by Michael DeLaney
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Sean Murphy debuted Batman: White Knight with a simple twist: what if The Joker went good and made Batman the villain? Throughout the subsequent seven issues, Murphy added unique layers to both The Joker, Harley Quinn and Gotham City as a whole. Batman: White Knight 8 closes out the series by bringing the attention back to The Caped Crusader himself. Continue reading
by Drew Baumgartner
This article containers SPOILERS. If you have not read the issue yet, proceed at your own risk!
Is privilege just luck that we don’t recognize as luck? The failure to recognize the benefits afforded by our race, gender, class, nationality, or any other number of inborn factors in our lives? That is, a privileged person is a lucky person, but specifically one that misattributes their luck as merit or skill. This helps protect Domino from coming off as too privileged — she absolutely recognizes how lucky she is — though Gail Simone and David Baladeón take pains to make it clear that she’s not that lucky, and that much of her success is ultimately attributable to her skills, too. Continue reading
by Patrick Ehlers
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
It’s sort of astonishing the impact a single person can have on the course of history. The whole of Star Wars is based on this — the galaxy is shaped by one dude’s unquenchable rage. But that’s clearly the negative side of the equation, right? In the movies, anger-monsters like Darth Vader and Kylo Ren are bested by charismatic onscreen personalities. Han Solo is charming because Harison Ford is. Leia is a compelling figure because Carrie Fisher is. In Darth Vader 16, writer Charles Soule and artist Giuseppe Camuncoli show where that power of personality can come from. Continue reading
by Taylor Anderson and Michael DeLaney
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Taylor: Usually when I go to work, I wear contact lenses instead of glasses. Generally, that’s a decision I make based on comfort, or more accurately, on how late I wake up that morning. This being so, people at work don’t see me in my glasses that often and frequently express surprise that I’m bespectacled. My students think it’s hilarious to lovingly (I think) mock me by calling me “Professor Anderson” in their best nerd voice when they see my Clark Kent look. This just shows that superficial changes to one’s appearance often lead to you being seen differently, and the same can be said of comics. Being a visual medium, how things look matters. And when that look changes, it’s a total gambit as to whether it works or not. Continue reading
by Spencer Irwin
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
One thing you can’t accuse Exiles of is a lack of imagination — or of decompressed storytelling, I suppose. The title flies through new ideas and worlds almost faster than readers can keep up with them. Sometimes I honestly wish it would just slow down and spend some time actually exploring the worlds it takes us to for more than a few pages, and thankfully, Exiles 3 does exactly that, spending over half its story in one scenario (a WWII-era battle with Peggy Carter’s Captain America), and ending with a legitimately shocking cliffhanger, one that finally isn’t the Time-Eater showing up yet again. I feel like this book is really starting to find its footing.
More importantly, though, no matter what era it travels to or how quickly things change, creators Saladin Ahmed and Javier Rodriguez always keep Exiles focused on what matters most: its characters. Continue reading
by Mark Mitchell
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
It’s taken me twenty-three issues, but I am finally coming to terms with the kind of book New Super-Man is, versus the book I want it to be. What it is is a plot-driven book that smooths over its rough patches with sheer momentum and the clever mash-up of Chinese folklore with DC mythos. What it is not is interested in meditating on the themes it employs to drive its plot. Continue reading
By Michael DeLaney
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Michael: As a whole, DC comic book readers are very protective of Dick Grayson. He’s the first Robin, the first one to leave the short pants behind, lauded as the sexiest man in the DCU, and just an all-around great guy. Nevertheless Mr. Grayson can never seem to completely escape Batman’s shadow — I can name a slew of my favorite Batman stories but barely any Nightwing stories. Nightwing 44 is Benjamin Percy and Christopher Mooneyham’s inaugural issue on the title, and they are setting out to explore what makes Dick Grayson unique from the very first page. Continue reading
By Spencer Irwin
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
There’s a joke amongst fans that if a team exists in the Marvel Universe, Wolverine has been a part of it. This is an exaggeration — it’d be funny to see him joining up with the Champions or Young Avengers, but it hasn’t happened yet — but only slightly. Logan’s prolific stature in the Marvel Universe is what allows for an event like Hunt for Wolverine, which rounds up as many characters with connections to Logan as possible, no matter how tangential, from every corner of Marvel’s vast universe. It’s a bit of a bait-and-switch, as bringing in all these characters has so far (in the two issues of Hunt for Wolverine thus released) led to stories that are rather light on Wolverine himself. Tom Taylor and R.B. Silva lean into that idea in Hunt for Wolverine: Adamantium Agenda 1, pulling a bait-and-switch on their cast as well as their readers. Logan’s former New Avengers teammates think they’re rescuing Wolverine(‘s genetic code), but it turns out they’ve stumbled into a very different, much more personal scenario. Continue reading
by Drew Baumgartner & Patrick Ehlers
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Drew: Five years into this run, pointing out that Deadpool is a Sad Clown would be lazy analysis — not only has that point been well established, but the series itself has managed to explore it so thoroughly, reducing the character’s emotional journey to a two-word summary couldn’t possibly do it justice. And yet, I couldn’t think of a more appropriate way to begin this piece than embedding Smokey Robinson’s “Tears of a Clown,” not because of a shallow similarity between the content of these two works, but because of some profound similarities in how they treat that content. The lyrics describe a narrator who puts on a good face in spite of his profound sadness, but the music doesn’t betray that sadness for a second — it sounds like any other Motown hit (though that bouncy bassoon that maybe hints that this song is about a clown). By this point in the story, Wade Wilson has completely dropped that fascade of silliness, but just like the instruments in “Tears of a Clown,” the series itself maintains that clownish exterior. Continue reading
by Michael DeLaney
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Michael: Mark Waid is a self-professed devotee of DC Comics’ Legion of Superheroes — the team from the 31st Century inspired by Superman’s actions to be heroes themselves. It should be no surprise then that he has crafted a similar future built on the inspiring example of Captain America in Captain America 701. Continue reading
Retcon Punch 