The Flash Annual 3

Alternating Currents: The Flash Annual 3, Drew and ScottToday, Drew and Scott are discussing The Flash Annual 3, originally released April 30th, 2014.

…at the end of the day, the Flash is still the same tone as it was before. It’s still the same character, but kind of just reinvisioned.

Francis Manapul

Drew: The above quote isn’t about Robert Venditti and Van Jensen’s new run on The Flash — Manapul was actually speaking about the start of his own run back when I interviewed him in 2012 — but it might as well be. That a statement can be used to describe a new take on the character as well as the newer take that succeeds is is a universal truism in comics, but it also speaks to an innate truth about the Flash: he needs to move forward. Of course, Jensen and Venditti aren’t privy to the clean break that started Manapul’s run, and have thus needed to address Barry’s past as much as his future. Fortunately, they are also paying attention to this series’ history of meta-commentary, addressing their own creative baggage right on the page. Of all the things they could have ported from the previous run, this is my absolute favorite, injecting The Flash Annual 3 with a sense of rebellion.

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Creator Interview: Gail Simone

interview_gail simoneGail Simone is a busy writer, but even her writing responsibilities on three different titles for three different publishers couldn’t possibly compare to her obligations at conventions. She’s in incredibly high demand, but we managed to pull her away for quick chat about how Batgirl has changed, having an effect on Lara Croft’s legacy and the freedom Red Sonja grants her.

Retcon Punch: It seems like you’re just a huge rock star around here. Has that gotten weirder?

Gail Simone: (laughs) No, it’s just amazing to see the diversity of the people coming through the line, which I think is incredible. All three projects that I’m working on right now — Red Sonja, Batgirl, and Tomb Raider — well, other than Red Sonja, the other two have a pretty wide age range of people that are coming through. Not too many real young kids are coming through here for Red Sonja Continue reading

Justice League United 0

justice league united 0

Today, Shelby and Spencer are discussing Justice League United 0, originally released April 23rd, 2014. 

Shelby: We’ve seen a few different ways to handle zero issues. Not, “I have no issues, and I don’t know how to handle it,” or “I have issues with the mathematical concept of null value,” but with comic book issues numbered 0. I’m a big fan of Amanda Conner and Jimmy Palmiotti’s execution of the zero with Harley Quinn 0, which established the character and setting, but more importantly established the tone of the title. Heck, if you really want to explore the gamut of what a zero issue can do, check out our insanely full coverage of DC’s Zero Month two and a half years ago. A zero issue can be whatever the creative team wants to make of it, and Jeff Lemire and artist Mike McKone seem so eager to start this story they just want to dive right in.

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Batman Eternal 3

batman eternal 3Today, Spencer leads a discussion on Batman Eternal 3, originally released April 23rd, 2014.

Spencer: I’m impressed by how quickly Batman Eternal is moving along. A year-long story with new chapters releasing every week could easily fall into the trap of being slowly paced, or even worse, of using filler to stretch out the story to fit into 52 issues, but if anything, the creative team of Scott Snyder, James Tynion IV, Ray Fawkes, John Layman, Tim Seeley, and Jason Fabok seem to be speeding through the story at an alarming rate. I’m starting to think that “the end” teased back in issue one may come sooner than we think; at the speed they’re throwing out ideas, the end may very well be the beginning of the story. Continue reading

The Flash 30

Alternating Currents: Flash 30, Drew and ScottToday, Drew and Scott are discussing The Flash 30, originally released April 23rd, 2014.

Drew: I lost a part of my innocence when Richard Harris passed away. It wasn’t an existential crisis brought about by confronting mortality, but the cognitive dissonance brought about by his role of Albus Dumbledore being filled by Michael Gambon. I’m sure for many young Harry Potter fans, that was the first time they were confronted with the notion that the identity of a beloved fictional character is so dictated by casting decisions, but looking at the differences between the two actors’ performances, it’s almost as if they were playing different characters. Harris imbued the role with a quiet, almost doddering sweetness, while Gambon’s take was notably sterner. Both takes are supported by the books, but it had never occurred to me before seeing Prisoner of Azkaban that an actor’s (or director’s) emphasis on certain traits could have such a profound effect on the final product. I found myself thinking those same thoughts as Robert Venditti and Van Jensen assert their own read on Barry Allen in The Flash 30.

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Batman 30

batman 30Today, Drew and Scott are discussing Batman 30, originally released April 16th, 2014.

Drew: Adults are very good at pretending to know what they’re doing. Indeed, they’re so good, most folks don’t figure this out until they’re already in the midst of pretending to know what they’re doing themselves, and by then, they’re already adults. It’s almost a secret that there’s basically nothing that qualifies us to have jobs, pay rent, get married, have kids, and whatever else it is that grownups do. You’re not going to be adequately prepared for these things by the time you start doing them, and you’re only going to get better through trial and error. It’s that “error” part that’s scary — nobody wants to lose their job, home, spouse, or kids — but fortunately for us, the stakes of any single mistake are relatively low. Batman, on the other hand, has always played for much higher stakes — typically the wellbeing of his hometown — and Batman 30 explores just what happens when he isn’t up to the challenge.

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Sinestro 1

sinestro 1Today, Patrick and Shelby are discussing Sinestro 1, originally released April 16th, 2014.

Patrick: Thaal Sinestro is a complicated character, driven by exactly as many conflicting emotions and values as the Great Hal Jordan. While the yellow ring-slingers bear his name, he was always underserved by that characterization. Sinestro is no monster, but the Sinestro Corps is nothing but. He’s a Green Lantern. He’s a patriot. He’s a hero. Cullen Bunn and Dale Eaglesham take the first issue of their new series to explore the gulf between what Sinestro is and what Sinestro is supposed to be. Continue reading

Justice League 29

justice league 29

Today, Patrick and Spencer are discussing Justice League 29, originally released April 16th, 2014.

Patrick: Here’s a little bit of a confession: I don’t know why we make fun of people who use Internet Explorer. I think most of us use Chrome or Safari to navigate the internet, and I know a lot of smart, young, web-savvy types that will also use Firefox in a pinch. But IE? You might as well be my grandmother at that point. The browser is so closely associated with disinterested or novice internet use that it’s sorta become shorthand for “the person using this product doesn’t know anything about technology.” I’m sure that’s unfair, and I’d be willing to wager that most of the bugs and clumsy UIs that drove us all away from IE in the first place have been worked out and it’s a totally serviceable browser. Still though. Fucking n00bs, right? As Geoff Johns decides that technology vs. humanity has always been a theme of Forever Evil, the solutions feel less logical and reasoned and more magical. If the story is trying to convince me that it’s in anyway tech savvy, Justice League 29 is not putting forth the most compelling argument. Continue reading

Batman Eternal 2

Alternating Currents: Batman Eternal 2, DrewToday, Drew leads a discussion on Batman Eternal 2, originally released April 16th, 2014.

Drew: What do we expect of this series? Grand world-building? Serviceable (if maybe uninspired) Batman stories? When we discussed the first issue, I argued that the way this series addresses our expectations — the way it fulfills some but defies others — may be its most distinctive characteristic. Indeed, issue 2 is so drastically different in form and focus, it’s easy to see defiance of expectations as this series’ unifying trait.

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Wonder Woman 30

Alternating Currents: Wonder Woman 30, Taylor and DrewToday, Taylor and Drew are discussing Wonder Woman 30, originally released April 16th, 2014.

Taylor: The internet is an amazing tool. The rhetorical nature of that comment is almost so great that it’s remarkable, but I think it’s occasionally a good exercise to step back and take stock of the amazing things that make up our world. In the recent past the internet has caused real social change given its ability to unite people behind a singular cause. In particular, the movement for gender equality seems to be gaining more and more steam, as both women and men are able to voice  their experiences with prejudice in their daily lives. Comics, being a reflection of the world of which gave them birth, are also picking up on this trend. It seems only natural that Wonder Woman, a title which features an empowered female lead, would eventually weigh in on this subject. However, the subtlety and grace with which it broaches this topic in issue 30 is both unexpected and wonderfully wrought, making for an memorably understated episode.

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