Jan 24 2013

Batwoman 16

Today, Drew and Jack are discussing Batwoman 16, originally released January 23rd, 2013.

Drew: The notion that myths gain their power from our belief in them has been a primary focus of Batwoman in the New 52. It’s a theme that has come up explicitly in the text — as Maro conjures the myths that haunt our dreams, and as Kate seeks out the myths that inspire us to greatness — as well as implicitly in our analyses. Indeed, we’ve made the case that comics are modern mythology so often, I’d forgotten what “myth” might mean besides “story.” It’s parsing that very detail that makes Batwoman 16 such a pleasure to read, as J.H. Williams III and W. Haden Blackman remind us of the pleasures of form afforded to modern storytelling. Continue reading →

Jan 24 2013

Nightwing 16

nightwing 16 DoF

Today, Mikyzptlk and Scott are discussing Nightwing 16 originally released January 23rd, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Mikyzptlk: “BOOOM” “KAKOOOM” “BOOOOOM” That is the “sound” of the Joker blowing up this series to smithereens. I’m sorry, have I gotten ahead of myself? Let me explain. A good fictional narrative will take one or more characters from point A, to B, and eventually to, you guessed it, point C. If we, the audience, are lucky, we’ll get a few good themes tossed in along the way as we watch our characters grow and progress throughout the story. A big theme behind Nightwing of late, has been “you can never go home again.” In Dick Grayson’s case, “home” was Haly’s Circus, and his recent life has been consumed with rebuilding it. It’s too bad then, that in the course of two issues, The Joker has not only destroyed Haly’s Circus, but made the series practically pointless and completely lacking of any payoff.

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Jan 23 2013

Secret History of the Foot Clan 2

secret history of the foot clan 2

Today, Drew and Patrick are discussing Secret History of the Foot Clan 2, originally released January 23rd, 2013.

Drew: The first issue of this series wowed me with the way its sophisticated exploration of narrative perspective. To me, the notion of a single story pieced together from tidbits contributed by many storytellers represented comics generally, and this iteration of the Teenage Mutant Ninja Turtles specifically. In issue 2, writers Mateus Santolouco and Erik Burnham pull the scope back even further, commenting on previous iterations of the Turtles. As someone who grew up in the ’90s, I couldn’t be more pleased. Continue reading →

Jan 23 2013

Batman and Robin 16

batman and robin 16 DoF

Today, Michael and Patrick are discussing Batman and Robin 16, originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Michael: A series is generally more gratifying when it subverts expectations without betraying our understanding of the characters. In a New 52 series like Batman and Robin, this balance is difficult to achieve; readers demand a basic level of fidelity to beloved genre tropes and character traits, but expect narratives that stand up to the scrutiny of a savvy, cliche-fatigued audience. This issue doesn’t drop any groundbreaking twists, but it works deftly within a familiar framework

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Jan 23 2013

All-New X-Men 6

all new x-men 6

Today, Drew and guest writer Ethan Andyshack are discussing All-New X-Men 6, originally released January 16th, 2013.

Drew: Like the characters in All-New X-Men, comics have a complicated relationship with their own histories. Some fans love the richness imparted by a long, cohesive history, while others are put off by the notion of needing to know every little detail for a story to make any sense. Obviously, the situation with All-New X-Men is made even more complicated by the notion of time travel (what narrative isn’t?), but that complexity might just allow it to comment directly on comics history. That wasn’t a revelation I was expecting out of this series, but it’s one that comes through with piercing clarity in All-New X-Men 6. Continue reading →

Jan 22 2013

Saga 9

Alternating Currents: Saga 9, Drew and Shelby

Today, Drew and Shelby are discussing Saga 9, originally released January 16th, 2013.

Drew: My trumpet teacher used to talk about the “Ascending Spiral Groove Thang,” the notion that you can gain a lot from an idea by returning to it after you have different experiences to relate it to. He was using it as a (valid) justification for retreading the same lessons for his advanced players that he gave to his beginners, but I often think about it in terms of appreciating narratives. Many stories that I enjoyed well enough as a kid became significantly more meaningful once I had my own experiences with loss, heartbreak, or leaving home. Of course, I’m a far cry from having seen it all, and nothing reminds me of that more than parenting stories. Whether they feature uptight professionals (or lazy slobs) whose lives are turned upside down by an adorable street urchin, or a good old-fashioned “we’re having a baby!” story, the moral is always the same: having a kid changes everything. I suspect these stories keep being told because artists keep experiencing it — a kind of “no, seriously: HAVING A KID CHANGES EVERYTHING” — and because the stories themselves can never really do the experience justice, all of which leaves me feeling like I’m probably missing something all parents just get. Fortunately, that ignorance doesn’t prevent me from enjoying said narratives, as Saga 9 so ably demonstrates. Continue reading →

Jan 22 2013

Superboy 16

superboy 16 HelToday, Patrick and Drew are discussing Superboy 16, originally released January 16th, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Patrick: Drew had to fight pretty hard to find some meaning in last month’s issue of Superboy. I’m not saying his assertions are wrong, but they certainly meet Tom DeFalco more than half-way. Shelby was not so kind. This issue, by comparison, brings some strong characterization of Superboy, non-stop action and an interesting theme (with clever call-backs). This issue isn’t going to start any Superboy-revolution, but it is a tonally consistent, exciting story. Maybe I’m setting the Superbar pretty low at this point…

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Jan 21 2013

Indestructible Hulk 1-3

hulk 1-3

Today, Shelby and Patrick are discussing Indestructible Hulk 1-3, originally released November 21st, 2012, December 19th, 2012, and January 16, 2013.

Shelby: The Hulk is not a complex character. He exists as rage incarnate, smashing his way through everything in his path, and basically unstoppable once he gets started. There’s no ulterior motive, no hidden agenda, no personality, just smashsmashsmash. He makes for some sweet action sequences, but that’s about it. The Hulk gets interesting when you consider his relationship with Bruce Banner. Because Banner can basically turn into a nuclear bomb at any moment, he doesn’t exactly get invited to a lot of backyard barbecues; his life has been spent in isolation, desperately seeking a cure for his chronic Hulk-itis. Mark Waid has decided enough is enough for sad science Banner, and is pointing both Banner and the Hulk in a whole new direction.
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Jan 21 2013

Daredevil 22

Alternating Current: Daredevil 22, Drew and MikyzpltkToday, Drew and Mikyzptlk are discussing Daredevil 22, originally released January  16th, 2013.

Drew: Last month, I marveled at the reveal of Otto Octavius’s Spider-Man at the end of Daredevil 21. I thought the choice of Kirsten for that first encounter was a brilliant one, since while we expect our heroes to be in the know, we’re used to civilian friends to be kind of clueless (coughJimmyOlsoncough). Of course, Marvel is playing a much longer game with Otto in the Spidey suit, so it’s a necessity that Matt not figure things out right away, either. I’m generally wary of dramatic irony that keeps the hero in the dark — it’s too often played with an obviousness that makes the heroes come off as dumb — but Mark Waid manages to find a logical, thematically resonant reason for Matt to overlook Spider-Man’s odd behavior by tying it back to his personal life. Continue reading →

Jan 21 2013

Captain America 1-3

captain america 1-3

Today, Patrick and Shelby are discussing Captain America 1-3, originally released November 21th, December 19th, 2012 and January 16th, 2013.

Patrick: Captain America is a character defined by his time. Other characters may be products of the time during which their creators were writing them – Superman, Wolverine, Deadpool, Hal Jordan – all of these guys bear the stamps of the decades they were introduced. But that Captain America concept is frozen in time, locked in place by a character-defining opportunity to kick Nazi-ass. So how does one update the intentionally old-fashioned? It’s not even like you can just drop Steve Rogers into a modern American military conflict and watch the action play out: we’re not exactly storming beaches anymore. So where’s an old soldier supposed to feel at home? Why, a dangerous, barren wasteland that ignores the laws of physics, of course!

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