The Multiversity Guidebook

multiversity guidebook 1

Today, Michael and Mark are discussing The Multiversity Guidebook, originally released January 28th, 2015.

Michael: Currently I’m re-watching Animaniacs, a children’s show which often wore the disguise of an educational tool pretending to be a cartoon. Sure, the characters are goofy and zany, but they still teach you the names of all of the countries of the world in a catchy tune. With that in mind, The Multiversity Guidebook is a story disguised as a “history book.” There’s a lot of information thrown at you about the multiple earths of the DC Universe, but it is clearly the connective tissue of every chapter of The Multiversity thus far. It’s the history of the same story: The DC Universe story. Continue reading

Batman and Robin 38

batman and robin 38
Today, Mark and Michael are discussing Batman and Robin 38, originally released January 21st, 2015.

Mark: One of the complaints leveled at comic books is that nothing ever sticks. A character dies, only to be brought back at the next best opportunity. Damian was dead, but now he’s back. Reborn Damian has super powers, but it’s probably only a matter of time before he’s de-powered. Does the inevitability detract from what’s happening now? As a reader, that’s not something that’s ever bothered me. My only expectation/hope when reading a series is that individual arcs will be satisfying. Comic books are mini-rebooting between arcs all the time. If a good arc is followed by a bad arc, it doesn’t diminish what came before. 

Batman has had a lot of surrogate children over the years (it seems like recently we’re having a Robin graduation every year or so), but there’s obviously something unique about his relationship with Damian. It’s been a long journey to Damian’s resurrection, and finally seeing the Dynamic Duo back in action is a lot of fun. Still in the end, as much as this is sold as a new beginning, this issue is more of a concluding chapter to the Robin Rises saga. Continue reading

Avengers 40

Alternating Currents: Avengers 40, Drew and Mark

Today, Drew and Mark are discussing Avengers 40, originally released January 14th, 2015. 

The more I love humanity in general, the less I love man in particular

Fyodor Dostoyevsky, The Brothers Karamazov

Drew: I think it would be fair to say that Dostoevsky’s polyphonic style — one built upon the perspectives of an array of characters — is antithetical to the notion of the hero’s journey. Indeed, Dostoyevsky’s philosophies (as articulated in the quote above) suggest that there’s an active tension between caring about an individual and caring about humanity at large. I’ve always been partial to the depth of understanding achieved by sticking with one protagonist — especially when it comes to comics — which has made me wary of the kind of expansive, Dostoyevskian scope of Jonathan Hickman’s Avengers. In my mind, a tight focus on a single character more accurately reflects how we experience the world, but with Avengers 40, Hickman makes a compelling case for how his dense interconnectedness reflects how the world actually is. Continue reading

Green Lantern 38

green lantern 38

Today, Mark and Patrick are discussing Green Lantern 38, originally released January 7th, 2015.

Mark: My least favorite part of any story that follows the traditional hero’s journey is when we get to the Reluctant Hero. You know, the part when, after being given an incredible power like, say, a ring that allows you to construct anything with your mind using only willpower, the hero complains about how much responsibility they have and how difficult their life is. It’s like listening to a teenager complain about their feelings: “My life is so bogus. No one understands but me. You guys are so phony!”

Comics can be a lot of things, but I don’t feel like it’s going too far to say that traditional superhero comic books are generally a form of escapism and wish fulfillment. We read these books for the same reason we watch movies like Raiders of the Lost Ark: fundamentally we want to be Indiana Jones. We want to be the Green Lantern. Continue reading

Superman 37

superman 37Today, Spencer and Mark are discussing Superman 37, originally released December 24th, 2014.

“Humankind cannot gain anything without first giving something in return. To obtain, something of equal value must be lost. That is Alchemy’s First Law of Equivalent Exchange.”

Edward Elric, Fullmetal Alchemist

Spencer: Equivalent Exchange isn’t just applicable to alchemy (or anime) — it’s a principle we all follow every day. We exchange our time for money. We exchange money for goods. We can even (metaphorically) give our hearts in hope of gaining affection in return. The point is, nothing comes for nothing, and the more we hope to gain, the more effort we have to put out to obtain it. This is even true of Ulysses’ Great World — it turns out that the price to maintain its “perfection” is five million human lives. Geoff Johns and John Romita Jr.’s Superman 37 finds Superman and Ulysses debating the morality of the Great World, and in doing so, they draw some compelling parallels to our own lives. Continue reading

The Multiversity: Thunderworld Adventures 1

multiversity thunderworld 1Today, Mark and Drew are discussing The Multiversity: Thunderworld Adventures 1, originally released December 17th, 2014.
Mark: The Multiversity: Thunderworld Adventures 1 is a story out of time. On Earth-5, Billy Batson and friends exist in a pre-New 52 (and pre-Crisis on Infinite Earths?) continuity. Shazam is the name of a wizard, not the name of our superhero. The Rock of Eternity is attacked and the wizard Shazam taken prisoner by the evil Dr. Sivana. Working in tandem with the Sivanas across the multiverse, Dr. Sivana has mined enough Suspendium to build his own Rock of Eternity and create his own day on the cosmic calendar: Sivanaday, a day where everything goes his way. Continue reading

Avengers 39

avengers 39Today, Spencer and Mark are discussing Avengers 39, originally released December 10th, 2014. 

Spencer: When you read enough comics, you start to see certain repeated themes and styles emerge among various writers. Brian Michael Bendis is known for dialogue-heavy, somewhat decompressed comics. Kieron Gillen makes no attempt to hide his musical influences and knack for clever dialogue. Geoff Johns loves to rehabilitate long-forgotten or mishandled characters and concepts (and is also a bit infamous for cutting off his characters’ arms). Jonathan Hickman, meanwhile, is probably best known for his cerebral, somewhat detached style of writing that can spend years setting things up before finally letting all the dominos fall into place. With this week’s Avengers 39 we’re getting closer and closer to the end of Hickman’s Avengers epic, but the most interesting part of the issue is the commentary Hickman seems to be making on his own writing style. Continue reading

Detective Comics 37

Alternating Currents: Detective Comics 37, Mark and DrewToday, Mark and Drew are discussing Detective Comics 37, originally released December 3rd, 2014.
Mark: Of all the Batman movies, Batman Returns remains my favorite. It’s probably the darkest Batman film yet made (I mean, it opens with parents throwing their baby in the sewer. Opens!), but it also has a sense of humor and style that the oppressively serious Christopher Nolan adaptations lack. One of the things that makes the movie pop is the decision to set the action at Christmastime. Even all lit up for the holidays there’s no place as terrible as Gotham City, and that contrast adds a dark mirth to the proceedings. With the holiday season once again upon us, it’s the perfect time to revisit Gotham at Christmas. After a two month airport diversion, creative team Brian Buccellato and Francis Manapul are back and Detective Comics 37 jumps us right into the thick of Gotham on Christmas Eve. Guess what? Things are not great. Continue reading

New Avengers 27

Alternating Currents: New Avengers 27, Drew and MarkToday, Drew and Mark are discussing New Avengers 27, originally released November 26th, 2014. 

slim-bannerDrew: I suppose it’s no surprise that the phrase Deus ex machina is ancient in origin, but I was surprised to learn that it originally described an actual machine used to levitate actors playing gods in ancient tragedies. Of course, it’s more popular meaning as a totally lazy plot device are also ancient in origin — Aristotle took Euripides to task for using a dragon-drawn chariot to whisk suddenly Medea to safety — which speaks to just how long people have been hating it. I dislike unlikely reversals of fortune or sudden interventions by benevolent higher powers as much as the next guy, but the thing that really annoys me about the thought of meeting the man behind the curtain is the expectation that it will be in any way satisfying. I’ve had enough experience to know that the more interesting a question is, the less interesting its answer will inevitably feel, which makes the presence of a being with all the answers extremely unappealing to me. Jonathan Hickman manages to avoid this a bit in New Avengers 27 by answering some of the less interesting questions, though that unfortunately also doesn’t yield particularly satisfying answers. Continue reading

The Multiversity: Pax Americana 1

pax americana 1Today, Mark and Ryan are discussing The Multiversity: Pax Americana 1, originally released November 19th, 2014.

Mark: Alan Moore’s Watchmen is regularly heralded as the finest work ever produced in the medium of comics, but it wasn’t born in a vacuum. Moore’s original pitch was to use heroes from DC Comics’ then recent acquisition of certain Charlton Comics characters like Peacemaker, Captain Atom, Blue Beetle, and The Question. In the end DC had other plans for their new IP, but Moore used those heroes as the frameworks for his invented characters. Now, almost 20 years later, the all-star team of Grant Morrison and Frank Quitely flip Moore’s original vision on its head in The Multiversity: Pax Americana 1. On Earth-4, Peacemaker is our The Comedian, The Question takes on characteristics of Rorschach, Captain Atom those of Doctor Manhattan, and Blue Beetle reflects Nite Owl. If Watchmen is a snake eating it’s own tail, Pax Americana is the tail biting back just a bit. Continue reading