Category Drew Baumgartner

Drew Baumgartner, Co-Editor-In-Chief
drew@retcon-punch.com

Location: Milwaukee

History With Comics: Drew grew up with Superman pajamas. His best days were when he never had to change out of them. He fell in love with Batman the Animated Series when he was 5. He had never read a comic in his life, but started reading Batman trades when he was in high school. He continued to pick up trades and one-offs throughout the 00’s, but never got into the monthly swing. After almost a decade of being an outsider looking in, Drew seized upon DC’s relaunch to start picking up monthlies.

Aug 13 2013

The Movement 4

movement 4

Today, Scott and Drew are discussing The Movement 4, originally released August 7th, 2013.

Scott: Think about your favorite comic book hero. What do you know about their past? Whether it’s every little detail or just the basics, it’s almost impossible to separate that hero from the event (usually a tragedy (possibly the death of a parental figure?)) that set them on the path to become a hero. In The Movement 4, writer Gail Simone makes time to explore the important events in the lives of a few main characters, while also trying to advance the story she’s established over three issues, and the effect raises some questions. It’s certainly important, crucial even, to develop a character’s past, but when is the right time to do it? And how many characters can you look back at at once? Simone overshoots, but not terribly — she’s not biting off more than she can chew so much as taking too many bites too quickly. It’s a climactic issue for this young series, but presented in a way that isn’t as seamless as previous issues.

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Aug 13 2013

Green Arrow 23

Alternating Currents: Green Arrow 23, Drew and Mikyzptlk

Today, Drew and Mikyzptlk are discussing Green Arrow 23, originally released August 7th, 2013.

Drew:  Last month, Count Vertigo articulated exactly why he’s such a perfect match for Green Arrow — Ollie needs to aim, while Vertigo stymies perception of space and motion. Ollie’s life has been such a mess recently, it’s easy to forget that archery is inherently very ordered. Even the quickest shot requires some pre-planning, some careful thought. In this way, the relationship between Green Arrow and Count Vertigo is one between order and chaos, a theme writer Jeff Lemire blows up in issue 23, as just about everyone has their plans upended. Continue reading →

Aug 8 2013

Avengers 17

Alternating Currents: Avengers 17, Drew and Spencer

Today, Drew and Spencer are discussing Avengers 17, originally released August 7th, 2013. 

“Bigger?” Look, it’s not for one of the new guys to say, but — feeling kinda crowded around here already.

Cannonball

Drew: In our discussion of Avengers 16, I complained that the bloated story and cast was collapsing under its own weight — far from making me excited, the sheer scope of the story was preventing me from fully engaging with any subset of elements. It’s a feat that writer Jonathan Hickman can keep all of these plates spinning (and these are only half of the plates he’s writing in this event), but that triumph of multi-tasking unfortunately precludes any real emotional connections. That is to say, the story here is already too big, but as this issue concludes into Infinity proper, we pile on even more Avengers, and widen the scope even further. And there are still only, like, two showers. Continue reading →

Aug 7 2013

Uncanny X-Men 9

Alternating Currents: Uncanny X-Men 9, Drew and Patrick

Today, Drew and Patrick are discussing Uncanny X-Men 9, originally released July 31st, 2013.

Drew: Earlier this year, I became addicted to Radiolab, NPR’s quirky show about science and the philosophical repercussions of that science. The show is fascinating, but is also maddeningly self-referential — the hosts will often refer to massive concepts and conclusions from episodes that aired years before. The one that has come up the most often is the idea that your sense of self — the thing that makes you you — is basically the story you tell yourself about your life. That is to say, it isn’t how you look, how you spend your time, what you value, or even the company you keep — what you are is the narrative you believe about your life. Uncanny X-Men 9 finds Brian Michael Bendis examining every single one of his theories, as our new mutants (and a few old ones) struggle to get a handle on their own identities. Continue reading →

Aug 6 2013

FF 10

ff 10Today, Patrick and Drew are discussing FF 10, originally released July 31st, 2013.

“I’ve written myself into my own script.”

“That’s kinda weird, huh?”

“It’s self-indulgent! It’s narcissistic! It’s solipsistic! It’s pathetic! I’m pathetic and I’m fat and pathetic!”

Nick Cage as Charlie and Donald Kaufman, Adaptation

Patrick: Adaptation is the best narrative I’ve ever encountered that directly confronts the challenges of portraying beauty abstractly. The screenplay works incredibly hard to achieve this, constantly doubling down on both its own cleverness and its disdain for said cleverness. Screenwriter Charlie Kaufman does this my making himself a character in his own movie about adapting the book he’s been hired to adapt. If that sentence seemed to loop back on itself — and consequently, not make any sense — that’s because the film really needs to be experienced to be understood. Matt Fraction inserts himself, artist Mike Allred and editor Tom Brevoort into this issue of FF, but the lessons he offers have more to do with history than with expression. Plus, he makes himself say “ginchy,” like he’s Velma from Scooby-Doo, so you know it’s a home run.

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Aug 6 2013

Daredevil 29

daredevil 29

Today, Patrick and Ethan are discussing Daredevil 29, originally released July 31st, 2013. 

Patrick: White supremacists are the worst. Don’t try arguing otherwise, ETHAN! They’re represented here by the Sons of the Serpent, a group that tempers their problematic world-view with some good old fashioned supervillainy. This way they feel a little more at home in the Marvel Universe. Just like you can’t have too many straight-up gangsters in Batman before one of them starts to affect a Penguin’s quack or whatever. But there’s one detail about this group that I can’t decide whether in lends credence to their real-worldness or their comic-bookiness: they have infiltrated government organizations at high levels of authority. Hey, either way: Daredevil’s going to have to kick ’em in the face. Continue reading →

Aug 5 2013

Fearless Defenders 7

Alternating Currents: Fearless Defenders 7, Drew and Shelby

Today, Drew and Shelby are discussing Fearless Defenders 7, originally released July 31st, 2013.

Drew: Death is hard to relate to. By it’s very nature, nobody alive has ever experienced it, and people are bad at relating to things that aren’t walking, talking people (which is why we anthropomorphize everything from pets to brave little toasters). It’s no wonder, then, that comics are so notoriously bad at dealing with death — or at least treating dead as dead. Everyone from Superman to Captain America has cheated death, and while we’re often told that it’s “against the rules” to come back from the dead, characters that actually stay dead seem to be the exception, rather than the rule. These days, the death of a character is simply the starting point for the saga of the inevitable return of that character. Fearless Defenders 7 leans heavily into those expectations, but ultimately subverts them, compressing the “saga” into a single issue, and forcing some actual consequences for Annabelle’s death (and resurrection). Continue reading →

Aug 2 2013

Batman Incorporated 13

Alternating Currents: Batman Incorporated 13, Drew and Patrick

Today, Drew and Patrick are discussing Batman Incorporated 13, originally released July 31st, 2013.

It never ends. It probably never will.

-Jim Gordon

Drew: What does it mean to end a run writing Batman? How do you “end” a story featuring a character that has been published in perpetuity for over 70 years with no signs of slowing down? Sure, Grant Morrison “killed” Bruce Wayne, but that was back at the close of his epic’s second act. No, the ending here had to be something much grander, something much truer to the unrelenting nature of Batman. The sheer scope of Morrison’s epic is deserving of the same pomp and circumstance of “the definitive end” of Geoff Johns’ Green Lantern, but Morrison manages to approach that same grandiosity with modest deference, keeping in mind that, while the he may be done, Batman will keep on going. That simple nod turns his elaborate love letter to Batman’s past into an equally impassioned love letter to Batman’s future, and gracefully shifts Morrison from center stage to the audience. Continue reading →

Jul 31 2013

New Avengers 8

new avengers 8

Today, Patrick and Drew are discussing New Avengers 8, originally released July 24th, 2013. 

slim-banner

Patrick: “What have you done?” This phrase appears a couple times throughout the issue. It’s a fantastically loaded question, both accusatory and sincerely seeking an answer. With so many balls in the air, and so many mysteriously motivated characters, I find myself asking the same question of our heroes. But rather than being motivated by anger or desperation or any emotion whatsoever, I’m asking for clarification. “Hey, Tony,” I ask, hands sheepishly in my pockets, “what did you do?”

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Jul 30 2013

The Superior Spider-Man 14

Alternating Currents: The Superior Spider-Man 14, Drew and PatrickToday, Drew and Patrick are discussing The Superior Spider-Man 14, originally released July 24th, 2013.

Drew: Vigilantism. It’s the concept that best describes the majority of comic book heroes. They operate outside of the law, making them criminals. At least, an individual vigilante is called a criminal. Of course, many comics have found interest in growing beyond the individual vigilante — the Justice League, the Avengers, Batman Incorporated — but most of those groups have made peace with their respective governments. What do you call it if a vigilante becomes an army without making nice? In a word: war. Writer Dan Slott brings us right to the brink of war in Superior Spider-Man 14 as Otto unwittingly unites an army against Spider-Man. Continue reading →