The Wake 1

wake 1

Today, Shelby and Drew are discussing The Wake 1, originally released May 29th, 2013.

Shelby: There are certain things you come to expect from stories. As an example, with a rom-com you know there’s going to be the initial meeting between protagonists, things will go well, then things will go poorly, then everything will fall apart (usually with a sad montage), and then everything is resolved in the end, often with some sort of grand declaration of love. Throw in a spunky, comic-relief sidekick bestie for each protagonist, and you’ve got the next big girls-night-out hit. Now, The Wake is certainly no romantic comedy, but I definitely had some expectations about the kind of story I would get. Underwater sci-fi horror means: a rag-tag team, a mysterious monster lurking about for a few issues, a gory reveal, and eventually a big final fight. Leave it to Scott Snyder and Sean Murphy to somehow give me exactly what I expected and still deliver something very fresh and new.
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SEX 1-3

sex 1-3

Today, Shelby and Drew are discussing the Sex 1-3, originally released March 6th, April 10th, and May 22nd 2013.

Shelby: I’m going to come clean with you all: I have a lot of problems with this title. Let’s just leave it at that, and dive on in. Continue reading

Nova 4

nova 4

Today, Shelby and Drew are discussing Nova 4, originally released May 15th, 2013.

Shelby: In the pilot episode of Firefly, we meet the ship’s pilot Wash as he is playing with some toy dinosaurs. As the T-Rex and his veggie-saurus friend survey their new home, the Rex turns on his friend, prompting the delightful line, “Curse your sudden, but inevitable betrayal!” In last month’s look at issues 1-3 of Nova, Patrick and Drew discussed Jeff Loeb’s penchant for cliches; they assumed Young Sam would be betrayed by Rocket and Gamorra, but because it seemed so obvious, they also assumed it was a fake-out. They weren’t totally wrong; Loeb gives us our inevitable betrayal this issue, but it comes from a completely unexpected direction.  Continue reading

Batwoman 20

batwoman 20

Today, Shelby and Drew are discussing Batwoman 20, originally released May 15th, 2013.

slim-banner4

Shelby: Trust is always an interesting concept to explore when masked superheroes are involved. The protagonist’s entire experience is based on a lack of trust: they don’t trust their loved ones to with their secret identity, they don’t trust the existing authority to take care of crime. That the distrust is well-founded doesn’t lessen the fact it’s the foundation of a successful masked superhero. But even the most independent superhero has got to have someone in the corner, some support system of people they trust and can rely on. Unfortunately, Kate seems to continuously find herself faced with people telling her, “you will trust me, whether you like it or not!”, essentially rendering the entire concept meaningless.

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Suicide Squad 20

suicide squad 20

Today, Shelby and Drew are discussing Suicide Squad 20, originally released May 8th, 2013.

Shelby: You all know how much I love a good anti-hero. That character that walks the line between good guy and bad, who’s only looking out for himself and will help you out if your ideals  happen to line up with his. He’s got a moral compass, it just doesn’t point north all the time. I love the anti-hero because he is so much more complex than your strictly good/bad guy. Suicide Squad takes the idea of the anti-hero and asks, “what if they were all supervillains forced to be ‘good guys’?” The result is either an interesting look at the dynamics of good and bad or an exercise in masochism, both for the characters and the reader. Honestly, I’m not quite sure which is more accurate.

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Hawkeye 10

hawkeye 10

Today, Shelby and Ethan are discussing Hawkeye 10, originally released May 1st, 2013.

Shelby: There are two sides to every story, even stories wherein our favorite, loveable auxiliary character is shot in the head by a new bad guy for seemingly no reason. Even though we’re all still a little sad about the loss of Grills last issue (Matt Fraction included, as indicated on the title page of this month’s issue), we have to remember it was a man who pulled the trigger, a man with his own story to tell.  Continue reading

The Movement 1

movement 1 Today, Shelby and Mikyzptlk are discussing The Movement 1, originally released May 1st, 2013.

Shelby: Not only do I work in downtown Chicago, my office happens to be located near the Board of Trade, the Federal Reserve Bank, and a number of other federal buildings. That means I see my fair share of protests; just today, a May Day protest made it’s way past my office to the federal plaza a block away. Being across from the Board of Trade, Reserve Bank, and having my office located in a building primarily filled with bankers means I saw my share of Occupy protesters when that movement was in its heyday. They were on my mind as I read the first issue of Gail Simone’s The Movement; if Occupy protesters were suddenly granted superpowers  and were truly able to turn vigilante, what sort of implications would that have? Continue reading

Fantastic Four 7

fantastic four 7

Today, Shelby and Patrick are discussing Fantastic Four 7, originally released April 24th, 2013.

Shelby: When I read comics (or watch movies), I throw myself into it completely; I get so wrapped up in the world these types of media create, strongly written characters can affect me very deeply. This happens with characters I love (you all know of my gigantic crush on Clint Barton), and it happens with characters I hate. Sometimes, I just can’t extricate myself from a fictional universe to remember that it is, in fact, fictional, and I probably don’t need to get angry at a character for being a total ass. Continue reading

FF 6

FF 6

Today, Shelby and Ethan are discussing FF 6, originally released April 24th, 2013.

Shelby: It’s interesting to see the real world creep into comic books. On the one hand, real world elements make comic books more relateable; if we can relate to the events our heroes are facing, it’s easier for us to become immersed in the story. On the other hand, real world events juxtaposed with fantastic (and sometimes dumb) comic book events can be jarring and ultimately make the story unnecessarily nonsensical. Matt Fraction maintains the balance of real world and comic world by making the silly comic book stuff EXTRA silly while at the same time making the characters extra endearing. I don’t understand how or why, but it works. Continue reading

Birds of Prey 18-19

birds of prey 18-19

Today, Shelby and Taylor are discussing Birds of Prey 18-19, originally released March 20th and April 17th, 2013.

Shelby: I have the most trouble writing beginnings and endings. Beginnings are hard because you have to draw the reader in, entice them enough to keep reading. Endings are hard because you have to conclude your message with enough finality that there’s a sense of closure without being too abrupt. My biggest complaint about  Duane Swierczynski’s run on Birds of Prey was his endings; story arcs just sort of … stopped. There is little I find more frustrating than a well-written story that doesn’t deliver on the ending, that simply ends. Birds finds itself with a new beginning, though, as Christy Marx wraps up Sword of Sorcery and takes over writing duties here; her strong, female-centric take on Nilaa won me over from day one, and would seem to make her a perfect fit for this superheroine team title. Continue reading