Convergence: Green Lantern/Parallax 1

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Today, Michael and Patrick are discussing Convergence: Green Lantern/Parallax 1, originally released April 15th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.

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Michael: With the leak of the trailer for Batman v Superman: Dawn of Justice this past week, I’ve been thinking about Man of Steel a lot lately. And while I could write a book on why I didn’t like that movie, it really boils down to the fact that I found most of the things that Superman did in Man of Steel to be very out of character for the hero that I know. In the realm of comic books, characters go through many changes — I mean, you’ve gotta keep things interesting. But the changes that work are typically those that essentially feel true to those characters. Tony Bedard has been handing in some very solid Convergence tie-ins so far; they’re not perfect but he really has the core of these characters down, no matter what point in time they’re in. Continue reading

Convergence Round-Up: Week Two

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Today, Shane leads a discussion about Convergence 1, Aquaman 1, Batman: Shadow of the Bat 1, Justice League International 1, Supergirl Matrix 1 and Superman: Man of Steel 1.

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“Never half-ass two things. Whole ass one thing.”

-Ron Swanson, Parks and Recreation.

Shane: Success comes from committing wholeheartedly to a goal, and that’s true in everything — even comic books. If the first week of Convergence focused on setting up the event with slow-moving exposition, the second week lurches startlingly forward, throwing the story in multiple directions. But even as the main event strives for greatness, its sister titles stumble along, burdened by continuity errors and contradictions between stories, almost as if the writers sped through their research. If Convergence was designed to celebrate specific eras of years past, what does it say that half the books seem to betray that history? And that begs the follow-up question…if the stories are good enough, does it even matter?

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Convergence: Nightwing/Oracle 1

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Today, Mark and Patrick are discussing Convergence: Nightwing/Oracle 1, originally released April 8th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.

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Mark: It’s been about four years since DC’s controversial reboot into the New 52, and now that it’s come to a nominal end, I think it’s fair to say it was a success. Yes, I miss old, family-man Superman (and man was it great to see him again last week) but going back is also an illustration as to why the New 52 was necessary. Having that 30 years of history (counting from Crisis on Infinite Earths) was both a blessing and a curse. These characters were fully formed over decades of discovery. They were adults with families and complicated relationships. They carried the weights of their decisions with them. The problem is that eventually the weight of all that continuity became overwhelming, the stories you’re able to tell are limited by the past. Continue reading

Convergence Round-Up: Week One

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Today, Patrick leads a discussion about Convergence 1, The Atom 1, Batgirl 1, Batman & Robin 1, Harley Quinn 1, Justice League 1, Superman 1 and Titans 1.

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“Life – it’s literally all we have. But is it any good?”

-Forrest MacNeil, Review.

Patrick: If the first week of Convergence has taught us nothing else, it’s that DC is not bringing back characters and concepts of yesteryear to watch them frolic around in their native environments. The premise of Convergence — multiversally displaced cities forced into combat with each other — looms large over the all the tie-in issues. That’s what DC Comics is for the next two months: not a bunch of old things you remember, love and/or tolerate, but something new, wild and frustratingly untamed.

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Convergence: Speed Force 1

speed force 1 convToday, Spencer and Michael are discussing Convergence: Speed Force 1, originally released April 8th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence this week, click here.

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Spencer: How do you decide what comics you buy? When I first started reading monthly comics (gasp, almost ten years ago!), I chose my books based almost solely on what characters appeared in them — which, at the time, meant I bought a lot of books starring the Teen Titans and the Flash. It took a year or two before I really started recognizing the names and talents of the creative teams, and a few more before word of mouth started turning me onto new series and new horizons. While today I’m more likely to follow creators I know will deliver strong stories, there’s still a part of me willing to take a chance and pick up a comic solely because a favorite character makes an appearance, and that’s precisely what led me to check out Convergence: Speed Force 1, which stars my favorite character in all of comics, Wally West. It turns out that my reasons for liking the issue are just as personal as my reasons for buying it in the first place — it’s not a perfect issue by any means, but man is it good to see Wally again. Continue reading

Gotham Academy Endgame 1

Alternating Currents: Gotham Academy Endgame 1, Drew and Taylor

Today, Drew and Taylor are discussing Gotham Academy Endgame 1, originally released April 1st, 2015.

Drew: Ah, the framing story. What else provides such instant meta-text? It’s what turns The Princess Bride into a story about bedtime stories, or Don Quixote into a story about adventure stories. Of course, it also adds a layer of distance, reminding us that we’re consuming a story, just in case we might have forgotten. At its most cynical, that distance can provide plausible deniability of the events of the story (like so many hand-waving sitcom episodes based on A Christmas Carol or It’s a Wonderful Life), but at its most sincere, it allows a single narrative to celebrate the act of storytelling. In the case of Gotham Academy Endgame 1, it also allows for stories that otherwise wouldn’t fit in the narrative, revealing the depth and breadth to the world of the series while also showcasing some fantastic talent. Continue reading

Batman and Robin Annual 3

Alternating Currents: Batman and Robin Annual 3, Michael and Shane

Today, Michael and Shane are discussing Batman and Robin Annual 3, originally released April 1, 2015.

Michael: Convergence has already begun, whose end will signify the sort-of-new direction for DC’s entire line. While Batman and Robin 40 was Patrick Gleason’s final issue on the series, Batman and Robin Annual 3 marks the quiet death of the Batman and Robin series that Gleason and Pete Tomasi re-launched back in 2011. So prepare yourselves for Batman and Robin IN SPAAAAAAACE!

Batman and Robin Annual 03-008 Continue reading

Batman Eternal 52

batman eternal 52Today, Spencer and Michael are discussing Batman Eternal 52, originally released April 1, 2015.

People need dramatic examples to shake them out of apathy and I can’t do that as Bruce Wayne. As a man, I’m flesh and blood, I can be ignored, I can be destroyed; but as a symbol… as a symbol I can be incorruptible, I can be everlasting.

Bruce Wayne, Batman Begins

Spencer: Throughout all of the many different storylines in Batman Eternal, one theme has steadily built under the title’s surface: the idea of Batman’s legacy. While it was never something addressed all that directly (at least until R’as al Ghul flat out asked “Is Batman eternal?” a few weeks ago), the creative bullpen has steadily been building up Batman’s team of allies and investigating just what effect Batman’s presence has had on Gotham City. With this massive weekly series finally coming to an end, Batman Eternal 52 aims to show exactly the power of that symbol on Batman’s chest, and it does so in spectacular fashion, pulling together nearly all the threads that have been cast throughout the last 52 issues into one show-stopping finale. Continue reading

Convergence 0

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Today, Patrick and Spencer are discussing Convergence 0, originally released April 1st, 2015. This issue is part of Convergence.

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Patrick: Did you know that there’s a sort of loose narrative that justifies the Super Smash Bros. games? The good folks at Hal Labs must have wanted some semblance of logic dictating why Pikachu was fighting with Samus Aran and Link, so they landed on the simplest possible explanation: this is a child playing with their toys. No, f’real. That’s why the final boss is a disembodied hand (or pair of hands) — those belong to the kid with all the action figures. There’s no magic, there’s no transdimensional nonsense, there’s only the conceit that a child with boundless imagination can sure make it look like Donkey Kong is pounding Marth into the ground. That’s freeing and fun and makes just as much sense as it needs to before getting to the truly rewarding business of having Solid Snake launch a mortar at Jigglypuff. Convergence, in its introductory issue, appears to be suffering from the exact opposite of this: an overly-explained mechanism backed by a total lack of imagination. Continue reading

The Multiversity: Ultra Comics 1

Alternating Currents: Multiversity: Ultra Comics 1, Michael and DrewToday, Michael and Drew are discussing The Multiversity: Ultra Comics 1, originally released March 25th, 2015.

“We believe in Ultra Comics. And we demand a happy ending!”

Red Riding Hood

Michael: “The Tinkerbell effect,” born from the stage play of Peter Pan, where Pan encourages the audience to clap their hands if they believe in fairies to save the dying Tinkerbell. That is, if you believe in something, it exists. Grant Morrison thrives on the philosophy of this idea and the power that we as an audience/society give to it. The Multiversity: Ultra Comics 1 takes this theme and runs with it, transforming the act of reading a comic book into an interactive, cross-reality adventure. Continue reading