Jan 4 2013

Justice League Dark 15

justice league dark 15

Today, Shelby and Taylor are discussing Justice League Dark 15, originally released January 2nd, 2013.

Shelby: Science and magic. In the broadest of terms, they are the two sources of meta-humans’ powers in the DCU. Superman? He’s an alien being powered up by the particular wavelength of light from our sun: that’s science. Wonder Woman? She’s a demi-god, pure and simple: that’s magic. Green Lantern? Trick question, it’s will-power harnessed and weaponized: I’m calling it magic refined by science. Lantern Corps aside, there’s usually a pretty clear line between science (far-fetched and ridiculous though it may be) and magic in the comic book universe. Often times the two sides face off, refusing to see that they are kind of two sides of the same coin, but every so often science and magic team up and we get something extra special. Luckily for us, Justice League Dark gives us both options in one action-packed issue.  Continue reading →

Jan 4 2013

Talon 3

talon 3

Today, Mikyzptlk and Drew are discussing Talon 3, originally released January 2, 2013. 

Mikyzptlk: Trust is both extremely hard to gain and to easy to lose. One can work for years to gain the trust of another simply to lose it all in a single encounter. The main characters of Talon, Calvin and Sebastian, have both been put in a position where they need to build trust between one another. In the world they live in, dealing with the enemies they deal with, that can be a very hard thing to do. It’s funny then that series writer James Tynion IV also finds himself in the position of building a trust with his audience. Getting new comic book characters to catch on with audiences is tough, especially considering all of the well-established characters that are out there. Convincing your audience that you have an interesting character with a story worth telling is essential for the success of  said characters. Even having Scott Snyder (who is, admittedly,  very hot right now) on board with a story credit doesn’t guarantee success, so it’s important that Tynion quickly builds trust with his audience and convinces them to stick around for the long haul. As for myself, I’m not sure if Tynion has convinced me quite yet, but this issue certainly goes in the right direction. 

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Jan 3 2013

Superman 15

superman15 Hel

Today, Patrick and Scott are discussing Superman 15, originally released January 2nd, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Patrick: The title page for Superman 15 contains the name of the series, but you have to really look for it. The title of the issue, “Because I’m a Scorpion” dwarfs iconic “Superman,” but it’s all dwarfed by the splash page of Superman and Superboy punching rockets out of the air. It’s symptomatic of one of the problem’s this series faces: Superman’s personality is being over-shadowed by that of artist Kenneth Rocafort.

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Jan 3 2013

Red Lanterns 15

Alternating Currents: Red Lanterns 15, Drew and Patrick

Today, Drew and Patrick are discussing Red Lanterns 15, originally released January 2nd, 2013. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Drew: Last month, Shelby and Mikyzptlk raged about how Red Lanterns 14 seemed to misunderstand the very concept of rage. While I’d love to suggest that that response was fully intended as a clever “you are there!” meta-text, that stuff is really only satisfying when the text itself actually works. When done well, the various corps should act as a shorthand for emotion, giving you a quick and dirty sense of the character’s motivations. Unfortunately for Peter Milligan, rage isn’t a particularly relatable emotion — in fact, its irrational nature makes it totally un-relatable. I don’t envy the task of pulling something compelling out of the Red Lantern corps, so I can almost excuse the fact that he wants to make his characters driven by something other than rage — except that it ultimately serves to make the characters less compelling by removing literally the only thing I know about them. This leaves Red Lanterns 15 populated by characters with no apparent motivation in situations I neither fully understand nor care about.

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Jan 2 2013

All-New X-Men 4

Alternating Currents: All-New X-Men 4, Patrick and Drew

Today, Patrick and Drew are discussing All-New X-Men 4, originally released December 19th, 2012.

Patrick: Time travel narratives end up appealing to our vague understandings of chaos theory and the butterfly effect (thanks Jurassic Park, for introducing those into our media-vocabulary). But usually that assumes a time-lapse: events unfold differently throughout time and our future is changed to match the changing past. All-New X-Men shows these same ripples, but throughout the present, as the emotional impact of Beast’s time-travel project effects everyone in turn. Instead of seeing a cause, and then skipping 25 years later to see the effect, we’re subjected to the slow, real pace of cause and effect. It makes for a much smarter, much more sincere time travel story. Oh and there are X-Men in it too. Continue reading →

Jan 2 2013

Thor: God of Thunder 1-3

thor 1-3

Today, Shelby and Patrick are discussing Thor: God of Thunder 1-3, originally released November 14th, November 28th, and December 19th, 2012.

Shelby: We often praise Brian Azzarello’s Wonder Woman for its creative inclusion of the Greek pantheon in the cast of characters. In that universe, the gods are real, tangible beings who walk among the people, but we don’t see them doing much of anything. As far as I can remember, the only god in Wonder Woman we see actually invoked to do his job is Eros; most of the time, the rest of the gods scheme and plot to get what they want. Thor is different; he fights at the side of the Vikings and answers the prayers of those who need his aid. Writer Jason Aaron takes it one step further; for every weird and wacky universe Marvel has got, Aaron gives us a new set of real, tangible gods for it. He then asks the question, “If the gods are real, why can’t they be killed? What would happen to these civilizations if all their gods were dead?” It’s a heady question to be sure, and one that Thor has to face as he confronts the God Butcher at three distinct points in his life.

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Jan 2 2013

Red Hood and the Outlaws 15

Alternating Currents: Red Hood and the Outlaws 15, Drew and ShelbyToday, Drew and Shelby are discussing Red Hood and the Outlaws 15 originally released December 19th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Back when I first read Red Hood and the Outlaws 0, I was in awe of the backup revealing the Joker’s role in Jason’s life. I wasn’t sure at the time whether or not I truly believed Joker’s story (he’s not the most reliable narrator), but the thought that it could be true was a fascinating idea. One of the things that struck me about that story is that it more or less confirms that Joker knows who Batman (and by extension, the rest of the bat-family) is, a notion that has been at the forefront of the Death of the Family event. I’ve staunchly defended the possibility that the Joker is bluffing, but this issue’s focus on his relationship with Jason makes that outcome seem as remote as ever. Continue reading →

Jan 1 2013

Daredevil 21

Alternating Currents: Daredevil 21, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 21, originally released December  19th, 2012.

Drew: We often chide comics for their relatively high cost of entry. It’s easy enough to pick up random issues here and there, but to really dig into a series might require an understanding of decades of stories, and how any of it might matter now. What’s worse is that any given series may have crossed paths with any number of other series over its long history (and might just be crossing paths with any of them again soon). To committed fans, this creates an immersive, almost tactile world, but to folks hoping to ease their way into comics, that dense, interwoven history can be downright impenetrable. We’re generally willing to go along for the ride here at Retcon Punch (which is why we’ve aimed to cover essentially any crossover event DC throws at us), trusting that that dedication will be rewarded. In the final scene of Daredevil 21, Mark Waid turns that expectation on its head, actively rewarding our ignorance (or at least uncertainty) about exactly what’s going on.

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Jan 1 2013

Best of 2012: Best Titles

best titlesWe generally avoid quantifying our enthusiasm around here — we’ll gladly praise or condemn comics as our tastes dictate, but turning that into a grade or a score makes us uncomfortable. As there are in our pull-list, there are holes in this ‘Best of’ list. Mea culpa. We’ve had some great experiences with comics this year, and these are the series that were consistently fun, thoughtful and beautiful. Too subjective for a year-end list? Ignore the rankings. Any way you slice it, these are fantastic series that deserve the scrutiny we heap on everything. Each is a rewarding read and well worth your attention. Our picks for the top 12 series of 2012:

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Dec 31 2012

Best of 2012: Best Covers

best coversYou know you shouldn’t judge a book by its cover, but that doesn’t mean you can’t judge the cover on its own merit. Some covers are so excellent that they back all the drama, excitement and emotion of the whole issue into one succinct image. Sometimes they end up being their own surreal experience. And other times, we’re just exciting to see our favorite heroes kicking ass one more time. These are our top 12 most awesome, creative and graphic covers of 2012.

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