Nightwing 15

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Today, Scott and Patrick are discussing Nightwing 15, originally released December 19th 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

death-divScott: Superheroes are defined by the things they care about most. Whether it be a loved one, a city, or a planet, there must be a something that compels them to fight, something for which they can be held accountable. Their physical abilities may make them Super, but it is their desire to protect the things they care about that make them Heroes, and what differentiates them from other physically powerful figures, like villains or, say, sidekicks. The success of Nightwing as a series ultimately depends on whether Dick Grayson can shake the notion that he is a sidekick, fighting to save Batman’s Gotham rather than something of his own.  In Nightwing 15, with the threats against Dick’s beloved Haly’s Circus beginning to have real consequences, it finally feels like he is blossoming into a Superhero in his own right.
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Aquaman 15

aquaman 15 Throne

Today, Shelby and Michael are discussing Aquaman 15, originally released December 26th, 2012. This issue is part of the Throne of Atlantis event. Click here for all of our ToA coverage.

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Shelby: Events are tricky things to handle. On the one hand, you have an opportunity to tell a story on a broader scale; you can involve more characters and build bigger plots. You also get a chance to lure readers to new titles, which can either be see by readers as an introduction to something new, or a cheap trick to make us give DC more money. To some extent, both are true. The real trick to an event, though, is figuring out how to distribute your story, and Geoff Johns is making some choices with Thrones of Atlantis that I find to be interesting to say the least. Just a heads up to you, our gentle readers: don’t make the same mistake I did. If you haven’t read Justice League 15 yet, put this down, go read it, and then come back, otherwise Aquaman 15 isn’t going to make a lick of sense.
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Justice League 15

justice league 15 Throne

Today, Drew and Patrick are discussing Justice League 15, originally released December 26th, 2012, This issue is part of the Throne of Atlantis crossover event. Click here for complete ToA coverage.

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Drew: Sitcoms and comics are notorious for featuring one- and two-dimensional characters. This isn’t the result of laziness on the writers’ parts — actually, it’s their desire to work indefinitely. Narratives that don’t go on indefinitely are free to give their characters actual character-defining arcs — that’s kind of the point — but those that have no defined endpoint must more or less tread water to avoid ending. This is why we know the status quo will always be restored. Sure, Bruce might stop brooding for a bit, or Hal might lose his ring, or Superman might die, but as long as people are willing to see their further adventures (and pay for them), they’re bound to return to their resting state. Individual titles focusing on those characters are free to bend the rules a bit, but cameos in other titles kind of rely on the platonic form of the heroes. Because Justice League essentially acts as a series of cameos, it is particularly invested in not giving these characters any sense of emotional arcs. Of course, that doesn’t stop Johns from trying to shoehorn those in from time to time, too.

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Supergirl 15

Alternating Currents: Supergirl 15, Drew and PatrickToday, Drew and Patrick are discussing Supergirl 15, originally released December 19th, 2012. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Drew: Ironically, I’m kind of a sucker for stories about con men. I like movies like Matchstick Men and Catch Me if You Can more than they probably deserve, and the scams from LOST and Justice League Dark might be my favorite parts of those series. With so many compelling, relatable con artists running around fiction, it’s easy for me to forget that they’re generally bad guys. It’s somewhat understandable that they aren’t depicted negatively more often; we like to think that we’re smart, and that the protagonists we identify with are also smart, so it’s a risky move to depict a hero being taken in by a scam. Mike Johnson attempts that risky move in Supergirl 15, with decidedly mixed results.

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Green Lantern 15

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Today, Mikyzptlk and Shelby are discussing Green Lantern 15, originally released December 19th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Mikyzptlk: When it comes to big events like Rise of the Third Army, pace is a very important thing. If an author moves too quickly, they may run the risk of undermining the scale or importance of the story. If they move too slowly, they may start to bore or even frustrate the audience. We are now 4 issues into the event (not counting the tie-ins) and series writer, Geoff Johns, has slowed things down a bit too much for me to really enjoy this issue as much as I wanted to. Continue reading

Green Lantern: New Guardians 15

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Today, Patrick and Drew are discussing New Guardians 15, originally released December 19th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Patrick: Everyone experiences loss at one point or another. And your response to that loss is usually sadness. “Sadness” isn’t part of the Green Lantern emotional spectrum — not active enough to dramatize. We’ve seen this weird little problem before (take last week’s Green Lantern Corps for example), but it always ends up feeling like the character appeals back to whatever emotion suits them. John regrets blowing up a planet, he’s going to will the thing back together; Atrocitus misses his family, he’s going to rage all over the bad guys. But as the All Color Lantern, Kyle Rayner can show what the proper response to loss is: all those awful emotions at once. Too bad there’s so much loss to be had. [Especially if you’re a Green Lantern fan, you should know: there be SPOILERS after the jump.]

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Superboy 15

Alternating Currents: Superboy 15, Drew and ShelbyToday, Drew and Shelby are discussing Superboy 15, originally released December 12th, 2012. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Drew: We’re pretty big fans of meta-commentary here at Retcon Punch. That is, the notion that the way a story is told can reflect the themes of the narrative itself (or vice versa), adding another level of meaning to the work, and often some kind of experiential element. This can happen when a character experiences time in an unusual way, or when our expectations for a title might be unreasonable, but we generally treat those moments as specifically designed by the creators to speak to our own experience of the title. Tom DeFalco isn’t responsible for the strange identity crisis Superboy (the series) has experienced in the New 52 (at least, not solely responsible), but issue 15 finds him tying that in beautifully to Kon’s own identity issues. Continue reading

Green Lantern Corps 15

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Today, Mikyzptlk and Shelby are discussing Green Lantern Corps 15, originally released December 12th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Mikyzptlk: Loss and regret are, unfortunately, a big part of our lives. Whether it be the loss of a job, a relationship, or especially a loved one, it can be very hard to deal with. People deal with loss and regret in many different ways and while some may choose a positive outlet to get over their grief, others may not. For example, if not for a personal loss in my life, I wouldn’t be a blogger writing this review today. Ever the goofball, I hate to be such a downer, but I couldn’t help but notice that this issue dealt a lot with the concept of loss and regret as Guy Gardner finds himself back in his home town, sans ring. However, while Guy’s journey is the main thrust of this issue, it’s certainly not entirely about him. And while Guy experiences regret and loss, fellow Green Lanterns John Stewart and Salaak get a taste of their own.

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Frankenstein: Agent of S.H.A.D.E 15

Alternating Currents: Frankenstein, Agent of S.H.A.D.E. 15, Scott and DrewToday, Scott and Drew are discussing Frankenstein: Agent of S.H.A.D.E 15, originally released December 12th, 2012. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. 

Scott: Perspective is everything in storytelling. Storytellers can have a profound impact on how a story is received based on the information they have access to and how they choose to present that information. Really good storytellers include personal touches that show their passion for the subject, giving emotional weight to the story. I would venture to guess Frankenstein is not this type of storyteller. Frankenstein has fairly simple tastes; he likes killing monsters and not being around people. So how do you elegantly tell a story about a character whose preferred mode of communication is a disinterested grunt? Take the story out of his hands and tell it from a third person point of view, which writer Matt Kindt does to beautiful effect in Frankenstein: Agent of S.H.A.D.E. 15.

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Batman and Robin 15

batman and robin 15 DoF

Today, Shelby and Michael are discussing Batman and Robin 15, originally released December 12th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Shelby: I have some friends who have a young daughter who has just reached the age of willfully not listening. The other day she wanted to use some scissors, which she never has before. Her mom told her not to, but she just didn’t listen. It’s ok, she didn’t get hurt at all; the point of the story is that her mom was looking out for her, trying to keep her safe, and despite that she wouldn’t listen to her. Even when it’s for their own good, once kids think they know better than their folks, there is no telling them otherwise; they only way they’ll learn is by being wrong. A lot of times, being wrong means getting hurt, and Damian is definitely about to learn a lesson about being wrong.

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