Aquaman 16

aquaman 16 Throne

Today, Michael and Mikyzptlk are discussing Aquaman 16, originally released January 30th, 2012. This issue is part of the Throne of Atlantis event. Click here for all of our ToA coverage.

throne div

Michael: Nothing gets me going like a dramatic reveal. I love stories wherein tables are turned and even villains fall in and out of virtue. In comics, a strikingly juxtaposed panel can make a subtle twist even more shocking. There’s something thrilling about being duped by a brilliant turn. We’re told something is true, relevant, or congruous, only to find out that some or all of these things don’t matter, and yet the story is somehow better for it. It may be that we enjoy the release of tension or delight in dashing our assumptions that makes these betrayals so enjoyable, but part of what makes them effective is context. What the hero knows determines how new information changes him. Issue 16 of Aquaman delivers some really solid twists from Geoff Johns with vivid art from Paul Pelletier and Sean Parsons to back it up, but our heroes are so clueless and mired in chaos that the impact of these bombshells are hard to gauge. Continue reading

Justice League 16

Alternating Currents: Justice League 16: Drew and ZachToday, Drew and guest writer Zach Kastner are discussing Justice League 16, originally released January 23rd, 2013, This issue is part of the Throne of Atlantis crossover event. Click here for complete ToA coverage.

throne div

Drew: “What if there was a problem so big, Superman couldn’t solve it?” is the question the Justice League was designed to answer. This was something Johns managed quite well in this series’ first arc, justifying the League’s formation with a truly global threat. This issue effectively voids that answer by asking “yeah, but what if there was a problem so big even the Justice League couldn’t solve it?” Continue reading

Nightwing 16

nightwing 16 DoF

Today, Mikyzptlk and Scott are discussing Nightwing 16 originally released January 23rd, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Mikyzptlk: “BOOOM” “KAKOOOM” “BOOOOOM” That is the “sound” of the Joker blowing up this series to smithereens. I’m sorry, have I gotten ahead of myself? Let me explain. A good fictional narrative will take one or more characters from point A, to B, and eventually to, you guessed it, point C. If we, the audience, are lucky, we’ll get a few good themes tossed in along the way as we watch our characters grow and progress throughout the story. A big theme behind Nightwing of late, has been “you can never go home again.” In Dick Grayson’s case, “home” was Haly’s Circus, and his recent life has been consumed with rebuilding it. It’s too bad then, that in the course of two issues, The Joker has not only destroyed Haly’s Circus, but made the series practically pointless and completely lacking of any payoff.

Continue reading

Batman and Robin 16

batman and robin 16 DoF

Today, Michael and Patrick are discussing Batman and Robin 16, originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Michael: A series is generally more gratifying when it subverts expectations without betraying our understanding of the characters. In a New 52 series like Batman and Robin, this balance is difficult to achieve; readers demand a basic level of fidelity to beloved genre tropes and character traits, but expect narratives that stand up to the scrutiny of a savvy, cliche-fatigued audience. This issue doesn’t drop any groundbreaking twists, but it works deftly within a familiar framework

Continue reading

Superboy 16

superboy 16 HelToday, Patrick and Drew are discussing Superboy 16, originally released January 16th, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Patrick: Drew had to fight pretty hard to find some meaning in last month’s issue of Superboy. I’m not saying his assertions are wrong, but they certainly meet Tom DeFalco more than half-way. Shelby was not so kind. This issue, by comparison, brings some strong characterization of Superboy, non-stop action and an interesting theme (with clever call-backs). This issue isn’t going to start any Superboy-revolution, but it is a tonally consistent, exciting story. Maybe I’m setting the Superbar pretty low at this point…

Continue reading

Batman 16

Alternating Currents: Batman 16, Drew and ShelbyToday, Drew and Shelby are discussing Batman 16 originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: One of the most thrilling things about Christopher Nolan’s The Dark Knight was the surprisingly strong case it made for Joker’s way of thinking. Obviously, we aren’t meant to agree with his murderous methods, but any time he’s given a chance to explain his worldview, he actually makes a pretty compelling argument. The effect was a surprisingly nuanced take on the nature of freedom, drawing our attention to just how untenable Batman’s outlook is, as well. Scott Snyder manages a similar trick in Batman 16, making Joker’s argument alluring, even as his methods are utterly horrifying. Continue reading

Detective Comics 16

Alternating Currents: Detective Comics 16, Drew and ScottToday, Drew and Scott are discussing Detective Comics 16, originally released January 9th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

death-divDrew: Batman, as an idea, is essentially a very elaborate scared-straight program. The whole reason Bruce Wayne dresses up like a bat is because he believes criminals — a superstitious and cowardly lot — will be too afraid to commit crime in Gotham. Sure, some criminals are too cocksure to fear him, or simply don’t believe that he exists, but pretty much everybody runs once he actually shows up. Joker is different. For whatever reason — that he doesn’t feel fear, doesn’t mind fear, or just that he just sees Batman as a guy in a costume who keeps insisting that everybody take him seriously — the idea of Batman doesn’t deter Joker from crime. In fact, modern interpretations of the character suggest that he commits crimes in order to gain Batman’s attention. That notion is what’s made their struggle such a fundamental one, and also explains why the Joker has so many fictional fans — if he can not blink in the face of terror, so can others. The idea that the Joker could be an empowering figure is a fascinating one, but unfortunately, Detective Comics 16 doesn’t take the time to do it justice. Continue reading

Batman Incorporated 6

batman inc 6

Today, Patrick and Drew are discussing the Batman Incorporated 6, originally released January 2nd, 2013.

Patrick: There’s a moment early in this issue when Batman realizes that Talia is going to put him through the Ten Ox Herding Pictures before being able to confront her directly. Batman asks, “Can’t we just have a conversation, like normal people?” to which, Talia replies, “We’re not ‘normal people.’ We’re special.” Batman’s got a point: Batman Incorporated is in ruins and Leviathan is everywhere. To make matters worse, Talia is moments away from making Bruce choose between his city and his son — with conflict so clear and so immediate, what room is there for a Zen parable about the process of becoming enlightened? Continue reading

Aquaman 15

aquaman 15 Throne

Today, Shelby and Michael are discussing Aquaman 15, originally released December 26th, 2012. This issue is part of the Throne of Atlantis event. Click here for all of our ToA coverage.

throne div

Shelby: Events are tricky things to handle. On the one hand, you have an opportunity to tell a story on a broader scale; you can involve more characters and build bigger plots. You also get a chance to lure readers to new titles, which can either be see by readers as an introduction to something new, or a cheap trick to make us give DC more money. To some extent, both are true. The real trick to an event, though, is figuring out how to distribute your story, and Geoff Johns is making some choices with Thrones of Atlantis that I find to be interesting to say the least. Just a heads up to you, our gentle readers: don’t make the same mistake I did. If you haven’t read Justice League 15 yet, put this down, go read it, and then come back, otherwise Aquaman 15 isn’t going to make a lick of sense.
Continue reading

Justice League 15

justice league 15 Throne

Today, Drew and Patrick are discussing Justice League 15, originally released December 26th, 2012, This issue is part of the Throne of Atlantis crossover event. Click here for complete ToA coverage.

throne div

Drew: Sitcoms and comics are notorious for featuring one- and two-dimensional characters. This isn’t the result of laziness on the writers’ parts — actually, it’s their desire to work indefinitely. Narratives that don’t go on indefinitely are free to give their characters actual character-defining arcs — that’s kind of the point — but those that have no defined endpoint must more or less tread water to avoid ending. This is why we know the status quo will always be restored. Sure, Bruce might stop brooding for a bit, or Hal might lose his ring, or Superman might die, but as long as people are willing to see their further adventures (and pay for them), they’re bound to return to their resting state. Individual titles focusing on those characters are free to bend the rules a bit, but cameos in other titles kind of rely on the platonic form of the heroes. Because Justice League essentially acts as a series of cameos, it is particularly invested in not giving these characters any sense of emotional arcs. Of course, that doesn’t stop Johns from trying to shoehorn those in from time to time, too.

Continue reading