Nightwing 14

Alternating Currents: Nightwing 14, Drew and ScottToday, Drew and Scott are discussing Nightwing 14, originally released November 21st 2012.

Drew: As a former sidekick, it’s difficult for Nightwing to define his life without Batman. This is as true outside of the mask as it is behind it — just try to define Dick Grayson without mentioning Bruce Wayne. This makes Dick’s investment in Haly’s Circus (the one part of Dick’s origin story that doesn’t involve Batman) make a lot of sense — it’s his best shot at agency in his life. Dick seems poised to begin a new chapter in his civilian life, yet his costumed life finds him pulled inextricably back towards Batman, as some of Bruce’s oldest foes demand Nightwing’s attention. Continue reading

Catwoman 14

Alternating Currents: Catwoman 14, Patrick and Drew DFToday, Patrick and Drew are discussing Catwoman 14 originally released November 21st, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Patrick: The scenario “Joker plays mind games with Selina Kyle” is ripe with potential for unpacking deep psychological issues. But that would be asking a fundamentally stupid series to try something smart. The result here is disastrous — a pointless diversion through visually incoherent space populated with flat characters playing a no-stakes game of Who Gives A Fuck.
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Red Hood and the Outlaws 14

Today, Shelby and Patrick are discussing Red Hood and the Outlaws 14, originally released November 21st, 2012.

Shelby: I’m in an interesting position reviewing Red Hood and the Outlaws. I didn’t start reading this title until the last arc with Kori and her home planet. I missed out on those first few issues that Drew and Patrick raved about. Even without reading those first issues, I can understand what they liked in this book; these are three very unique characters, and together they form a very unique team. But I feel like all the last handful of issues has done is show me what this book could be instead of just living up to its potential.
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Wonder Woman 14

Today, Scott and Taylor are discussing Wonder Woman 14, originally released November 21st, 2012.

Scott: ‘Tis the season for excess. We eat too much, spend too much, we eat too much again and, when things start feeling a little hectic, we tend to think too much. So, as I sit here debating whether to have more stuffing or more mashed potatoes, I can’t help but wonder if Wonder Woman is biting off more than it can chew. Of course, that’s silly; this comic has proven time and time again that it is one of the most clever and well thought-out series around. So the fact that this issue followed four separate storylines in four distant locations shouldn’t worry me, right? But if Wonder Woman is going to turn into the great meal I know it can be, at some point all of these different ingredients are going to have to come together on one plate, so to speak (I don’t know if I’m trying too hard to make this into a Thanksgiving analogy, or not hard enough).

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Green Lantern: New Guardians 14

Today, Shelby and Drew are discussing New Guardians 14, originally released November 21st, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Shelby: Of all the emotions in the spectrum, fear is the one least like the rest. The members of all the other Corps earn their rings by feeling; Saint Walker’s unending well of hope earned him the blue ring, Carol Ferris’ persistent love of Hal earned her the violet ring, etc. Even the members of the Indigo tribe, though they originally had their rings forced upon them, have demonstrated that they are who they are because of the compassion they feel for others. The Yellow Corps, however, isn’t made up of extremely frightened people, it is made up of people who cause great fear. It’s a distinction I’ve never really pondered, because it makes sense; who would want to read a story about people who’s only power is being a scaredycat? Tony Bedard has apparently never really pondered it either; unlike every other yellow lantern I’ve ever known, the only way for Kyle to master the power of the Yellow is by being afraid.

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Batwoman 14

Today, Jack and Patrick are discussing Batwoman 14, originally released November 21st, 2012.

Jack: When we left off, Batwoman and Wonder Woman had just sought the assistance of Pegasus, who, confusingly, was not a winged horse, but an exceptionally grizzled, disheveled, and unhappy-looking man of purpleish complexion. In this issue, we start to get a grasp on why.  Pegasus is “dying” (or experiencing some not-yet-fully-explained immortal analog for death), and it is not a pleasant picture. Batwoman examines his wounds and mentally outlines a brutal altercation with Falchion, for which Pegasus is distinctly the worse.  He explains Falchion’s complicity in Medusa’s sadistic, misanthropic, world-domination plans. He says that if Wonder Woman will cut off his head so that he can die “a warrior’s death,” he will point them in Medusa’s direction. Batwoman is appalled, but Wonder Woman agrees. Unsurprisingly, he sends them back to Gotham. Wonder Woman kills him, then quietly agonizes over the decision. Continue reading

Justice League 14

Today, Mikyzptlk and Shelby are discussing Justice League 14, originally released November 21st, 2012, 

Mikyzptlk: My complaint with the first 12 issues of Justice League was that there was too much emphasis placed on the action and not enough on the characters. Being a fan of Geoff Johns for many years, I’ve seen what he can do with characters big and small and have read many tales of his that were rich with deep characterization. As year 2 of Justice League is starting to rev up, I’m happy to see Johns starting to focus more on his characterization. Even though this issue isn’t perfect, I’m glad to say that it’s less a Jerry Bruckheimer summer blockbuster and more of a return to what I come to expect from Johns.

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Supergirl 14

Alternating Currents: Supergirl 14, Drew and Patrick HelToday, Drew and Patrick are discussing Supergirl 14, originally released November 21, 2012. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Drew: For being a site run by DC fanboys (and girls), we’re not great about covering Superman’s corner of the DC universe. In fact, aside from a few annuals and zero month, we’ve barely covered any titles anchored by DC’s oldest superhero. There’s plenty to not like about the way DC has handled Supes in the New 52, but our two biggest problems hinge around the increasingly strained explanations to superpower villains and the often lazy assumption that Krypton is automatically interesting. With Supergirl 14, the H’el on Earth crossover seems poised to give us an emotionally satisfying exploration of both of those ideas, which could serve as an important turning point for the Superman family.

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Phantom Stranger 2

Today, Shelby and Taylor are discussing Phantom Stranger 2, originally released November 14th, 2012.

Shelby: To me, the Phantom Stranger is a very old-fashioned kind of “hero.” There’s virtually no way to make the hard-boiled, fedora-wearing, mysterious man in the shadows seem like anything but old-fashioned. With his current origin as (probably) Judas Iscariot, he fits into that nebulous, religious category with The Spectre (of God’s Vengeance, for those of you keeping score). Unsurprisingly, he’s in here too; also not surprising, he’s an old-fashioned, hard-boiled detective. So, when Dan DiDio includes these characters with far more contemporary references, like kiddie soccer games and Star Wars quotes, it doesn’t fail so much as it just feels disingenuous.

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Green Lantern Corps 14

Today, Shelby and Drew are discussing the Green Lantern Corps 14, originally released October 10th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage. 

Shelby:  Big crossover events are fun. We like to see various creative teams working together on one story, and large-scale epic stories are an exciting change of pace. A major downside of an epic crossover, however, is having to get your characters to where they need to be. This shuffling of players is necessary, and can be handled in a way that’s still interesting and engaging. Peter Tomasi has got players moving into place and even gives us some major plot pieces in the process, but the end result still falls a little flat.  Continue reading