Batgirl 35

Alternating Currents: Batgirl 35, Drew and SpencerToday, Drew and Spencer are discussing Batgirl 35, originally released October 8th, 2014. 

slim-bannerDrew: Referring to the setting of a story as a character has always irked me. Never mind that it’s a total cliche, but it’s almost invariably applied as a shorthand for a sense of place we all recognize that the story relies on as a crutch. In that way, I suppose settings are used as characters, but they’re stock characters, no more remarkable than, say, “high school jock” or “loose cannon cop.” The genericness of locations-as-characters only becomes more exaggerated in the fictional cities of comics, which have seen just as many interpretations over the years as the heroes that occupy them. When Gotham has been interpreted as everything from gothic to neo-gothic to art deco to just straight-up modern, and from post-apocalyptic to post-corruption, it’s impossible to generate any sense of setting without elaborating on this particular interpretation of the city. Fortunately, Cameron Stewart and Brenden Fletcher do just that as they take the helm of Batgirl, lending specificity to their Gotham by, of all things, co-opting the stock character of Brooklyn. Continue reading

Silver Surfer 6

silver surfer 6

Today, Spencer and Suzanne are discussing Silver Surfer 6, originally released October 1st, 2014.

Spencer: You never really know someone until you live with them. I’ve never moved in with or married a significant other, but even just spending a few days rooming with friends on vacation in the past has tended to reveal entirely new sides of our personalities — most often, the annoying sides. That said, if you can work past whatever aggravating habits cohabitation may entail, then you’ll also be treated to all your roommate’s wonderful qualities, and possibly even a whole new perspective on the world. That’s the situation Norrin and Dawn find themselves facing in Silver Surfer 6. Norrin’s ill-prepared for his new companion’s many human frailties, but his annoyance is also blinding him to the many advantages Dawn’s “imperfections” have to offer. Continue reading

Gotham Academy 1

gotham acadamy 1Today, Spencer and Drew are discussing Gotham Academy 1, originally released October 1st, 2014

Spencer: Back in the 1930s and 40s comic books had a lot of variety — the still-new superhero genre was published alongside horror, romance, western, and detective books, just to name a few. As the decades passed those other genres gradually faded away until superhero books became the predominant genre, and while I absolutely love superhero books with all my heart and soul, we’re no doubt worse off for the lack of diversity. Fortunately, Becky Cloonan, Brenden Fletcher, and Karl Kerschl’s Gotham Academy 1 is all about diversity, not only amongst the cast, but simply in the kind of book it is. Gotham Academy is equal parts teenage drama, coming-of-age tale, and supernatural mystery, and we’re certainly better off with it on the shelves. Continue reading

Teenage Mutant Ninja Turtles 38

tmnt 38Today, Drew and Spencer are discussing the Teenage Mutant Ninja Turtles 38, originally released October 1st, 2014. Drew: Back when I was a teen, I used to fight with my parents about everything. It’s embarrassing to think about now, but at the time, nothing in the world seemed fair to me. It didn’t matter how petty it was — from mowing the lawn to cleaning up my room — everything was worth the fight, though none of it ultimately mattered that much to anyone involved. The Turtles decidedly do not fall into that pattern — their loyalty to Splinter is admirable, if a bit unusual from a bunch of teenagers — but issue 38 finds them disagreeing about big decisions that effect all of them. It’s a classic turtles story that we’ve seen time and time again with one important change: this time, the dissenting brother isn’t Raph. Continue reading

Batman Eternal 25

batman eternal 25Today, Suzanne and Spencer are discussing on Batman Eternal 25, originally released September 24th, 2014.

Suzanne: I fondly remember reading Batman: Hush for the first time over five years ago. There is so much to like about that book — Jeph Loeb’s long-form storytelling, Jim Lee’s pencils, and the Batman-Catwoman relationship to name a few. Loeb develops the friendship between Bruce Wayne and Tommy Elliot so convincingly that it adds creative tension to the final reveal. You almost want Hush to be someone else because of the depths of his betrayal to Bruce.

Batman Eternal introduces Hush to the New 52 as the Big Bad behind the crippling of Gotham City starting with the arrest of Jim Gordon. How does this series’ treatment of Hush add relevance to him as a character? After Loeb and Lee’s story arc, some readers felt that Hush was overused and his appearances were mediocre at best. Certain characters benefit from a dormant period and less can be more, such as The Joker. I’m hoping that three years of living in New 52 character purgatory makes this appearance all the more effective. Continue reading

C.O.W.L. 5

Alternating Currents: C.O.W.L. 5, Drew and SpencerToday, Drew and Spencer are discussing C.O.W.L. 5, originally released September 24th, 2014.

Drew: Organization is a fundamental element of life. Our genes organize to create cells, our cells organize to create organs, and our organs organize to create living, breathing people. Because the unit we care about is “people”, we don’t really think about any of those smaller units as sacrifice anything in order to contribute to a whole, but when we zoom our scope out to societies and organizations, suddenly existing within them requires profound sacrifices from the individuals. Social insects, like bees and ants, seem particularly alien to us, as the vast majority of the hive will never procreate, and couldn’t do so even if they had the inclination to go rogue. It seems like a loss of free will, but is it really any different from the role a random blood cell plays in our body? So long as the unit we care about survives — the hive for the bees, or the body for the blood cell — the “sacrifice” was worth it. But what if the blood cell does have free will? Or, as is the case in C.O.W.L. 5, what if the organization is made up of humans with free will? How much we’re willing to sacrifice depends a great deal on how much we value those organizations. Continue reading

New Avengers 24

new avengers 24Today, Spencer and Drew are discussing New Avengers 24, originally released September 24th, 2014. 

slim-bannerSpencer: New Avengers hasn’t really been a title with an antagonist, at least in a traditional sense; the Illuminati are trying to stop the Incursions, but such a mysterious, primal, multiversal threat can be hard to fathom, and they largely act as the impetus behind most of the title’s action rather than the “big bad”. Instead, the Illuminati mainly grapple against themselves, dealing with matters of morality and conscience. In New Avengers 24, Jonathan Hickman and Valerio Schiti skip ahead eight months from the climatic final pages of issue 23, giving them time to establish the Cabal as a group of horrific, homicidal monsters. In a way, they may be serving as the more physical, black-and-white antagonist this title’s been missing, but that seems to be far from their only purpose. Both the Illuminati and the Cabal have done horrific things with a noble goal in mind; the methods of these two groups, and how the world at large have responded to them both, is where the differences lie. Continue reading

Daredevil 8

daredevil 8Today, Greg and Spencer are discussing Daredevil 8, originally released September 17, 2014. 

Greg: I went and saw a movie last week against my better judgment. That movie was the clunkily titled Frank Miller’s Sin City: A Dame To Kill For, a comic-book adaptation and sequel to the excellent 2005 adaptation of Miller’s hard-boiled neo-noir stories. My roommate, who shares my love of this first one, warned me it was terrible. Rotten Tomatoes warned me it was terrible. I didn’t listen. I went and saw it, and boy, terrible doesn’t scratch the surface. It’s a miserable piece of garbage. I could spend hours rage-explaining (ragesplaining?) what is so fundamentally wrong with this dreck, but one criticism stands head and shoulders above the rest: The stylistic tics and techniques are arbitrary, meaningless, and add nothing to the story. Conversely, any play with form in Mark Waid and Chris Samnee’s outstandingly excellent Daredevil 8 are part and parcel of an intense, dark, and captivating story.

Continue reading

The Wicked + The Divine 4

wicked and divine 4Today, Spencer and Suzanne are discussing The Wicked + The Divine 4, originally released September 17th, 2014.

Spencer: Last year I had the privilege of spending a day working as a roadie for my favorite band, Saves the Day. I was extremely fortunate that the guys in Saves lived up to my expectations; they’re probably the nicest, most genuine guys I know and went out of their way to make me feel comfortable, but even so, spending time backstage with them and their crew felt like entering a strange new world, with culture and customs all their own. I couldn’t help but think about this while reading Kieron Gillen and Jamie McKelvie’s The Wicked + The Divine 4, as Laura gets to spend time in the private world of her idols. But while I had the best day of my life, Laura seems to walk away from the experience in much deeper trouble than when she started. Continue reading

Superman Unchained 8

superman unchained 8Today, Patrick and Spencer are discussing Superman Unchained 8, originally released September 10th, 2014.

Patrick: I’d never really considered how strange it is that we refer to the biggest global political players as “super powers.” It’s…weird, right? That’s a phrase taken from our capes and cowls, our frequently immature power fantasies, and applied to governments. It might be comforting to think of the United States as Superman, swooping in to altruistically save the day, but the truth isn’t so clear-cut. How can a government take altruistic action when there is no “self” to sacrifice? One body makes a decision, another carries out the action, and a third has to deal with the consequences. Heroism comes from that internalizing the whole process, from decision-making through the consequences. With Superman Unchained 8, Scott Snyder suggests that Superman can (and should) be that singular entity. Continue reading