Wonder Woman 27: Discussion

By Drew Baumgartner and Ryan Mogge

Wonder Woman 27

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Drew: I think it’s safe to say our society is obsessed with patrilineage. Our last names (generally) come from our fathers. We have sayings about the sins of the father. And daddy issues abound in modern storytelling. This holds very true for superhero comics, where characters like Batman and Superman only survived their initial tragedies thanks to the heroic efforts of their fathers (at least in some versions). But Wonder Woman has always been different in that regard. As an Amazon born of clay, she has no father, nor a father-like figure in her life — this is a character poised to emphasize the roles of mothers. With issue 27, Shea Fontana and Mirka Andolfo do just that, albeit in unexpected ways. Continue reading

The Joy of Star Wars: Doctor Aphra 10 is the Supporting Cast

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I’m beginning to sound like a broken record, but Kieron Gillen and Kev Walker’s Star Wars: Doctor Aphra 10 once again illustrates that the joys of these Star Wars comics are frequently not in their ostensible stars. Chelli Aphra as a character is interesting enough to do no harm, but the real highlights of the issue are the supporting cast; Toov and his Iron Lung of The Future, the Ezaraa and their delusions of grandeur, BeeTee and Triple-Zero’s turning their boredom into dangerous tinkering, each is much more interesting than the mechanizations of the plot. Continue reading

Oppression Makes Strange Bedfellows in Black Panther 16

By Drew Baumgartner

Black Panther 16

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The king who is situated anywhere immediately on the circumference of the conqueror’s territory is termed the enemy. The king who is likewise situated close to the enemy, but separated from the conqueror only by the enemy, is termed the friend (of the conqueror).

Kautilya, Arthasastra

Understood more colloquially as “the enemy of my enemy is my friend,” the above sentiment was first recorded in a 4th Century treatise on statecraft. That is, while we might be most familiar with the concept as its used in interpersonal dramas or forming political coalitions, it was first composed to conceptualize a concept in city-state diplomacy. More importantly, Kautilya is quite specific in when this attitude should be applied — basically, only when the “conquerer” stands to lose nothing from the alliance. Such is the case when T’Challa approaches Dr. Eliot Augustus Franklin (better known as Thunderball of the Wrecking Crew) — T’Challa has nothing to lose, and Franklin has everything to gain from cooperating. Continue reading

Saga 45: Discussion

by Ryan Desaulniers and Patrick Ehlers

This article containers SPOILERS. If you have not read the issue yet, proceed at your own risk!

Ryan D: Since last issue’s final splasy page reveal — which Brian K. Vaughn and Fiona Staples love doing to us — my friends and I have been theorizing what the heck is happening with this male-looking version of Hazel who appears to Alana. The easy explanation would be that Alana is sick with her stillborn child and hallucinating. I find myself extremely pleased now, after reading this issue, that the approach the creative team took here is much more dramatically interesting than a mere hallucination. Having this apparition be a side-effect of the magical abilities which Alana temporarily sports due to her miscarriage helps to further the lore of the Horns’ magical abilities and the context in which they were used, and the fact that Marko, Alana, and Hazel all share sight of this magical illusion-child offers us crushing moments like this:

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Getting Lost in the Pirate Tale of All-Star Batman 12

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Comic books love revisiting and revitalizing the past — it’s Marvel and DC’s bread and butter. With “The First Ally,” Scott Snyder is revisiting one of Alfred Pennyworth’s many backstories: British Secret Agent Man. In All-Star Batman 12, Alfred is the one taking charge as he unfolds the mystery for The Dark Knight Detective. Continue reading

An Alliance Comes to its Inevitable End in Hal Jordan and the Green Lantern Corps 25

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

It was nice while it lasted, but the alliance between the Green Lanterns and the Sinestro Corps has come to its inevitable end. With Tomar-Re’s murder of Romat-Ru, Kyle Rayner’s secret keeping and Soranik Natu’s subsequent branding, things have come to a head in the extra-sized Hal Jordan and the Green Lantern Corps 25. Continue reading

Gwen Becomes a God in The Unbelievable Gwenpool 18

by Spencer Irwin

This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When Gwenpool was first announced, I assumed she would just be a meme, a jokey mash-up of Deadpool and Spider-Gwen. Throughout The Unbelievable Gwenpool, though, Christopher Hastings and Gurihiru have made Gwen a compelling character in her own right, primarily by treating even her zaniest personality traits and adventures with respect and gravitas. This includes Gwen’s knowledge of Marvel’s fictional existence; while Deadpool’s breaking the fourth wall is treated as a fun in-joke with no bearing on the plot, Gwen’s ability to do so has not only become one of her greatest advantages as a fighter, but has now essentially made her a god. Continue reading

How a War of Language Escalates to Full-On War in Captain America Steve Rogers 19

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There are few political and social movements in my lifetime that have caused my peer group to stand up and say “fuck that whole ideology.” The rise of Trump and white nationalists is one such movement. I do it too — I find the ideas and attitude so repugnant, that I can’t help but extend my disgust to the people who preach it. Whether I’m justified in jumping to such combative language (did I really just use the f-word in the first sentence of a Retcon Punch piece?) the effect is undeniable: I’m contributing to the adversarial relationship that makes it feel like there’s moral gulf between myself and a Trump supporter. And with a chasm between us, how do we ever find common ground? Captain America Steve Rogers 19 asks these same questions, and unsettlingly lands on an answer: war.

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Secret Empire 7: Discussion

By Michael DeLaney and Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: Fictional prophecies are a tricky thing. Typically, the prophecy is either dead-on or has been slightly misinterpreted, but either way it usually comes with a twist. Nick Spencer has played with a lot of elements from Marvel’s last big crossover event Civil War II, but none moreso than Miles Morales clutching Steve Rogers’ lifeless body on Capitol Hill. Secret Empire 7 finally approaches that moment…or does it? Continue reading

Pacing Reveals in Cannibal 7

by Drew Baumgartner

Cannibal 7

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.

Gary Provost

Pacing is the silent artistry of every medium, the kind of essential element that you only ever notice when it’s either poorly or remarkably well done. As such, pacing is not the kind of thing we always get to talk about around here — beyond the fact that the bulk are paced competently, comics pacing usually takes several pages to really sink in, so is a difficult point to illustrate in a short essay. But then there are comics that do it so well, they almost demand that effort. Cannibal 7 is one of those comics. Continue reading