Daredevil 30

daredevil 30

Today, Drew and Patrick are discussing Daredevil 30, originally released August 21st, 2013. 

“You know, I always wanted to pop you one. Maybe this is my lucky day.”

“You disgust me. I hate you.”

“Are you as turned on as I am?”

“More.”

Sam Malone and Diane Chambers, Cheers

Drew: What is it about unlikely couples that makes us root for them? Antagonism is great fodder for will they/won’t they story lines, but why are audiences so interested in seeing these love-hate relationships? I ask, because while I can’t fully explain it, I’m an absolute sucker for these stories. Of course, that means I’ve been pulling for Kirsten McDuffie since she showed up, guns out, in Daredevil 1. We haven’t seen her since Matt awkwardly interrupted her date in issue 24, but she’s back in all of her fiery glory here, as writer Mark Waid takes full advantage of a one-off team-up to ramp up the will they/won’t they of their relationship. Continue reading

Animal Man 23

animal man 23

Today, Scott and Patrick are discussing Animal Man 23, originally released August 21st, 2013. 

Scott: Nothing rocks us harder, on a personal level, than a betrayal of trust. A cheating spouse, a conniving business partner — nothing is harder to grapple with than the idea of someone you trust working against you. It’s distressing to both your head and your heart. A similar effect can be had on a community, or an entire society, as the result of a security breach. When a place we trust is safe- a school, a temple, a movie theater- is marred by an act of terror, irreparable damage is done to our collective trust. In Animal Man 23, writer Jeff Lemire combines these two types of betrayal in one fell swoop, destroying a place we thought was safe and pulling back the curtain on someone we thought could be trusted. It’s fantastically horrific, and will make you question whether anything you believe about this title is truly as it seems.

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Batman and Nightwing 23

batman and nightwing 23

Today, Shelby and Mikyzptlk are discussing Batman and Nightwing 22, originally released August 21st, 2013.

Shelby: Grief is hard. Even the most well-adjusted, grounded person will struggle with it, and I think it’s pretty safe to say that Bruce Wayne is pretty far from well-adjusted. His grief over his parents’ deaths so many years ago still propels him forward, so it’s no surprise he’s been having difficulty letting go of Damian. It’s not until he lets himself see the grief in those around him that he really begins to move towards acceptance.

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100 Bullets: Brother Lono 3

Alternating Current: 100 Bullets: Brother Lono 3, Patrick and Drew

Today, Patrick and Drew are discussing 100 Bullets: Brother Lono 3, originally released August 21st, 2013.

Patrick: For a couple of months in Chicago, I worked as a barista at Argo Tea. It’s basically a Coffee Bean and Tea Leaf, with its priorities reversed. As a barista, you don’t have a lot of room to make any substantive decisions during the day — in fact, most of the time you’re just trying to keep up with orders and not fuck up all the drinks. Occasionally, drinks do get fucked up and customers get mad. If you’re lucky, the customer just asks you to fix the drink and that’s that. But if they’re feeling particularly entitled or vengeful, they can contact corporate to complain. That’s when the avalanche starts, as the complaint trickles down from corporate to the store manager to the shift leader and back to you, the lowly barista. With each level of authority the complaint is filtered through, there’s more and more residual anger and blame built up until a simple mistake suddenly appears to be a blight, symptomatic of complete institutional incompetence. That’s an incredibly low-stakes example of what Brian Azzarello and Eduardo Risso explore in issue 3 of Brother Lono.
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Green Lantern: New Guardians 23

new guardians 23

Today, Drew and Spencer are discussing Green Lantern: New Guardians 23, originally released August 21st, 2013.

DrewThere’s an old joke about a man who goes to the doctor, and after running several tests, the doctor returns with his diagnosis written on a piece of paper. He gives the man the paper, but instructs him never to read it, and is then rudely kicked out of the office. The man is similarly shunned when he shows the paper to his boss, his friends, and his family, but each time, they tell him not to read it himself. The joke can build for however long the teller likes, but eventually, the man shows the paper to the pilot of a plane in mid-air, and the pilot insists that the man exit the plane immediately. The man opens the door, and facing certain death, finally decides to read the diagnosis. He pulls it out of the pocket, and it is promptly blown out of his hands and out the door. When done right, we’re lead to believe that there’s an actual punchline, but ultimately, the “joke” is on us — it only exists to fuel our frustrations. I doubt that is what Justin Jordan set out to do in Green Lantern: New Guardians 23, but as Relic begins showing his own piece of paper around, there’s a similar feeling that the story is shutting us (and only us) out of the information that ultimately drives the narrative. Continue reading

Avengers Assemble 18

avengers assemble 18 infinity

Today, Ethan and Drew are discussing Avengers Assemble 18, originally released August 21st, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

infinity divider

Ethan: Ever since the birth of the film industry, it’s been a race for the technology and craft to keep suspending our disbelief as we become desensitized to each decade’s best special effects. Every once in a while, a filmmaker pulls off an innovation that jumps way ahead of our expectations, and the medium feels special again. And even while fancy visuals can surprise us, if the movie forgets that it’s supposed to have a plot and just chucks those visuals at our eyeballs for two hours without going anywhere, it feels like a waste. We talked about the long build-up to the Infinity arc, and then the first issue felt like a much more violent version of the grand finale at a fireworks show. With so many pyrotechnics and most of the characters strapped in to acceleration harnesses, it would have been easy to become distracted by the spaceships and forget the people inside of them. To balance out our view of that battle, Avengers Assemble 18 rewinds all the way back to the pre-launch scene and tells the story all over again from the perspective of one character: Jessica Drew, Spider-Woman.

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Batwoman 23

Alternating Currents: Batwoman 23, Drew and Shelby

Today, Drew and Shelby are discussing Batwoman 23, originally released August 21st, 2013.

slim-banner4

Drew: At the end of Batwoman 22, Kate asks Bones for thirty hours to prepare for her planned takedown of Batman. We all suspected that that request might not be entirely on-the-level, assuming that Kate would use that time to set-up her own counter-plan. Issue 23 reveals that we were only half-right — Kate does use that time more for her own personal ends than for preparing for her mission, but how she uses it is entirely unexpected. Continue reading

Indestructible Hulk 12

hulk 12

Today, Shelby and Ethan are discussing Indestructible Hulk 12, originally released August 21st, 2013.

Shelby: “Whatever happened, happened.”

“Save the clocktower!”

“Dust. Wind. Dude.”

Time travel in stories can be heavy, paradox-laden stuff. When I first saw the episode of LOST with the [SPOILER ALERT] photo of Jack and Hurley on the island in the seventies, my brain imploded; the “it happened this way because it always happened this way” approach to time travel is somehow both the easiest and hardest explanation to understand. You can also go back in time to change the future, though as a real-world solution it is far too dangerous. Who knows the web of effects your actions will have? Just ask anyone in the Marvel universe, they’ll tell you. Or, time travel can be utterly meaningless: no paradox, no consequences, just “we traveled in time and it was neat!” Mark Waid’s Indestructible Hulk takes a slightly different approach; Hulk and Banner-bot have gone back in time to save the present, but not from things that did happen in history, from things that didn’t happen in history. And when the time stream is as broken as it is, a little more time travel can’t really make things any worse.
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Superman Unchained 3

superman unchained 3

Today, Patrick and Scott are discussing Superman Unchained 3, originally released August 21st, 2013.

Patrick: As problematic as Superman’s powers are for a narrative, Clark Kent’s moral purity proves even more bothersome. Mind you, it’s much easier for writers to dial down Clark’s ideology to bring him in line with modern heroes than it is to de-power him in any way: if Supes can’t stop a bullet with his chest, fans will cry foul; but if he starts making unscrupulous choices, only the purest purists will grumble. Plus, how else should Superman writers obey the mandate to make the characters younger and more relatable? Personality flaws, and plenty of ’em! It’s fascinating then, that when Scott Snyder trots a bigger, more powerful version of Superman, he also doubles down on reason and civility. If the goal of Superman Unchained is to put the concept of Superman on trial, then we’ve actually got to put both versions on trial: the invincible boyscout and powerful alien protectorate alike have to answer for their sins (even if they’re only sins of omission).

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