Author Archives: Drew

Dec 14 2012

Batgirl 15

Alternating Currents: Batgirl 15, Drew and ShelbyToday, Drew and Shelby are discussing Batgirl 15 originally released December 12th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Much of being an adult is about suppressing our impulses. Taking that huge slice of cake, telling that inappropriate joke at work, or throttling the annoying guy on the train may cross our minds, but usually our understanding of the consequences wins out. As a crime-fighter with a secret identity, Barbara Gordon is particularly adept at keeping her impulses in check — she keeps it together when a case is frustrating her, or when a loved one is in mortal peril. Still, even she has her limits, and getting married to the man who paralyzed her AND JUST MUTILATED HER MOTHER is pretty clearly over the line. Continue reading →

Dec 13 2012

Batman 15

Alternating Currents: Batman 15, Drew and PatrickToday, Drew and Patrick are discussing Batman 15 originally released December 12th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Scott Snyder has stated that his first three pitches for Batman (The Court of Owls, Death of the Family, and the next arc) form a kind of triptych examining different aspects of Batman. The Court of Owls put Bruce’s relationship with Gotham under the microscope, revealing a great deal about both. Joker’s relationship with Batman is equally indelible (and worthy of scrutiny), but Snyder has dug much deeper with Death of the Family, taking on a much more fundamental — but often unexamined — characteristic of Batman: his leadership. Continue reading →

Dec 12 2012

All-New X-Men 1-3

Alternating Currents: All-New X-Men 1-3, Drew and ShelbyToday, Drew and Shelby are discussing All-New X-Men 1-3, originally released November 7th, 21st, and December 5th 2012, respectively.

Drew: Regret is a funny thing. We’ve all felt it, even if for something as simple as wishing we had ordered that other thing that looked good on the menu. It comes in many flavors, from shame to wistfulness, but all require us to be removed in time from the event we regret. As an observation, that’s almost too obvious to mention — except when time stops working like we expect it to. We’re used to looking back, but how does regret work if you can look forward, as well? At the end of its first three issues, All-New X-Men seems poised to address this very notion, as we rapidly take the perspectives of people looking to their pasts, as their pasts gaze into their future. It’s a crazy idea, but just like the plan that brought it about, it might be just crazy enough to work. Continue reading →

Dec 10 2012

Before Watchmen – Comedian 4

Alternating Currents: Comedian 4, Michael and Drew B4WToday, Drew and Michael are discussing Comedian 4, originally released December 5th, 2012. Comedian is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Drew: Comedian 4 begins with the opening lyric from Simon and Garfunkel’s “The Sounds of Silence.” This isn’t in itself remarkable — Watchmen itself drew many of its chapter titles from lyrics, and many entries in Before Watchmen have prominently featured lyrics in a similar way. What is unusual about it is that it is immediately followed by a lyric from The Who’s “I Can See for Miles,” with the excerpted lyrics forming a brief thesis on Eddie Blake’s nihilism: “Hello darkness…Here’s the surprise. Come to talk with you again. I can see for miles…Miles and miles and miles and miles…” Continue reading →

Dec 5 2012

Justice League Dark 14

Alternating Currents: Justice League Dark 14, Drew and TaylorToday, Drew and Taylor are discussing Justice League Dark 14, originally released November 28th, 2012.

Drew: Chekhov’s gun — the principle that a writer should not introduce a story element in the first act unless it comes into play by the third — is meant to keep stories simple and efficient. Details that don’t matter can clutter a story needlessly, making for a flabby, muddy narrative. On the other hand, when handled obviously, knowing that every element introduced must come into play can ruin an otherwise good surprise. In Justice League Dark 14, we find Jeff Lemire applying Chekhov’s principle to the House of Mysteries, delivering a kind of comedic interlude in the midst of Zatana and Tim Hunter’s disappearance. Continue reading →

Dec 4 2012

Batman Incorporated 5

Alternating Currents: Batman, Inc 5, Drew and PatrickToday, Drew and Patrick are discussing Batman Incorporated 5, originally released November 28th, 2012.

Drew: Patrick once pitched me an idea for a comic designed to simulate the sensation of picking up a long-running, densely serialized series late in its run. Batman Incorporated is  already a fantastic example of the kind of comic mythology Patrick was aiming to lampoon, but with issue 5, Morrison flexes is own insane mythology muscles, dropping us into a future we know nothing about. Except for when we do. While Morrison’s Gotham of the future still relies heavily on hilariously vague, yet vast-sounding mythologies, it contains enough hidden rewards for longtime readers of Morrison’s Batman epic to set up some emotional through-lines for that future. Unfortunately, that same coherence can only make it more frustrating for newcomers to this series.

Continue reading →

Dec 3 2012

Before Watchmen – Ozymandias 4

ozymandias4B4WToday, Drew and Mogo are discussing Ozymandias 4, originally released November 28th, 2012. Ozymandias is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Drew: I don’t envy Len Wein. The thought of writing a prequel to one of the greatest comic books of all time is daunting enough, but Wein faces the additional task of writing the thoughts of the smartest man on the planet. Super-intelligent characters like Sherlock Holmes are difficult to write realistically — the writer has to come up with problems whose solutions aren’t already apparent to the supporting cast and audience — but Adrian Veidt is an order of magnitude more difficult. This is someone who predicted the end of the world, then devoted years to realize a convoluted plan to divert it. Anything shy of that level of planning and premonition is going to feel like a letdown, and unfortunately, that’s exactly what we get inOzymandias 4. Continue reading →

Nov 30 2012

The Flash 14

Alternating Currents: Flash 14, Drew and ScottToday, Drew and Scott are discussing the Flash 14, originally released November 28th, 2012.

Drew: I’ve always seen postmodernism as inevitable. As someone who likes art, consuming art about art just makes sense to me. It’s quite easy to take commentary too far — forcing the art to far up its own ass to really be relatable — and while I have a special place in my heart for stories that do that, it’s much more satisfying when they can support a compelling narrative, as well. Brian Buccellato and Francis Manapul nail that type of just-right meta-text time and time again, as Barry grapples with his relationship to his own identity, history, and even time itself. Their pacing and narrative style have remained fluid enough to accommodate all of these ideas, tying them back to Barry’s own experience of the world. Issue 14 continues the recent trend of expanding the scope beyond Barry’s subjectivity, revealing a rewarding complexity to the world he lives in. Continue reading →

Nov 28 2012

Hawkeye 4

Today, Drew and Jack are discussing Hawkeye 4, originally released November 21st, 2012.

Drew: Back in issue 2, Clint assured us that “work’s work.” The very notion of considering the Avengers a day job says a lot about his character, but the notion that he could separate his personal life from his professional one is laughable. Hell, my mom can’t even do that, and her job doesn’t involve killing people, saving the world, or supervillains bent on exacting revenge (at least, I don’t think her job involves those things). The first three issues of Hawkeye have brilliantly explored what a guy like Clint might get up to when he has nothing better to do — fighting local crime and righting small wrongs just for the hell of it — but issue 4 brings reality back to Clint’s doorstep. It just so happens that, for Clint, reality comes in the form of a  floating aircraft-carrier filled with superheroes. Continue reading →

Nov 28 2012

Blue Beetle 14

Alternating Currents: Blue Beetle 14, Drew and ShelbyToday, Drew and Shelby are discussing Blue Beetle 14, originally released November 21st, 2012.

Drew: Last month, Patrick accused Blue Beetle of pulling a Million Dollar Baby — that is, getting you emotionally invested in the narrative, only to dramatically switch the story it is telling in the final act. I can totally understand being frustrated with Million Dollar Baby for tricking us into watching a heavy-handed morality play, but I actually appreciate that it did something more interesting with its scrappy, up-and-coming boxer (win or lose, Rocky has already been there). It suddenly became much harder to summarize, wading into heady ideas in lieu of simple events, and found something besides simple pride to mine from the relationship formed between Clint Eastwood and Hilary Swank’s characters. With that more specific definition — that Million Dollar Baby switches from a rote, event-driven story to a character-driven meditation on family — I would actually classify Blue Beetle‘s recent tonal change as a reverse-Million Dollar Baby. Continue reading →