Lazarus 4

Alternating Currents: Lazarus 4, Drew and Shelby

Today, Drew and Shelby are discussing Lazarus 4, originally released October 2nd, 2013.

Drew: Ah, feudalism. Its simple, incestuous power dynamics make for some fascinating drama. Sure, there can be warring families, but the real dangers are those from within, as family members pit their love for one another against their thirst for power. It completely upends our notions of who we can trust, leaving each member of the ruling class open to betrayal and manipulation. As an effectively immortal killing-machine, Forever Carlyle was always above that kind of base power-grubbing, but Lazarus 4 finds her pulled into the fray with an anonymous tip about her family. Continue reading

Green Arrow 24

green arrow 24Today, Spencer and Drew are discussing Green Arrow 24, originally released October 2nd, 2013.

Spencer: Perspective is an amazing thing. Things that look small or large from far away end up being the exact opposite. Some items, when viewed from another angle, reveal surprising secrets. Even as a more metaphorical idea, perspective is pretty great; when I have trouble writing these reviews, sometimes I need to take a step back from the issue at hand, look at it from an entirely new perspective, and then I’ll find the angle I need. In Green Arrow 24, Jeff Lemire and Andrea Sorrentino play with both forms of perspective as Shado takes on Richard Dragon and Ollie faces down Count Vertigo. Continue reading

Forever Evil 2

forever evil 2

Today, Mikyzptlk and Drew are discussing Forever Evil 2, originally released October 2nd, 2013. 

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MikyzptlkLast month, the first issue of Forever Evil left me feeling relatively good about the start of DC’s first line-wide crossover since the inception of the New 52. Most of the heroes were gone, the Crime Syndicate was established, and Lex Luthor finally got a glance something that may just be worse than a bunch of costumed do-gooders. Ultimately, Forever Evil is about villains being forced into a position to fight a greater evil. I think that issue 1 gave us a pretty good starting point for that. Looking at issue 2, while I feel that there was some interesting developments, I can’t help but feel the entire issue suffered from structural issues, and that it was ultimately about getting Luthor to say one damn line.  Continue reading

Trillium 3

Alternating Currents: Trillium 3, Drew and Scott Today, Drew and Scott are discussing Trillium 3, originally released October 2nd, 2013. Drew: I like to think that most people want to know how magic tricks are done, but every so often, I’ll encounter someone who swears they don’t — they don’t want to ruin the illusion. But let’s be honest: we all know there’s a trick — it’s not like anyone is under the impression that the coin actually disappeared, or that the lady was actually sawn in half — we can fully appreciate the effect, but we know that there’s some secret to how it was achieved. It’s only natural to want to know a secret you know you don’t know. I get a similar thrill out of thinking about how illusions in art are created, from film editing techniques to harmonic analysis to pacing and form. Those last two have been a centerpiece of Jeff Lemire’s Trillium from the start, and issue 3 offers a beautiful study of their effects. Continue reading

Wolverine and the X-Men 36

Alternating Currents: Wolverine and the X-Men 36, Drew and TaylorToday,  Drew and Taylor are discussing Wolverine and the X-Men 36 originally released September 25th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Isn’t it worth a few bruised children to save the entire future?

Xavier

Drew: Sacrifice is a funny thing. If helping others requires harming yourself, people will hail you as a hero, but if it requires someone else being hurt — even with the same net result — people hem and haw about ends justifying means. Obviously, the sticking point is free will; it’s perfectly okay to willingly do something yourself, but each of us must be free to make that choice. Of course, that can become a bit of a sticking point in time travel narratives, where there’s a sense that certain things have to happen — Sarah Connor has to survive to give birth John, Marty McFly’s parents have to kiss at the enchantment under the sea dance — in order for the story to even be possible. We tend to focus on the potential paradoxes there, often forgetting that the affected characters have effectively had their free will’s sacrificed by whatever time-travelers happen to be meddling with their pasts. The morality of that act is under scrutiny in Wolverine and the X-Men 36, as Jason Aaron adds new players to both sides of the debate. Continue reading

Nova 8

Alternating Currents: Nova 8, Drew and Shelby

Today, Drew and Shelby are discussing Nova 8, originally released September 25th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Drew: Teenage superheroes are tricky. Part of what makes them appealing is their adult-like agency, but if you give them too much, they cease to resemble actual teens — writers must maintain a careful balance between escapism and realism. One of the most common tools used by writers to keep their teen heroes grounded is to surround them with other teen superheroes, and maybe even have them fight teen villains. This effectively scales their world back, giving them a comfortable niche between regular, mortal adolescence, and full-on adult superheroics. In Nova 8, writer Zeb Wells starts building that teen cast, giving Sam a stake in the events of Infinity that are fully unique. Continue reading

FF 12

Alternating Currents: FF 12, Shelby and Drew

Today, Shelby and Drew are discussing FF 12, originally released September 25th, 2013.

Shelby: Destiny takes on a whole new meaning in ComicBookLand. To us regular folk, destiny is the idea that the natural order of the universe has predetermined our future. In comic books, it generally means a version of yourself from the future has arrived who knows what happens next because they’ve already lived it. It makes it a lot harder to argue your future is your own when faced with someone who knows what you’re going to do next, and the consequences of those actions. Unless, of course, you’re in Matt Fraction’s FF; no matter how many intellects from the future drop by, you never actually know what will happen next.

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Justice League of America 7.4: Black Adam

Alternating Currents: Justice League of America 7.4: Black Adam, Drew and Mikyzptlk

Today, Drew and Mikyzptlk are discussing Justice League of America 7.4: Black Adam, originally released September 25th, 2013. This issue is part of the Villain’s Month event. Click here for our Villains Month coverage.

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Oh, you mean…Black Debbie

Whoa whoa whoa whoa, why is she “Black” Debbie?

No, not in a BAAAD way. It’s just to tell them apart because she’s…black!

Stormy and Sparks, “No Names (Black Debbie)”

Drew: A child, orphaned by crime, vows to strike fear in the hearts of criminals. The last survivor of a race of superpowered aliens is raised in small town Kansas. A regular guy is given super-speed when he is struck by lightening and doused with chemicals. Our favorite superheroes have simple, iconic origins, which make them easy to introduce in film or television, and easy to reintroduce when relaunching an entire comics line. That simplicity is a big selling point for a lot of these characters, but what of those whose history is a bit more complicated? Black Adam has always been a dark reflection of Shazam, but exactly how dark has varied widely over the years, and has offered a great deal more interest than its simple villain-turned-antihero scaffold might suggest. Unfortunately, the New 52 steamrolled all of that history, turning Black Adam back into a straightforward villain. With Justice League of America 7.4: Black Adam, writers Geoff Johns and Sterling Gates work to re-complicate Adam’s story — making him more than just “Black Shazam” — but may go for too much, too soon. Continue reading

Avengers 20

avengers 20 infinityToday, Spencer and Drew are discussing Avengers 20, originally released September 25th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Spencer: Hawkeye, Scarlet Witch, Quicksilver; the Avengers have a long history of welcoming reformed villains into their ranks. Ex Nihilo and Abyss are the latest Avengers to take advantage of this, but after serving as the villains of the first storyline of Jonathan Hickman’s Avengers — and after spring boarding the series’ central conflict — their reformation has felt just a little too easy. They basically became Avengers just because Captain Universe said so. I’m sure she knows best (well, kinda sure), but while I had no problem believing that these two were no longer threats to the Earth, I had a much harder time believing that they could reliably serve as Avengers. Now Ex Nihilo and Abyss are faced with their creators, their brothers and sisters…how will they react? Are they heroes, or villains?

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Saga 14

saga 14

Today, Shelby and Drew are discussing Saga 13, originally released September 25th, 2013.

Shelby: One of the big parts of growing up is learning that you can’t always have what you want. As a kid, when your parents tell you that you can’t have something, you pitch a fit in the middle of the Jewel-Osco, but as you grow up you learn to more appropriately deal with disappointment. It’s a process that never stops, because we constantly have things we want taken away from us. Sometimes we have to choose between two things we want, knowing that we’ll always be a little disappointed for the option we didn’t take. Sometimes we have to face the hard truth that we can never again have what was lost, no matter how badly we want it.

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