Category Drew Baumgartner

Drew Baumgartner, Co-Editor-In-Chief
drew@retcon-punch.com

Location: Milwaukee

History With Comics: Drew grew up with Superman pajamas. His best days were when he never had to change out of them. He fell in love with Batman the Animated Series when he was 5. He had never read a comic in his life, but started reading Batman trades when he was in high school. He continued to pick up trades and one-offs throughout the 00’s, but never got into the monthly swing. After almost a decade of being an outsider looking in, Drew seized upon DC’s relaunch to start picking up monthlies.

Aug 21 2013

Red Sonja 2

Alternating Currents: Red Sonja 2, Drew and Patrick

Today, Drew and Patrick are discussing Red Sonja 2, originally released August 15th, 2013.

Drew: Finales get all the attention, but I firmly believe that starting a serialized narrative is the much more impressive feat. Each subsequent chapter can build upon the previous ones, but the very first entry must whip a meaningful relationship with the audience out of thin air. This often requires relying on character types that seem almost embarrassing when looked back upon, like bad yearbook pictures, or early blog posts. It’s a strange paradox; we like complex characters, but you can’t achieve that much complexity in 22 pages (or 42 minutes, as the case may be). Character types allow us to make connections with characters quickly, but at the expense of specificity — nobody is exclaiming “that’s so Raven” after the first episode of That’s so Raven. The handoff from those early, type-driven chapters to later, character-driven ones is perilous, but writer Gail Simone handle’s it beautifully in Red Sonja 2. Continue reading →

Aug 21 2013

Batgirl 23

batgirl 23

Today, Drew and guest writer Chuck Maa are discussing Batgirl 23, originally released August 14th, 2013.

Drew: Superheroes lead miserable lives. The demands of serialized storytelling require that they are regularly beset by life-altering tragedies, are perpetually unlucky in love, and maybe die once or twice in their career. Month-to-month, it’s exciting, but when you total it all up, the life of your average superhero is unspeakably depressing. Take, for example, Barbara Gordon. Her mother abandoned her when she was a child because of her psychotic brother; her fledgling vigilante career was violently ended when she was shot in the spine; after regaining the ability to walk, she suffered from rather severe PTSD. Oh, and remember her psychotic brother? He grows up to be a serial killer who she now feels guilty of killing. Also, her dad also holds her responsible for killing her brother. Things seemed to be finally looking up for her last month, as she forgot her troubles and went on her first date with a new squeeze, but we all knew it couldn’t last. Continue reading →

Aug 20 2013

Uncanny X-Men 10

uncanny x-men 10Today, Ethan and Drew are discussing Uncanny X-Men 10, originally released August 14th, 2013.

Ethan: When moderately intelligent villains start going about business of realizing their aims, one of the early practical considerations is that of personnel. If you want to take over the world, or bend its orbit into the sun, or just make a whole lot of money, you’re gonna need some other people to help you get there. You can solve this problem in a few different ways: one common one is to just shell out the cash, but you tend to get an army of dim thugs that way. Another way is to come up with an idea that has the twin benefits of both supporting your own aims while striking a chord in the hearts and minds of your potential followers/muscle. In Uncanny X-Men #10, we start to receive signals that Scott is in danger of following in the footsteps of the bad guys he used to square off against, and I don’t even think he knows he’s doing it. Continue reading →

Aug 20 2013

Constantine 6

constantine 6

Today, Patrick and Shelby are discussing Constantine 6, originally released August 14th, 2013.

Patrick: As comic book fans, we’ve grown used to the idea that death is but a temporary obstacle. You can kill anyone you want really – DC’s five biggest (Clark, Bruce, Hal, Barry and Diana) have all been dead at least once. So we can be forgiven for speculating just how a hero could come back from the dead within minutes of their passing. We totally do that too – don’t believe me? Check out our 90+ comments on Batman Incorporated 9: many of which address the permanence of Damian’s death. We’re jaded assholes, and we know that at the end of the day, this magical storytelling aparratus is a business. I’m happy to report that DC’s resident asshole — Mr. John Constantine — takes much the same attitude, even when it comes to his own untimely end.

Continue reading →

Aug 19 2013

Green Lantern Corps 23

Alternating Currents: Green Lantern Corps 23, Drew and Spencer

Today, Drew and Spencer are discussing Green Lantern Corps 23, originally released August 14th, 2013.

Drew: When Scott (my younger brother) was in college, he inherited hosting duties for an event called “Wine Wednesdays,” where friends would get together to drink wine on (you guessed it) Wednesday evenings. Due to scheduling conflicts, the event had to move its regular meeting time to Tuesdays, and in the interests of alliteration, became known as “Taco Tuesdays” in spite of really just featuring the wine. That same year, he was living in an apartment his friends all called “Bear Snake.” Anyway, in a message to his friends informing him that this week’s Taco Tuesday would be held at Bear Snake, Scott thought it would be funny to replace all of the vowels with the letter “a,” such that the message read, simply: TACA BAAR SNAKA. The fact that that message could possibly convey that his friends should come to his apartment for wine on Tuesday amuses me to this day, but it’s actually quite common for shared knowledge and jargon to pile up in similar ways. Green Lantern Corps 23 achieves something approaching “TACA BAAR SNAKA” impenetrability, digging DEEP into recent Green Lantern history, delivering an issue that may be difficult for all but the most hardcore fans to follow. Continue reading →

Aug 16 2013

Cram Session: Avengers 1-17 – World Builders and World Breakers

It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.

Retcon Punch got you covered.

Infinity is already looking to be an insane exercise in more, MORE, MORE. If you missed out on Hickman’s run on Avengers, you’ve missed out on that precedent. “Bigger” is the name of the game, and it’s in that spirit that we cram 17 issues into one six-minute video. Enjoy!

Aug 16 2013

Justice League of America 7

Alternating Currents: Justice League of America 7, Drew and Taylor

Today, Drew and Taylor are discussing Justice League of America 7 originally released August 14th, 2013. This issue is part of the Trinity War crossover event. Click here for our complete Trinity War coverage.

trinity war divDrew: Determining a level of focus is perhaps the most important step in evaluating a work of art. These foci are specific to the style at hand — harmonic analysis is likely going to tell you very little about a rap song, just as an examination of brush strokes wouldn’t add much to a discussion of da Vinci. Intriguingly, these styles often begin to resemble each other as you zoom in and out — abstract paintings may share concepts of form, color, or composition with those of the Rennaisance masters, for example — further increasing the importance focus in an analysis. Geoff Johns has always written “big” — he’s been at the helm (or at least sharing the helm) of some of DC’s most important events over the past decade — and his writing has often chafed at the analyses of his critics. Justice League of America 7 actually avoids many of the pitfalls Johns is often cited for (a lot of stuff actually happens here), but it still has me wondering if we’re simply using the wrong tool for the job of evaluating a giant, Geoff Johns-penned event. Continue reading →

Aug 15 2013

Batman 23

Alternating Currents: Batman 23, Drew and Patrick

Today, Drew and Patrick are discussing Batman 23, originally released August 14th, 2013.

Drew: Origin stories are a fact of life for comic book fans. Love them or hate them, they’ve become an obligate part of superhero storytelling. Every movie franchise, every hard reset, every soft relaunch, needs to retell the origin story with a new spin (you know, to justify the retelling), folding new elements into those of previous iterations. The result is a strange, multi-generational chimera, cannibalized from every version of the story that’s come before. The results can range from beautiful to grotesque but the best manage to pay homage to the past while pointing a way forwards. Scott Snyder and Greg Capullo tackle a seminal moment of Batman’s history in Batman 23, perfectly balancing the admiration and innovation, building to a climax perfectly designed to excite Batman fans. Continue reading →

Aug 14 2013

Manhattan Projects 13

Alternating Currents: Manhattan Projects 13, Drew and PatrickToday, Drew and Patrick are discussing Manhattan Projects 13, originally released August 7th, 2013.

Drew: We often joke about “historical fiction” being an oxymoron, but that mostly stems from a misperception of just how fictionalized history is. Indeed, if history were simply a compilation of irrefutable facts, we could probably stop writing books about the life of Abraham Lincoln or whatever. Instead, we have a messy timeline made up of conflicting accounts and countless ways of explaining all of it. To me, the biggest difference between history and historical fiction is that history needs to back up its conclusions with more facts — it’s basically the narrative between to factual points — whereas historical fiction treats the facts more as a starting point, but doesn’t need to tie back to any facts. In that way, Manhattan Projects has become a kind of meta-historical fiction, taking a fictionalized conclusion as its starting point, and building to ever more spectacular fictions. It’s never been anything other than divorced from reality, but as the narrative continues, it somehow manages to become even less related to history. Continue reading →

Aug 14 2013

Green Lantern 23

green lantern 23

Today, Patrick and Drew are discussing Green Lantern 23, originally released August 7th, 2013.

Patrick: I moved out to Los Angeles because I wanted to be a television writer. If you want to be a lumberjack, you move to the forest, right? I don’t have much in the way of family on the West Coast, and I knew that distance from those that I loved was just going to be part of this bargain I was striking. The idea of giving up family for my art was romantic — I could live an idealized life of creativity and yeah I’d suffer for it, but I’d be suffering for a reason. When my older sister had her second kid, however, I was on a plane to Atlanta: I wasn’t going to miss out on meeting my nephew. It’s love, and it’s a primal motivator. No matter how much you will it away, love can dictate your actions. It’s the sort of thing that will make Hal Jordan drop the fight that he’s right in the middle of to check on the girlfriend he swore off to defend the corps. Continue reading →