Category Drew Baumgartner

Drew Baumgartner, Co-Editor-In-Chief
drew@retcon-punch.com

Location: Milwaukee

History With Comics: Drew grew up with Superman pajamas. His best days were when he never had to change out of them. He fell in love with Batman the Animated Series when he was 5. He had never read a comic in his life, but started reading Batman trades when he was in high school. He continued to pick up trades and one-offs throughout the 00’s, but never got into the monthly swing. After almost a decade of being an outsider looking in, Drew seized upon DC’s relaunch to start picking up monthlies.

May 31 2013

The Wake 1

wake 1

Today, Shelby and Drew are discussing The Wake 1, originally released May 29th, 2013.

Shelby: There are certain things you come to expect from stories. As an example, with a rom-com you know there’s going to be the initial meeting between protagonists, things will go well, then things will go poorly, then everything will fall apart (usually with a sad montage), and then everything is resolved in the end, often with some sort of grand declaration of love. Throw in a spunky, comic-relief sidekick bestie for each protagonist, and you’ve got the next big girls-night-out hit. Now, The Wake is certainly no romantic comedy, but I definitely had some expectations about the kind of story I would get. Underwater sci-fi horror means: a rag-tag team, a mysterious monster lurking about for a few issues, a gory reveal, and eventually a big final fight. Leave it to Scott Snyder and Sean Murphy to somehow give me exactly what I expected and still deliver something very fresh and new.
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May 31 2013

X-Men 1

Alternating Currents: X-Men 1, Drew and Spencer

Today, Drew and Spencer are discussing X-Men 1, originally released May 29th, 2013.

Drew: Anticipation is often the enemy of objectivity. Not that I can ever claim to be all that objective, but it can be difficult to evaluate a work on its own merits when expectations have been allowed to brew for as long as they have for X-Men 1. Since the announcement of this title, the all-female cast has been cited for everything from pandering to its female audience to serving as a rare bastion of female role models in comicdom. But, are any of those things what writer Brian Wood and penciller Olivier Coipel actually set out to do? Does that matter? Art shouldn’t have to answer for what people turn it into sight-unseen, but its difficult to talk about this series without some reaction to the expectations it was released into. Hopefully, I’ll be able to tie it back to the series itself. Continue reading →

May 29 2013

Batman Incorporated 11

Alternating Currents: Batman Incorporated 11, Drew and Tyler

Today, Drew and guest writer Tyler are discussing Batman Incorporated 11, originally released May 22nd, 2013.

Drew: I love one-offs. I don’t know if it’s the satisfaction of a self-contained narrative, or just their relative rarity in modern comics, but I’m always excited to jump into a single-serving adventure. Unless, of course, it falls in the middle  of the closing arc of an Epic I’ve been reading for years. I don’t want to hold the placement of this issue against it — especially since it likely afforded the creative team time to craft an incredible close to this arc — so I’ll do my best to put my expectations aside, but it’s a strange uphill battle that very few issues in comicdom are subject to. Continue reading →

May 28 2013

Uncanny X-Men 6

uncanny x-men 6Today, Ethan and Drew are discussing Uncanny X-Men 6, originally released May 22nd 2013.

Ethan: One evening in college, I was getting ready to turn in a paper that was due the next day. It was all written & polished, so I was just going to skim it one last time and make sure there weren’t any glaring issues. As the file loaded, Word showed a popup window, which I dismissed without reading in the same way you click “I agree” at the bottom of Terms & Conditions. Computers are always showing popup messages, right? They’re usually redundant, whatever. The first page of my paper rendered as a solid mass of gibberish: letters, numbers, and symbols smashed together without spaces… as did the rest of it. 15 pages of junk characters. Alarmed, I closed the file without saving & re-opened it; it turns out that the popup window was warning me that the file was corrupted. As I sat there, in the fading light of the last day before I had to turn this thing in, I thought about what it would take to reproduce the paper from scratch: all the quotes, analysis, and dozens of footnotes containing the specific page references. All of which didn’t exist anywhere else, neither as a hard copy nor digital. While I knew I could pull it together again given some time, in that moment I was overwhelmed with trying to figure out how I was going to make the situation work. While writing a paper isn’t quite the same thing as fighting a giant, fireball-headed master of a hell-dimension, the characters in Brian Michael Bendis’s Uncanny X-Men 6 are definitely up the creek without a paddle (OR MLA-formatted citations).

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May 28 2013

SEX 1-3

sex 1-3

Today, Shelby and Drew are discussing the Sex 1-3, originally released March 6th, April 10th, and May 22nd 2013.

Shelby: I’m going to come clean with you all: I have a lot of problems with this title. Let’s just leave it at that, and dive on in. Continue reading →

May 27 2013

Daredevil 26

daredevil 26

Today, Patrick and Drew are discussing Daredevil 26, originally released May 22nd, 2013.

Patrick: Did you guys see Mad Men last week — “The Crash?” It was a purposefully incoherent mess, all revolving around Don Draper’s drugged-out experience of a long weekend at work. This has come to be something of a Mad Men staple — there’s one just about every year that tests the bounds of what is and is not happening (last season’s “Far Away Places,” season 3’s “The Fog” are both good examples). They’re meandering looks at the characters and their values through the lens of whatever drug they happen to be on, and as such they’re fascinating pieces of television, if difficult to invest in emotionally. “The Crash” sidestepped this problem with a character named Grandma Ida. Grandma Ida is an older black woman who breaks into a bunch of apartments in Don’s building, including his own. Don and Megan are both out for the night, so the kids (Sally, Bobby and Gene) are left to confront the intruder alone. Per her moniker, Grandma Ida claims to be Sally’s grandmother — something Sally knows to be impossible because, well, Sally’s not black. But the charade goes on just a little bit too long and suddenly the invasion feels deeply personal. Sally’s trust — no matter how temporary or misplaced it may be — is violated. And that’s much more horrifying than a simple home robbery: the thought that any time you let someone in, you’re inviting betrayal and danger. Issue 26 of Daredevil hits that same button repeatedly until Matt Murdock and the reader are completely unwound. It’s a heart-in-your-throat masterpiece that finally puts the nickname “The Man Without Fear” to the test.
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May 24 2013

Green Lantern: New Guardians 20

new guardians 20 wrath

Today, Spencer and Drew are discussing Green Lantern: New Guardians 20, originally released May 22nd, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage.

Spencer: My first experience with a major creative team shake-up was back in 2007 when Geoff Johns ended his run on Teen Titans. It was the first book I had ever followed monthly, and I walked around for weeks with an empty feeling in my stomach after I heard the news. Nowadays it feels like creative teams change almost daily, and I’ve developed a thick skin out of necessity, but every once in a while a change will hit me like it’s 2007 all over again. Tony Bedard’s departure from Green Lantern: New Guardians is one of those changes, and this final issue epilogue is such an effective goodbye that I feel completely justified about how much I hate to see it end.

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May 23 2013

The Flash 20

Alternating Currents: The Flash 20, Drew and ScottToday, Drew and Scott are discussing the Flash 20, originally released May 22nd, 2013.

Drew: Barry Allen is a man of contradictions. As a police scientist, he is beholden to rigorously examining every scrap of evidence before coming to a conclusion. As a speed-powered superhero, he is all about decisive action. I’ve always found the tension between those two extremes particularly relatable — who among us doesn’t vacillate between those poles? — even when the series itself has been heavier on the action. The scrutiny half of this equation has always come across in the subtext, as writers Francis Manapul and Brian Buccellato have hidden details throughout their runs that reward only the most vigilantly close readings. In The Flash 20, they graduate Barry’s detecting skills from subtext to text, but the results are decidedly mixed. Continue reading →

May 22 2013

Red Hood and the Outlaws 20

Red Hood 20 redux

Today, Spencer and Drew are discussing Red Hood and the Outlaws 20, originally released May 15th, 2013.

Spencer: Our past can be a burden, but it can also be a gift, and while some things are out of our control, most of what determines how we view our past is how we learn from our mistakes, live with our regrets, and learn to forge on. For Red Hood, Arsenal, and Starfire, their past falls into both camps; a shared history of tragedy is what initially drew these three together and cemented their friendship, but their own inability to reconcile their pasts and find a way to deal might just end up driving the Outlaws apart instead.

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May 21 2013

Nova 4

nova 4

Today, Shelby and Drew are discussing Nova 4, originally released May 15th, 2013.

Shelby: In the pilot episode of Firefly, we meet the ship’s pilot Wash as he is playing with some toy dinosaurs. As the T-Rex and his veggie-saurus friend survey their new home, the Rex turns on his friend, prompting the delightful line, “Curse your sudden, but inevitable betrayal!” In last month’s look at issues 1-3 of Nova, Patrick and Drew discussed Jeff Loeb’s penchant for cliches; they assumed Young Sam would be betrayed by Rocket and Gamorra, but because it seemed so obvious, they also assumed it was a fake-out. They weren’t totally wrong; Loeb gives us our inevitable betrayal this issue, but it comes from a completely unexpected direction.  Continue reading →