Reverence Meets Irreverence in Bug! The Adventures of Forager 4

by Drew Baumgartner

Bug! The Adventures of Forager 4

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Dense mythologies are both the greatest strength and weakness of modern comics. We could spend ages parsing out how the major companies have approached those mythologies in recent years, but all of those broader approaches are largely irrelevant when talking about Bug! The Adventures of Forager, which continues to march to the beat of its own drum. It’s attitude is deeply reverent of Jack Kirby’s contributions to the DC mythos, systematically touching on each forgotten storyline from his time there, while somehow also taking a completely irreverent “don’t sweat the small stuff” approach to the material. Completist Kirby fans will recognize every situation Forager encounters, but newcomers (like me) are left largely in the shoes of Forager, who mostly sees all of this stuff as kooky weirdness. It’s a balance that shouldn’t work nearly as well as it does, somehow knitting all of this kooky weirdness into the dense mythology it always was. Continue reading

Secret Weapons 4: Discussion

by Patrick Ehlers and Drew Baumgartner

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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“There. There it is: too much iron in your blood…”

Magneto, X2

Patrick: Magneto controls magnetic fields. It’s an objectively cool super power, impossibly useful in every situation (and particularly useful against any otherwise unkillable enemy). In X2, Magneto uses this power rip microscopic particles of iron out of his prison guard’s bloodstream. He manipulates the magnetic fields around the resultant bloody cloud until he’s in control of free-flying bullets and hovering platforms. It’s an absurd demonstration of Magneto’s powers. There’s a lot to criticize in the logic of that scene, but it’s hard to fault the giddy enthusiasm. Writer Eric Heisserer and artists Raúl Allén and Patricia Martín show a similar enthusiasm for their characters’ powers. The difference is that they start from a ridiculous premise and work their way to exciting applications.

That’d be reason enough to love the conclusion of Secret Weapons, but Heisserer, Allén and Martín hold the comic book medium in the same high esteem as the goofy powers their characters posses. Just as Avi, Nikki and Owen apply their simple skills in ingenious ways, so too does the creative team master the page with mindblowingly intuitive art. Continue reading

A Glimpse Outside Non-Compliance in Bitch Planet Triple Feature 4

by Drew Baumgartner

Bitch Planet Triple Feature 4

This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Bitch Planet has always been about non-compliance, about women refusing to be denied their humanity in a system designed to do exactly that. For me, the real teeth of its social commentary lies in just how modest the infractions — and how strict the boundaries of compliance — are. These characters by and large are asking nothing more than to look the way the look, live the way they live, and love the way they love, and are imprisoned for having the audacity to do so. The “logic” of the fathers suggests that their lives would be so much better if they just chose to comply, though we’ve seen relatively little of what life is like for compliant citizens. Bitch Planet: Triple Feature 4 offers a hint at the larger world away from the penal system, following people who otherwise live within the strict boundaries of their world, but it sure doesn’t seem like life is any better for their compliance. Continue reading

Giving Dylan a Life Worth Fighting For in Kill Or Be Killed 12

By Drew Baumgartner

Kill or be Killed 12

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

It was clear enough that Dylan’s method for first round of killings wasn’t sustainable. We understand that in a practical sense — his sloppiness had landed him in brushes with both the Russian Mob and the NYPD, both of which seemed to be edging ever closer to figuring out who was behind these attacks — but I also mean it terms of Dylan’s psyche: the more his life was mired in guilt and paranoia, the less it seemed like he would risk so much to protect it. Or, perhaps more importantly, the less we could relate to his desire to protect it. This series regularly places Dyaln at the edge of relatability, but creators Ed Brubaker and Sean Phillips are smart to pull Dylan back a bit in this issue, renewing his lease on life before plunging him headlong into a one-man war against the Russian Mob. Continue reading

A Loss of Focus Drains the Drama from All-New Wolverine 24

by Drew Baumgartner

All-New Wolverine 24

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There has been plenty to love about Tom Taylor’s run on All-New Wolverine, from its adventurous cameos to its wry sense of humor, but I’d have to say my favorite aspect has always been its emotional intensity. Each storyline has been distinguished by its intense personal connection to Laura, whether it was battling (or teaming up with) her clone sisters, or settling a score from her earliest days. Every one seemed to leave a meaningful impact on Laura, ending or beginning new chapters in her life. It’s a breathless feat to keep that amount of emotional weight moving for that long, which is why I’m almost willing to forgive issue 24 for being the complete antithesis of that kind of importance. Continue reading

The Evasiveness of Identity in Mister Miracle 2

by Drew Baumgartner

Mister Miracle 2

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

You are what you think all day long.

Ralph Waldo Emerson

Identity is a frustratingly slippery thing. We all have one, but most of us would be hard pressed to describe what it actually is — what it is that actually makes us who we are. Is it our life experiences? Our relationships? Our interests? The information we absorb? It’s both none of and all of those things (and more). It’s the messiness of that notion that makes characters like Scott Free so compelling; born of New Genesis, raised on Apokolips, he has two families that are now locked in war with one another. The question of who he sides with slips into the messy details of who he is, an issue already strained by the questions he has regarding the very nature of his reality. To extrapolate from Emerson: who are you if you don’t know what to think? Continue reading

Secret Empire: Omega 1: Discussion

By Ryan Mogge and Drew Baumgartner

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ryan: Every event in your memory left some sort of mark. When it comes to trauma, those marks are more like deep grooves. No matter how much you heal, or how much better off you are, you are changed by what has happened to you. In the wake of a rebellion against a group of fascists bent on world domination with the face of the most trusted man alive, you certainly can’t expect to move forward without being changed. In Secret Empire: Omega 1, Nick Spencer and Andrea Sorrentino offer a mixture of back-to-normal plot points and artful rumination that operate quite differently but still offer the same themes of trauma and the scars left behind. Continue reading

A Heartbreaking Loss of Innocence in Ms. Marvel 22

by Drew Baumgartner

Ms. Marvel 22

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

The song I’d like to do for you is a song that I had the pleasure of doing when I was 15 years old…it’s a song that will last, unfortunately, for a long, long time. And when I say “unfortunately,” I’m talking about the fact that it will always be relevant to something that is going on in this world of ours.

Stevie Wonder, introducing “Blowin’ in the Wind”

Love, loss, betrayal, greed. There are a number of timeless themes we might trace back to the earliest stories we can find. But there are other themes, just as timeless, that have not always been featured in our stories in this same way — themes kept so out-of-sight that some people refuse to acknowledge that they exist at all. Of course, for the people actually affected by those timeless truth of oppression, it is simply a part of life. If we are any more aware of those themes in this day and age, it is only through listening to the people who actually experience them. As ever, G. Willow Wilson’s Ms. Marvel presents a frank account of what life is like for a young muslim woman in America, bringing hard truths to those of us who might not see them, otherwise. Continue reading

A Study in War Preparations in Outcast 30

by Drew Baumgartner

Outcast 30

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

It’s easy to feel optimistic at the start of Outcast 30 — Simon and Kyle have just discovered a new Outcast, Daphne, and they all seem stronger than ever. Or, they will be, but right now they’re exhausted after clearing out a huge safehouse for the merge (or the possessed — we need something to call these antagonists). There’s a bit of tension as Kyle has to convince his family to take in a complete stranger, but even the resolution of that is played for maximum hopefulness, as both Simon and Amber comment on how much stronger they feel in Daphne’s presence. It’s almost enough to feel like they might be in a position of strength — especially after the way last month’s issue ended. Continue reading

The Wicked + The Divine 31: Discussion

by Drew Baumgartner and Spencer Irwin

Wicked + The Divine 31

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

In order to increase the likelihood that students will call for medical assistance in an alcohol-related emergency, some colleges and universities have instituted “Good Samaritan” or medical amnesty policies that eliminate or reduce judicial consequences for students involved in alcohol-related medical emergencies. Other schools may reject this type of strategy based on arguments such as the need to “avoid sending the wrong message” about the seriousness of underage drinking.

Doborah K. Lewis & Timothy C. Marchell,
Safety first: a medical amnesty approach
to alcohol poisoning at a U.S. university”

Drew: I first encountered the notion of a medical amnesty policy in college, though I can’t say I gave it much thought at the time. Indeed, it wasn’t until I was in a position to be worried about dangerously drunk/overdosing students not coming forward (I worked for several years at a summer camp for high-school students) that I started to appreciate how boneheaded the “avoid sending the wrong message” camp truly is. Mostly, it just forgets that the rules against drinking and alcohol use are there for the safety of the students in the first place, somehow valuing the sanctimonious tut-tutting of saying “you shouldn’t drink” over, you know, saving the life of a kid who broke the rules. It’s such an obviously flawed attitude, I was honestly taken aback when I saw reports that some sheriff in Florida was explicitly not offering amnesty to folks with warrants seeking shelter from Hurricane Irma. Or, more specifically, he was insisting on conducting unconstitutional ID checks in order to deter anyone with a warrant from seeking the refuge of a hurricane shelter, endangering their lives because he somehow values laws — the things society makes in order to protect people — more than actually protecting people.

Before I get too off topic, my point is that we’re often too preoccupied with the letter of the law to really parse its spirit. Certain things may be illegal because they’re dangerous, but if coming forward about illegal activity makes things objectively less dangerous, we should encourage that behavior. The article I quoted at the top of this piece offers objective data in support of that idea after studying a medical amnesty policy at Cornell, but I think it’s crucial to note that this type of thinking doesn’t just operate at the institutional level. Even in our daily lives we often react badly to honesty simply because we dislike the truths being revealed, but like the researchers at Cornell, we must recognize how that attitude only makes the situation worse. I found myself thinking about this phenomenon a great deal as I read The Wicked + The Divine 31, as issues of amnesty (and lack thereof) cropped up throughout the issue. Continue reading