Nightwing 29

nightwing 29Today, Spencer and Shelby are discussing Nightwing 29, originally released March 12th, 2014.

Spencer: It’s hard to talk about Nightwing 29 without talking about the circumstances surrounding it. Forever Evil revealed Nightwing’s identity to the world and may possibly be killing him off; even if Dick survives, his life is going to be drastically different, as indicated by the cancellation of his title and the premature end of writer Kyle Higgins’ run. I admit that I’m a little bitter; Nightwing’s move to Chicago had rejuvenated the title, and I’m disappointed not to see the story of the Chicago Mask Killer resolved. I certainly can’t claim to know how Higgins feels about the decision, but if he’s upset, he’s not letting it show. Instead, he uses his final issue to create a highlight reel of his run, show us how it’s changed Nightwing, and ultimately, remind us why Dick Grayson is such an important, beloved character in the first place. Continue reading

Superman/Wonder Woman 6

superman wonder woman 6Today, Scott and Taylor are discussing Superman/Wonder Woman 6, originally released March 12th, 2014.

Scott: Why are Superman and Wonder Woman together? Anyone remotely tuned in to the DC Universe has wondered this at some point in the past several months. On the surface, it seems perhaps too convenient, or little more than an attention-grabbing ploy. Realistically though, doesn’t the relationship make perfect sense? People date the people they spend the most time with. A 20 year old college student is most likely to date another 20 year old who goes to the same college. So, in a time when Justice League duties seem to be dominating many heroes’ lives, it’s only appropriate that Clark and Diana, the two most similar Justice Leaguers, would get together. The real question is, what does their relationship have to offer us as readers? If Clark and Diana are going to be spending a lot of time together just by the nature of their jobs, does a romantic relationship add anything to the story? With Superman/Wonder Woman 6, Charles Soule sets the record straight — the relationship and, thus, this book, is more than the sum of it’s parts.

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Batman 29

batman 29Today, Shelby and Scott are discussing Batman 29, originally released March 12th, 2014.

Shelby: It can be really hard to admit you’ve been wrong. Especially when you’ve gone out of your way to show everyone how right you are. The only thing to do is own up to your mistake and try to fix it. It’s a painful admission to make, and the bigger the consequences of your mistake, the more painful it is. In his own take on the iconic Batman origin story, Scott Snyder has given us a Bruce Wayne who is young, brash, and very confident. Whether through an inflated sense of self or the independence forced upon him at the death of his parents (probably a bit of both), this Bruce is even more reluctant to accept help from others than we’ve seen before. Finally, as the latest arc of Zero Year wraps up, the pieces begin to fall into place, and Bruce finds himself with some mistakes to own up to and a very hard lesson to learn. Problem is, it looks like it might be too late.
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Green Lantern 29

Alternating Currents: Green Lantern 29, Drew and SpencerToday, Drew and Spencer are discussing Green Lantern 29, originally released March 5th, 2014.

Drew: We often talk about “close readings” in our discussions, but the most rewarding works of art are interesting from far away, too. When zoomed out, you can appreciate the broader form and plotting, while when zoomed in, you can appreciate the moment-to-moment mechanics that make those larger parts work. Indeed, it’s this scalability that allows stories to remain interesting in spite of our familiarity with Joseph Campbell’s monomyth — at some scales, the non-essential details don’t matter at all, but at other scales, they’re the only thing that matters. Any halfway decent discussion of a work of art needs to focus on multiple scales, but certain works of art strongly suggest one scale over the other. More formulaic stories — an episode of Law & Order, for example — tend to offer more rewards for those looking at the details (and certain boredom for anyone looking at form). I’d argue that the controversy of LOST‘s finale stems largely from confusion over the suggested scale — is this a show about a weird island, or about the people who encounter it? — which may have changed from episode to episode. I’d argue that that ever-shifting scale is part of what made that show so great, but there’s no denying that abruptly changing gears can bring discomfort, even if it reaps the kinds of rewards we see in Green Lantern 29. Continue reading

Forever Evil 6

forever evil 6Today, Spencer and Patrick are discussing Forever Evil 6, originally released March 5th, 2014. 

villain div

Spencer: One of the biggest issues I’ve had with Forever Evil has been trying to figure out just how, exactly, its interpretation of Earth-3 works. Before the reboot Earth-3 was a world of opposites, where all evil characters were good guys and all the good guys were villains, and villains always won, but ever since the Crime Syndicate forced their way onto our world at the end of “Trinity War” writer Geoff Johns has largely shown Earth-3 as a world where everybody is evil, which I haven’t quite been able to wrap my head around up to this point. Johns and David Finch’s Forever Evil 6 has finally helped put things in perspective for me, though, by unmasking the Syndicate’s prisoner and showing us exactly what a hero looks like on Earth-3. Continue reading

Swamp Thing 29

Alternating Currents: Swamp Thing 29, Drew and ShelbyToday, Drew and Shelby are discussing Swamp Thing 29, originally released March 5th, 2014. 

slim-bannerDrew: Ah, the learning curve. It’s a testament to the resilience of the human spirit that there are things that everyone simply sucks at when they start. Some stick with it and get better, others don’t, but the fact that so many people are out there parallel parking or whatever just goes to show what we’re capable of when we put our minds to it. Of course, a good teacher helps, and the learning curve has a funny way of exaggerating the type of help we get. At our noblest, humans are capable of providing age-old (or even personal) wisdom to n00bs, but we’re just as capable as having a few yuks at the expense of the new guy. As much as I enjoy a good larf, I’ll never fully understand the inclination to let the new guy muddle through the same mistakes everyone else has made. Sure, maybe he needs to experience those mistakes firsthand, but how are we to know if nobody’s ever bothered to help anyone avoid it? At best, it’s negligent, and at worst, it’s malicious, but it always leaves the new guy worse off. Unfortunately, Alec is still in the early stages of learning the ropes as the Avatar, and every one of his mentors seems more content to watch him fuck up than offer any kind of help. Continue reading

Superman: Lois Lane 1

superman lois lane 1Today, Greg and guest writer Shane are discussing Superman: Lois Lane 1, originally released February 26th, 2014.

Greg: When I was a little kid, I dealt with some pretty heavy duty separation anxiety. Going to first grade was a nightmarish ordeal on a daily level. I would do and try anything to get out of it — faked stomach aches, insistence on a high temperature, temper tantrums like nothing else. And if my parents did manage to get me to school, I was still a wreck — crying over nothing, lashing out at teachers and latchkey supervisors, generally weirding out my classmates. Eventually an attempt at a solution was posed: go to school, but bring a photograph of my family at home that I could look at whenever I wanted. I only had to try this once to know immediately that the pain this caused wasn’t worth it. Rather than soothe my anxieties, it stoked their fires. Looking at this photo and knowing I couldn’t be there evoked a cutting sense of nostalgia, the meaning of which comes from, as Lois Lane reminds us, the clash between the desire to return home and the pain of knowing you can’t. Superman: Lois Lane deals with these evocative themes like separation, reunion, melancholy, yearning, and family with aplomb, showcasing mature and heartwarming storytelling even amidst plot-busy coverups and set pieces.

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The Flash 28

flash 28Today, Scott and Drew are discussing The Flash 28, originally released February 26th, 2014.

Scott: As a kid, I didn’t enjoy ghost stories very much. I did my best to avoid them, but sometimes, late at night at a slumber party or around a campfire, it was impossible. I endured; listening wasn’t the hard part. In the moment, whatever shock or gore the stories contained didn’t affect me much. It was the aftermath, the lingering psychological torment — the fear, however irrational, that maybe the deranged killers they told these stories about might actually exist. In The Flash 28, Barry Allen is confronted with my greatest fear: the murderous monster from his childhood ghost story is real. A ghost story combined with a detective story, this issue is as fun as you can imagine, even though all of the elements don’t mix together quite right.
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Animal Man 28

Animal man 28

Today, Shelby and Patrick are discussing Animal Man 28, originally released February 19, 2014. 

I’m sorry I was late, baby. I had to go to space.

Buddy Baker, Animal Man 28

Shelby: I feel like this quote from the latest issue of Animal Man perfectly sums up my experience with Buddy Baker in the hands of Jeff Lemire. Buddy’s defining characteristic has, for me, always been his connection to his family. Nowhere else have we seen someone forced to balance a spouse and family with being a superhero, occasionally having to go to space, etc. Mostly, Buddy’s balancing act has brought a lot of suffering to the Baker clan, so it’s nice to see our favorite family man finally get a real win.

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Wonder Woman 28

wonder woman 28Today, Scott and Shelby are discussing Wonder Woman 28, originally released February 19, 2014.

Scott: What works out for one person often effects someone else negatively. Recently, I was getting ready to go on a long trip, so I lined up a subletter to stay in my apartment. It was going to be perfect. Until, that is, she got an offer to house-sit somewhere else and backed out of our deal. It worked out well for her, but it left me scrambling. What I’m trying to say is, never celebrate a plan until it’s complete, because it can always be derailed by someone else’s plan. I’m not trying to advocate Murphy’s Law or anything, but as Wonder Woman 28 teaches us, most plans are foiled, and even when your goal is within grasp it can still blow up in your face.
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