicator of what we can expect from Matt Murdock’s adventures in San Francisco. Continue reading →