Indestructible Hulk 6

hulk 6

Today, Patrick and Drew are discussing Indestructible Hulk 6, originally released April 3rd, 2013.

Patrick: Last month, Drew asked the question of whether Indestructible Hulk scribe Mark Waid was attempting to satirize DC’s recent Aquaman-centric Throne of Atlantis event with his own silly Atlantis story. This issue finds Bruce Banner away from one set of otherworldly adventures and embracing another. But as the worlds change beneath his feet, the questions of the issue are “who?” rather than “where?” Continue reading

All-New X-Men 10

Alternating Currents: All-New X-Men 10, Drew and Shelby

Today, Drew and Shelby. are discussing All-New X-Men 10, originally released April 3rd, 2013.

Drew: They say that history is written by the victors. Generally, we mean that in a societal sense: the winners of wars paint their cause in a favorable light, which is why successful overthrows of the government are called “revolutions,” while failures are called “civil wars.” But what if we applied the phrase personally? Our lives are made up of decisions and compromises, which we tell ourselves were the right ones. This is easy enough to do, since we can always paint the opposing choice as naiveté or ignorance — sure, being a fireman seemed like a cool idea when I was six, but I realized it really wasn’t what I was interested in as I grew older — but does that mean it’s always right? This is hard to know because of the one-sided relationship we have with the past — we may know the mindsets of our past selves, but those past selves can’t know the circumstances that lead to where we are now. All-New X-Men has reveled in the idea of a dialogue with the past, forcing its characters to defend their actions in ways that they never would otherwise. Issue 10 brings this dialogue to a head, as Old, Evil Scott (as we’ve taken to calling him here) provides a measured response to Young Scott’s impassioned “how could you?”

Continue reading

Age of Ultron 4

age of ultron 4 AU

Today, Patrick and Ethan are discussing Age of Ultron 4, originally released April 3rd, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

ultron-div

Patrick: One of the things I’ve absolutely loved about picking up monthly comics is that I’ve had the opportunity to get know the work of a ton of great writers and artists. It pains me a little to think of how few people will ever read a funny exchange written by Jeff Lemire, and how few people will never see Adam Hughes masterful acting simply because they don’t read comics. Drew, Shelby and myself have been at this for over a year — I like to think we’re in the club now — and I have this brand new skill of identifying someone by their work. Brian Michael Bendis, the writer behind Age of Ultron is notorious for his massively decompressed stories, and between this series, Guardians of the Galaxy, and his X-Men books, I feel like I can spot his handiwork a mile away. But Age of Ultron is a special case, and its glacial pace allows almost every issue to be a Bryan Hitch vanity project. This makes it kind of tough to discuss in the same way we discuss other comics, but it’s clear now that this is the series’ identity – the problematic obsessions with character development and plot and theme are mine and not Ultron’s. Retcon Punch needs a new way to talk about comics. Alright, let’s see what we got. Continue reading

Swamp Thing 19

Alternating Current: Swamp Thing 19, Drew and PatrickToday, Drew and Patrick are discussing Swamp Thing 19 originally released April 3rd, 2013.

Drew: Taking over a title from a much-loved creative team must be an intimidating task — especially after an epic story arc like Rotworld. First issues necessarily inspire less awe than story conclusions, which means the most salient points of comparison can only be unflattering. Mercifully (or perhaps diabolically), Snyder and Paquette had a bit of a fire-sale with characters, effectively setting the series back to zero in terms of interpersonal relationships. Those changes hinted at a very different status quo for Swamp Thing moving forward, one that new creative team Charles Soule and Kano not only pick up on, but assert with a strong sense of purpose. Continue reading

Talon 6

talon 6

Today, Patrick and Drew are discussing Talon 6, originally released March 27th, 2013. 

Patrick: The Empire Strikes Back came out two years before I was even born. That means I never lived in a world where “No, Luke, I am your father” was a surprise. It’s not even like there was a specific moment that it was spoiled for me: these character relationships were communicated to me through osmosis. But shock-value be damned, I still think it’s a killer scene. The lightsaber fight, the screaming, the music — it’s a powerful conclusion to the best Star Wars movie, no matter how many times you see it. Whenever I encounter these Big Reveal scenes now, I always wonder how I’ll feel about them when the shock wears off. In case my musings don’t make it obvious: spoilers ahead. Continue reading

All-Star Western 18

all-star western 18

Today, Patrick and Taylor are discussing All-Star Western 18, originally released March 27th, 2013.

Patrick: You could make the argument that All-Star Western is anti-intellectual. All of the more affluent and educated residents of 1890s Gotham City are ineffectual or massively corrupt. The possible sole exception to this rule is Amadeus Arkham, but he is routinely upstaged by his savage brute of a partner. Even when you think “oh, now it’s time for Arkham to use science or some detective work,” it’s Hex’ anecdotal crime solvery that saves the day. And if we apply a little bit of outside information, we know that Arkham will eventually turn his focus back to his true passion — the real focus of his lifetime of study — and found a hospital for the criminally insane. Arkham Asylum is a failure, a permanent stain on his family name. This is the turn of the century we’re talking about here, so why is every progressive thinker made out to be evil, a dandy, or both? Continue reading

Superior Spider-Man 6AU

superior spider-man 6AU AU

Today, Ethan and Patrick are discussing Superior Spider-Man 6AU, originally released March 27th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

ultron-div

Ethan: Familiarity is a funny thing. The exposure we have to a thing or activity, the more hard-wiring space our brains devote to it. That’s great when you need to do something quickly — like recognize and react to a baseball flying at your head — or when you do something the same way over and over — like driving a route to work every day. That hard-wiring can save you from injury, or save on processing power that could be put to other use. Automatic responses aren’t always helpful though; sometimes your conditioning assigns a label and to situation too quickly and funnels you into a course of action that almost always works, but not this time. In the Age of Ultron crossover Superior Spider-Man #6, writer Christos Gage and artist Dexter Soy demonstrate the folly of this kind of snap judgement as Otto Octavius (in the body of Spider-Man Peter Parker) faces off against the malicious artificial intelligence. Continue reading

Fantastic Four 5AU

fantastic four 5AU AU

Today, Patrick and Jack are discussing Fantastic Four 5AU, originally released March 27th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

ultron-div

Patrick: How do you say goodbye? I believe that we don’t have a choice in matter — our goodbyes tend to come out in ways that most honestly get to the heart of our relationship with the person we’re saying goodbye to. There’s always a sense of obligation, like you’re trying to impart one lasting image of yourself in the person’s brain. Something to remember you by. While the rest of the Age of Ultron event seems interested in telling the stories of heroes pulling themselves up by their bootstraps, Fantastic Four lingers on goodbyes, and finds some touching honesty in the process. Continue reading

Batman Incorporated 9

Alternating Currents: Batman Incorporated 9, Drew and Patrick

Today, Drew and Patrick are discussing Batman Incorporated 9, originally released March 27th, 2013.

Drew: In Batman Incorporated 0, Grant Morrison asserted that “the first truth of Batman” was that he was never alone, and backs it up with the fact that Alfred was there from the start. But is that the first truth of Batman? If Batman was born that night in his father’s study, he was surely conceived 18 years earlier as Thomas an Martha died, making loss the first truth of Batman. With that loss comes the loneliness that Morrison’s “first truth” was reacting to. Sure, Bruce sought comfort in his friends and wards, but every moment of his life was shaped by the crushing loneliness he felt watching his parents die. The death of Damian reemphasizes that point, distancing Bruce even from Alfred, who — as Morrison asserted — was always there. The result is a uniquely lonely Batman, spinning another take on the character into the tapestry of Morrison’s epic. Continue reading

Justice League 18

justice league 18

Today, Patrick and (guest writer) Evan are discussing Justice League 18, originally released March 20, 2013. 

Patrick: I’m always missing something when I read a DC or Marvel comic. The companies and the characters have been around too long and there’s just too much material for me to be well-versed in all of it. That’s not an apology or an admission of any kind – I think we should all accept that readers have a infinite amount of time and money and memory and interest. One of my biggest pet peeves is when someone stares at me, mouth agape and says “Oh my God, I can’t believe you haven’t read blank.” Justice League 18 digs deep into the DC archives but also embraces brand new creation and mixes vigorously. Suddenly, it doesn’t matter what you’ve read before. Continue reading