It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.
Retcon Punch got you covered.
Alec Holland is just about the most reluctant hero of the New 52. Dude didn’t even cape-up until the end of issue 7. But it’s been a great ride, and now all human and plant life hangs in the balance. Catch up here and prepare for the Rot World crossover with Animal Man.
Today, Patrick and Drew are discussing Earth-2 4, originally released August 1st, 2012.
Patrick: Self-awareness is all the rage these days. You can get away with telling any story – no matter how cliche or inane – by simply having the characters acknowledge the various well-worn tropes they’re engaged in. It’s a safe way for writers and film-makers to assure their audience that they’re in on the joke – yes, we all know how crazy this looks. Joss Whedon is the king of this sort of thing (y’all saw Avengers, right?), but you see it everywhere. There are a couple of draw-backs to this approach, but the biggest danger is that of white-washing your characters’ personalities. If everyone is savvy enough to comment on their genre-adventures, then no one’s really an individual. Another big draw-back is that it makes everyone extremely — and interchangeably — chatty. While Earth-2 manages some neat concepts and fun characters, the cut-and-paste nature of the dialogue is holding it back in a serious way.
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Today, Shelby and Patrick are discussing Justice League Dark 9-11, originally released May 23rd, June, 27th and July 25th, 2012.
Shelby: We’re doing something a little unusual here with Justice League Dark: we are not reviewing issues 1-8. I’ve read all those issues, and there is really no need to do so. Peter Milligan wrote 1-8, and they are not awesome. The story was all over the place and confusing. Even though we’re dealing with magic, the story still needs to be grounded in some sort of established reality, and this story was not. With issue 9, Jeff Lemire has taken over the writing, and there has been a marked improvement. The arc is completely new, even some of the team members have changed. I call it the “reverse Deathstroke” effect, in that a new creative team has made big changes, but for the better instead of for the worst.
Today, Peter and Patrick are discussing the All-Star Western 11, originally released July 25th, 2012.
Peter: All-Star Western has really embraced its role as a historic book. Writers Jimmy Palmiotti and Justin Grey have taken it upon themselves to not only tell incredible western tales, but to weave them into the greater DC Universe, even if they take place centuries before Bruce Wayne put on the cowl, or Superman strapped on the cape. Two of Gotham’s most notorious criminal organizations are gearing up to collide — of course Jonah Hex finds himself in the middle of it all. Continue reading
Today, Drew and Peter are discussing Green Lantern: New Guardians 11, originally released July 25th, 2012.
Drew: One of the things that keeps me coming back to this title is the diversity of its cast. They aren’t necessarily the most deeply drawn characters, but their personalities rub against each other in interesting ways. More importantly, those conflicts were set as the centerpiece of this title, a rarity in the largely mythology-driven Green Lantern group. After the fracturing of its core team, and a series of half-hearted crossovers, this title was in danger of losing that distinct voice, and becoming another cog in the Green Lantern machine (not that it’s a bad machine, but I think this title is strong enough to stand independently of whatever plotting is tying the rest of the GL universe together). I was heartened, then, to see the team back together in this issue, refocusing on their shared goals. Continue reading
Today, Patrick and Drew are discussing the Flash 11, originally released July 25th, 2012.
Patrick: Flash 11 (and 10, for that matter) is a bit of a place-setting issue. Francis Manapul and Brian Buccaletto are smart enough to fill these issues with self-contained stories, but it’s becoming increasingly clear that this series is currently in the business of establishing a new breed of Rogues. And they’re not just new to the audience, they’re new to the world of the Flash and — more distressing — new to each other. Thankfully, this is done without the slightest hint of an origin story: these bigger, better Rogues have a history together that’s half what-you-already-know-about-The-Rogues and half total mystery. And all of this villain business unfolds gracefully without ever losing sight of Barry Allen. Continue reading
Today, Shelby and Patrick are discussing Aquaman 11, originally released July 25th, 2012.
Shelby: Despite what you are currently reading, I don’t really think of myself as a writer. Art was always my schtick, the only writing I did in school was academic papers and the occasional bullshit artist’s statement. I’ve been a reader, however, since I was 4, so I’m pretty good at figuring out what I like in a story. I know that sometimes exposition is necessary to advance the plot or give character insight, and I think there are natural ways to present that information within the story. Comics, though, have such opportunity to show me what I need to know instead of just telling me, I sometimes don’t quite know why writers chose to have their characters just standing around gabbing when they could be doing something so much cooler to give me the info I need.
Today, Patrick and Shelby are discussing Green Lantern 11, originally released July 25th, 2012.
Patrick: Green Lantern has long been a game of science fiction escalation. You could make the argument that all serial narratives eventually encounter the problem of having to out-do what they’ve previously done, but I think this series – especially under the pen of Geoff Johns – makes a specific point to jack the stakes up to such a fever pitch as to make earlier adventures trivial by comparison. As the guardians stand on the cusp of releasing their Third Army and Black Hand returns to Earth with a hankerin’ for genocide, this series is wound about a tightly as possible.
It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.
Retcon Punch got you covered.
This is one we’ve wanted to put together for a long time. If you only read one or two of these series and you want to get the skinny on what else happened – we’ve got the video for you. Here’s the whole Night of the Owls presented chronologically.
Today, Peter and Patrick are discussing Red Hood and the Outlaws 11, originally released July 18th, 2012.
Peter: Red Hood and the Outlaws is a bit of an odd duck. It has the makings of a Bat Family book: it’s got Jason Todd, once Robin the Boy Wonder, now ultraviolent vigilante. It also has two ex-Teen Titans, one of whom apparently was a bad ass space captain, while the other was addicted to heroin. While the early story arcs really focused on Jason, (and the Night of Owls), this current arc is about Koriand’r/Starfire. Turns out, she used to be (and still is) a badass.
Retcon Punch 