All-New X-Men 41

Alternating Currents: All-New X-Men 41, Drew and Michael

Today, Drew and Michael are discussing All-New X-Men 41, originally released June 3rd, 2015.

…it was a good metaphor for what was happening with the civil rights movement in the country at that time.

Stan Lee on creating the X-Men

Drew: The X-Men’s role as a metaphor for the civil rights movement is as well-known as it is obvious — a group of people, marginalized by a coincidence of birth, struggle to be accepted by a society that fears and hates them. With so many institutions codifying racism with backwards rules, from school boards to lunch counters, it didn’t take much exaggeration to blow up that marginalization to comic book proportions. As those policies fell out of use, though, the X-Men came to stand in for other groups that were institutionally marginalized. As society continues to discard bigoted policies, however, the struggle for civil rights becomes less and less about fighting institutional rules that can be pointed at, and more about combating smaller day-to-day injustices. By their very nature, those smaller conflicts don’t lend themselves as well to superhero action: exaggerate them, and you lose the insight into how they affect people every day; don’t exaggerate them, and you don’t have anyone for your hero to shoot eye-beams at. Brian Michael Bendis and Mahmud Asrar opt for exaggeration in All-New X-Men 41, and may lose their message along the way. Continue reading

The Wicked + The Divine 11

Alternating Currents: The Wicked + The Divine 11, Drew and Spencer

Today, Drew and Spencer are discussing The Wicked + The Divine 11, originally released June 3rd, 2015.

Mr. Ross: Firestorm, that’s a hell of a picture. Remember when they had the helicopter land on top of that car —
Frank Costanza: Hey! I haven’t seen it yet!
Mr. Ross: It has nothing to do with the plot!
Frank Costanza: Still, I like to go in fresh!

Seinfeld, “The Rye”

Drew: I wouldn’t say my girlfriend has a lot in common with Frank Costanza, but she also prefers to “go in fresh” to narratives. For her, any information beyond the barest gist of the genre and mood constitutes a spoiler. Of course, I’ve always been on the opposite end of the spoiler spectrum — because I’m most interested in how the story is told, knowing plot points ahead of time can’t “spoil” the experience. Every so often though, I’ll encounter a twist so shocking that I have to admit I’m glad I didn’t know it was coming. Which is to say, when I say that you should only read on if you’ve already read The Wicked + The Divine 11, I really mean it. Seriously: spoilers after the jump. Continue reading

Justice League 41

justice league 41

Today, Michael and Mark are discussing Justice League 41, originally released June 3rd, 2015.

Michael: My biggest gripe with super hero movies or comic book reboots is that their world isn’t fully-formed; typically we have to wait an hour into the movie before the hero does the hero-ing we came to see. Origins, exposition and plot machinations take up an overwhelming amount of time and space in these situations. “Darkseid War” might be my favorite Justice League story yet because it doesn’t take that commonplace route. While Justice League 41 does have a lot of exposition, we are entering into the fully-formed world of the New Gods of Apokolips. This isn’t the origin story of Mister Miracle; he’s BEEN Mister Miracle for a while now. Continue reading

The Unbeatable Squirrel Girl 6

squirrel girl 6

Today, Drew and Taylor are discussing The Unbeatable Squirrel Girl 6, originally released June 3rd, 2015.

Drew: Hero punches bad guy. Bad guy goes to jail. Hero winks at the camera. It’s an ending we’ve seen a million times, but after 6 issues, its clear that Unbeatable Squirrel Girl will never be quite so rote. That’s not to say that Doreen isn’t perfectly capable of punching bad guys (or winking at the camera), just that she may be more open to alternative solutions to her problems. It’s an approach that is surprisingly rare in the world of superhero comics, but makes perfect sense when you look at her character sheet: talking is one of her superpowers. Sure, the remarkable part of that power may be that she can talk to squirrels, but honestly, conversation powers are rare enough when it comes to superheroes to forgive the generalization. This issue reminds us of why that power is so key to who Doreen is, then pushes beyond it to show us what else makes her so special. Continue reading

The Amazing Spider-Man: Renew Your Vows 1

ASM Renew Yor Vows 1 header

Today, Spencer and Patrick are discussing The Amazing Spider-Man: Renew Your Vows 1, originally released June 3rd, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, check back tomorrow for our Secret Wars Round-Up!

secret wars div

Spencer: Becoming a parent requires a serious reshuffling of priorities. Unlike what a lot of movies will try to convince you, it doesn’t mean that a new parent has to drop every activity they ever loved, but it does mean that those activities — and literally everything else in the world — takes a back seat to the duty they have to raise and protect their new child. It’s a staggering responsibility, even to someone like Peter Parker, who, as Spider-Man, has devoted most of his life to shouldering great responsibility. What happens when Peter puts his family before his duties as Spider-Man? That’s the question at the heart of The Amazing Spider-Man: Renew Your Vows 1, and the answer is rather startling. Continue reading

All-New Hawkeye 3

all new hawkeye 3

Today, Spencer and Taylor are discussing All-New Hawkeye 3, originally released May 27th, 2015.

Spencer: Matt Fraction’s run on Hawkeye got a lot of mileage out of a deceptively simple mission statement: “Clint Barton, a.k.a. Hawkeye, became the greatest sharpshooter known to man. He then joined the Avengers. This is what he does when he’s not being an Avenger.” What Clint does when not being an Avenger is an insanely broad concept, but in Fraction’s run it quickly narrowed into a focus on how Clint handled loss. When tasked with the duty of following up on a run as iconic as Fraction’s, it’s no surprise that Jeff Lemire flipped everything on its head, changing the mission statement to “This is what [Clint Barton and Kate Bishop] do when they do what they do best.” Lemire’s concept of focusing on Clint as a super-hero is even broader than Fraction’s, and as I’ve pored over the last few issues of All-New Hawkeye, I’ve been waiting for his story to similarly build some kind of deeper overarching theme. This month’s issue in particular is almost screaming that it has some sort of deeper meaning or underlying message, yet I’m struggling to come up with one. I’m starting to think that I’ve been approaching this title all wrong. If this is a book about what Clint and Kate do when they do what they do best, then maybe what’s most important are the actual details of what they’re doing. Fortunately, those details are pretty charming. Continue reading

Material 1

material 1

Today, Drew and Patrick are discussing Material 1, originally released May 27th, 2015.

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

Charles Dickens, A Tale of Two Cities

Drew: Like most Americans, I first read A Tale of Two Cities in high school, and like most Americans, that experience utterly ruined the book for me. My 9th grade teacher proudly trotted out all sorts of historical information about the French Revolution, making it all the more difficult to keep in mind that its themes of privilege and oppression are, unfortunately, timeless. Indeed, I’d long seen the famous opening paragraph’s use of past tense as an affirmation of that historical distance, but only because I’d forgotten the less-quotable final clause that reminds us that this is mostly remarkable for being “so far like the present period.” It’s that same “present period” that is reflected in Ales Kot and Will Tempest’s Material 1, which offers a tale of many cities that is just as timeless as Dickens’, but also decidedly more of-the-moment. Continue reading

The Sandman Overture 5

Alternating Currents: The Sandman Overture 5, Drew and Michael

Today, Drew and Michael are discussing the The Sandman Overture 5, originally released May 27th, 2015.

Drew: Neil Gaiman has never been shy about pulling down the curtains that separate fiction from reality. I might call it “breaking the fourth wall,” but it’s less winking at the camera, and more showing us the puppet’s strings to better appreciate the puppet itself. In that vein, it’s never been hard to see Gaiman as Dream, the raven-haired prince of stories, fighting to maintain order over his dominion of characters, settings, and situations. It makes for some fascinating commentary on the creative process, especially when Dream comes up against forces beyond his control, even within his own stories. That’s exactly the name of the game in The Sandman Overture 5, as Gaiman pulls the curtain back on Dream’s mother and brings in some surprises that even Destiny didn’t see coming. Continue reading

Convergence: Justice Society of America 2

justice society 2 conv

Today, Mark and Spencer are discussing Convergence: Justice Society of America 2, originally released May 27th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.

convergence div

Mark: “With great power comes great responsibility” is one of the most iconic phrases in comic book pop culture. Most often associated with Spider-Man, it also seems to be a guiding storytelling principle for a lot of modern comics and (most pointedly) DC’s Batman and Superman films as of late. The idea that being a superhero is a huge burden is an easy storytelling device. It quickly humanizes and “grounds” an otherwise fantastical character. It’s also a plot machination that can drive me crazy. Part of my intolerance is absolutely a sense of envy. How can a character be dissatisfied with life when they have super powers? Super powers! Continue reading

Teenage Mutant Ninja Turtles 46

tmnt 46

Today, Taylor and Spencer are discussing Teenage Mutant Ninja Turtles 46, originally released May 28th, 2015.

Taylor: Long form storytelling is all the rage right now. Aside from the occasional sitcom, it’s rare to find a medium where long, syndicated story telling isn’t the norm. While TV shows are a prime example of this trend, podcasts, novels, and even movies are now using multiple installments to tell a grand story. The neat thing about this is that it allows writers and artists to craft a complex story with complex characters that would go unexplored in a shorter format. Teenage Mutant Ninja Turtles, now in its 46th issue, certainly qualifies as a long story and while that may no longer be unique in today’s world, what does stand out about it is just how expertly crafted this grand narrative has been put together. Continue reading