Batman/Superman 31

Alternating Currents: Batman Superman 31, Drew and Spencer

Today, Drew and Spencer are discussing Batman/Superman 31, originally released April 13th, 2016.

Drew: What is a comic book series? That sounds like a simple question, but it’s one of those definitions that falls apart under close scrutiny. Peter Tomasi understands how strange our notion of a series can get, as he piloted Batman and Robin through the better part of a year without Robin. In that case, it wasn’t the cast, but the creative team that allowed us to group those issues as part of Batman and Robin. But if we take that definition of a “series” as something to do with a serialized narrative told by the same person (or team of people), what do we make of “Super Legion,” Tomasi’s new eight-part crossover that cycles through four different titles? Does it function like its own miniseries, or do its constituent issues maintain enough of their series’ identity to keep them distinct? The answer lies somewhere in between, which makes Batman/Superman 31 one of the most fascinating, if troubled, individual issues I’ve read in quite some time. Continue reading

Batman & Robin Eternal 26

batman and robin eternal 26

Today, Michael and Spencer are discussing Batman & Robin Eternal 26, originally released March 30th, 2016.

Michael: It wasn’t that long ago when Retcon Punch decided to pit me and Spencer against one another, reviewing Batman Eternal 52 with very different opinions. Now they’ve done it again as we go head-to-head on the finale of the semi-sequel, Batman & Robin Eternal 26. As we transition back to the status quo, does this particular Batman-less Batman tale add anything to the mythos overall? Continue reading

Batman 50

Alternating Currents: Batman 50, Drew and Michael

Today, Drew and Michael are discussing Batman 50, originally released March 23rd, 2016.

Drew: The owner of my old LCS, Paul, was not a Batman fan. In his mind, a billionaire using his resources to “punch bad guys” was so misguided as to be immoral. Couldn’t Bruce Wayne do more good resolving the root causes of crime by building mixed-income housing or running programs for at-risk youth? Admittedly, Batman’s “punch bad guys” solution to crime lacks nuance, and seems increasingly outmoded the more we understand what causes crime in the first place. Unfortunately, it’s kind of key to Batman’s appeal — he can be a philanthropist on the side, sure, but nobody wants to read a comic where a guy dressed like a bat subsidizes grocery stores in low-income neighborhoods. To writer Scott Snyder’s credit, he started his run on Batman by having Bruce turn his attention to exactly that type of socioeconomic solution, a goal that forces within Gotham actively worked against. It was a smart move, but the fact that the Court of Owls would allow Bruce to be Batman, but drew the line at him rearranging the economic structure of Gotham speaks to just how ineffectual Batman is at affecting systemic change. With Batman 50, Snyder offers a more compelling justification for Batman — one that just might be the definitive answer to Paul’s criticisms. Continue reading

Detective Comics 50

detective comics 50

Today, Mark and Michael are discussing Detective Comics 50, originally released March 9th, 2016.

Mark: Well…huh. Is that all there is?

Writing a mystery story in any medium is an unenviable task. It’s basically impossible to nail the landing. For my money, the ideal solution to any mystery is both surprising and logical. Once the solution is revealed, the audience wants to see that the answer was hiding in plain sight all along. Writing a satisfying conclusion like that is nearly impossible. It’s why when something like The Sixth Sense comes along it is so successful. But M. Night Shyamalan learned the wrong lesson from its success, thinking that audiences craved a “GOT YA” ending. And it’s why his other films that attempted a twist failed. Sure, the twists are surprising…but they’re meaningless and add no additional understanding to what came before. So after two (and a half) strong issues of Peter J. Tomasi’s Detective Comics mystery, we reach the end of The Bronze Age arc and, again, I ask: is that all there is? Continue reading

Gotham Academy 16

gotham academy 16

Today, Michael and Taylor are discussing Gotham Academy 16, originally released March 9th, 2016.

Michael: What is the proper way for a comic book series to say goodbye? Depending on the critical and commercial success of that book, the answer may vary. You might have the fore-sight or -knowledge to plot things towards a conclusion or just have to wrap things up as quickly as possible with a few issues. Though DC’s Rebirth will be bringing us another Gotham Academy series — Gotham Academy: Next Semester — these are the last few issues of the series as we have known it. Brenden Fletcher is joined by a handful of other creators to relish in the whimsical nature of Gotham Academy before he says his (brief?) goodbye. Continue reading

Batgirl 49

batgirl 49

Today, Michael and Drew are discussing Batgirl 49, originally released March 2nd, 2016.

Michael: DC Comics has (sort of) clarified what its upcoming “Rebirth” is, and it has been changing my reading of every comic I’ve read from them in the meantime. It’s still anyone’s guess as to what kinds of changes “Rebirth” brings to the DC line, but we are definitely at the climax/resolution threshold of each title’s story. Case in point: the semi-continuity-resolving, Inception-ish issue that is Batgirl 49. Continue reading

Superman: Lois and Clark 5

lois and clark 5

Today, Michael and Mark are discussing Superman: Lois and Clark 5, originally released February 24th, 2016.

Michael: I’m enough of a seasoned comic book reader to know that I shouldn’t be misled by/read into comic book covers. But dammit, I still get my hopes up about covers with the best of ’em. The cover for Superman: Lois and Clark 5 teases that beardy Clark will come face to face with New 52 Batman. Alas it was just a tease. Continue reading

Dark Knight III: The Master Race 3

Alternating Currents: Dark Knight 3, Drew and Michael

Today, Drew and Michael are discussing Dark Knight III: The Master Race 3, originally released February 24th, 2016.

Drew: There are a number of reasons The Dark Knight Strikes Again didn’t attain the critical and cultural success of The Dark Knight Returns, not the least of which being the insanely high expectations of following up a genuine cultural touchstone, but I think the biggest might be what DKSA reveals about DKR. That is, while fans, critics, and the culture at large tend to believe DKR was all about injecting psychological nuance to superheroes, DKSA suggests that creator Frank Miller’s interests were ultimately in the excesses of the genre — any emphasis on psychology was incidental to Miller’s pursuit of bombast. That’s not an airtight argument, but there’s no denying that DKSA went even bigger, trading the psychology of Batman for the sociology of the Justice League. Those interests are still very much in play in DKIII, though perhaps ultimately to pare the cast down to the key players of DKR‘s final showdown. Continue reading

Superman: American Alien 4

superman amer alien 4

Today, Michael and Mark are discussing Superman: American Alien 4, originally released February 17th, 2016.

Michael: When people ask me why characters like Superman and Batman work so well, my answer typically boils down to: they were the first ideas of their kind and in this case they were the best. The idea of Superman is incredibly simple and yet incredibly amazing. What a lofty goal it is to dream up the most powerful hero around who is a champion for good. Superman: American Alien 4 continues that trend of big dreams and hopeful ambition from all sorts of perspectives. Continue reading

Batman 49

batman 49

Today, Spencer and Michael are discussing Batman 49, originally released February 10th, 2016.

Spencer: One of the concepts that’s made Batman such a popular hero for the past 75 years is the idea that anybody could become Batman. None of us are alien refugees or Amazon princesses, none of us can expect to be struck by Speed Force lightning or bitten by a radioactive spider (and survive, at least), but with the right training, resources, and determination, anyone could become Batman; and sure, most of us don’t have access to the seemingly unlimited wealth, technology, or training Bruce Wayne had, but they’re at least goals that someone living in our real world could feasibly aspire to achieve. In Batman 49, though, Scott Snyder and Yanick Paquette make all those qualifications — and, indeed, the very possibility of anyone besides Bruce Wayne ever truly becoming Batman — moot. Being Batman is about more than gear or training or money. Becoming Batman requires great, tragic sacrifice; it involves dying, whether figuratively or literally. Continue reading