Justice League 16

Alternating Currents: Justice League 16: Drew and ZachToday, Drew and guest writer Zach Kastner are discussing Justice League 16, originally released January 23rd, 2013, This issue is part of the Throne of Atlantis crossover event. Click here for complete ToA coverage.

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Drew: “What if there was a problem so big, Superman couldn’t solve it?” is the question the Justice League was designed to answer. This was something Johns managed quite well in this series’ first arc, justifying the League’s formation with a truly global threat. This issue effectively voids that answer by asking “yeah, but what if there was a problem so big even the Justice League couldn’t solve it?” Continue reading

Superboy 16

superboy 16 HelToday, Patrick and Drew are discussing Superboy 16, originally released January 16th, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Patrick: Drew had to fight pretty hard to find some meaning in last month’s issue of Superboy. I’m not saying his assertions are wrong, but they certainly meet Tom DeFalco more than half-way. Shelby was not so kind. This issue, by comparison, brings some strong characterization of Superboy, non-stop action and an interesting theme (with clever call-backs). This issue isn’t going to start any Superboy-revolution, but it is a tonally consistent, exciting story. Maybe I’m setting the Superbar pretty low at this point…

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Aquaman 15

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Today, Shelby and Michael are discussing Aquaman 15, originally released December 26th, 2012. This issue is part of the Throne of Atlantis event. Click here for all of our ToA coverage.

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Shelby: Events are tricky things to handle. On the one hand, you have an opportunity to tell a story on a broader scale; you can involve more characters and build bigger plots. You also get a chance to lure readers to new titles, which can either be see by readers as an introduction to something new, or a cheap trick to make us give DC more money. To some extent, both are true. The real trick to an event, though, is figuring out how to distribute your story, and Geoff Johns is making some choices with Thrones of Atlantis that I find to be interesting to say the least. Just a heads up to you, our gentle readers: don’t make the same mistake I did. If you haven’t read Justice League 15 yet, put this down, go read it, and then come back, otherwise Aquaman 15 isn’t going to make a lick of sense.
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Justice League 15

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Today, Drew and Patrick are discussing Justice League 15, originally released December 26th, 2012, This issue is part of the Throne of Atlantis crossover event. Click here for complete ToA coverage.

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Drew: Sitcoms and comics are notorious for featuring one- and two-dimensional characters. This isn’t the result of laziness on the writers’ parts — actually, it’s their desire to work indefinitely. Narratives that don’t go on indefinitely are free to give their characters actual character-defining arcs — that’s kind of the point — but those that have no defined endpoint must more or less tread water to avoid ending. This is why we know the status quo will always be restored. Sure, Bruce might stop brooding for a bit, or Hal might lose his ring, or Superman might die, but as long as people are willing to see their further adventures (and pay for them), they’re bound to return to their resting state. Individual titles focusing on those characters are free to bend the rules a bit, but cameos in other titles kind of rely on the platonic form of the heroes. Because Justice League essentially acts as a series of cameos, it is particularly invested in not giving these characters any sense of emotional arcs. Of course, that doesn’t stop Johns from trying to shoehorn those in from time to time, too.

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Justice League Dark 14

Alternating Currents: Justice League Dark 14, Drew and TaylorToday, Drew and Taylor are discussing Justice League Dark 14, originally released November 28th, 2012.

Drew: Chekhov’s gun — the principle that a writer should not introduce a story element in the first act unless it comes into play by the third — is meant to keep stories simple and efficient. Details that don’t matter can clutter a story needlessly, making for a flabby, muddy narrative. On the other hand, when handled obviously, knowing that every element introduced must come into play can ruin an otherwise good surprise. In Justice League Dark 14, we find Jeff Lemire applying Chekhov’s principle to the House of Mysteries, delivering a kind of comedic interlude in the midst of Zatana and Tim Hunter’s disappearance. Continue reading

Justice League 14

Today, Mikyzptlk and Shelby are discussing Justice League 14, originally released November 21st, 2012, 

Mikyzptlk: My complaint with the first 12 issues of Justice League was that there was too much emphasis placed on the action and not enough on the characters. Being a fan of Geoff Johns for many years, I’ve seen what he can do with characters big and small and have read many tales of his that were rich with deep characterization. As year 2 of Justice League is starting to rev up, I’m happy to see Johns starting to focus more on his characterization. Even though this issue isn’t perfect, I’m glad to say that it’s less a Jerry Bruckheimer summer blockbuster and more of a return to what I come to expect from Johns.

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Green Lantern 14

Alternating Currents: Green Lantern 14, Mikyzptlk and DrewToday, Mikyzptlk and Drew are discussing Green Lantern 14, originally released November 7th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Mikyzptlk: Simon Baz is so fucking real I JUST LOVE IT. He just seems like such an authentic character to me. I barely just met the guy but I’m already convinced of his motivations and his heroism. Much of this has to do with how well Baz’s background has been set up by the series writer, Geoff Johns.

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Justice League Dark 13

Today, Mikyzptlk and Shelby are discussing Justice League Dark 13, originally released October 24th, 2012.

Mikyzptlk: In my 9 to 5 work life I find that it’s important to remember to have a little fun from time to time in order to get through the day. If you neglect to reward yourself with a little fun in your work life, you might not be able to handle the stress that the average work day may present you. Issue 13 of Justice League Dark could have felt like just another stressful day of work, but because series writer Jeff Lemire made sure to infuse the issue with a sense of fun, he made it more than what is essentially just a lead up to the big conclusion taking place in the upcoming Annual. Continue reading

Justice League 13

Alternating Currents: Justice League 13, Drew and PatrickToday, Drew and Patrick are discussing Justice League 12, originally released October 17th, 2012.

Drew: We’ve talked a lot about the five year rule here at Retcon Punch, and while we certainly have our gripes with how it affects continuity, I think we all understand why they did it. Giving every character some past allows them to maintain certain aspects of their pre-relaunch history, but does so without committing to anything specific. This gives writers a great deal of flexibility, without shutting the door for any future writes. Having a mysterious past also allows writers to pull out unknown details to add emotional weight to the proceedings. Doing this runs the risk of coming off as clumsy or cheap, but in Justice League 13, Geoff Johns provides an excellent case study in how to pull it off. Continue reading

Green Lantern 13

Today, Drew and Shelby are discussing the Green Lantern 13, originally released October 3rd, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Drew: Who does a fugitive turn to for help? It’s a question we’ve seen a million times, as characters keep getting wrongly accused and keep needing just one chance to clear their names. It’s a compelling story, but it isn’t exactly the most relatable reason to have a character reach out to someone. With Green Lantern 13, Geoff Johns avoids this issue by recasting the question as the much more relatable “who do you tell when something big happens in your life?” The result is a story that keeps the focus tight on Simon Baz, even as the action continues to balloon. Continue reading