Today, Patrick and Mikyzptlk are discussing Trinity of Sin: Pandora 1 originally released July 3rd, 2013. This issue is part of the Trinity War crossover event. Click here for our complete Trinity War coverage.

Patrick: After reading through the first issue of Trinity of Sin: Pandora, I went back and reread Ray Fawkes’ masterpiece – One Soul. The book is beautiful: it’s a sprawling, 200 page meditation on birth, sex, death, life, love, disappointment, god, war – all as told through the eyes of 18 people throughout history that never meet, never interact. None of these characters are named, but they always occupy the same single panel in each spread. When they die, their panel just goes black, and remains that way for the rest of the book. By all accounts, One Soul is a slog. It’s hard to parse out the meaning in 18 different rambling monologues, and every time you do zero in on a character, Fawkes takes them away in a tragedy of circumstance. It’s disorienting and it’s heartbreaking. The middle of this issue shares a lot of these qualities as Pandora hopelessly wanders the Earth for centuries, experiencing unspecified loss over and over again. This directionless wandering is bookended by dense DC mythology, emphasizing the long, meandering, often pointless nature of these big superhero universes. But just because they’re long, just because their meandering, just because they are often pointless, doesn’t mean they’re not also beautiful.

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