Black Widow 12

black widow 12Today, Suzanne and Spencer are discussing Black Widow 12, originally released November 19th, 2014.

slim-bannerSuzanne: Have you ever looked at your job description six months into a new job and chuckled to yourself? Rarely do expectations and generally-worded guidelines from corporate align themselves with real-life experiences. How about that summer internship when you felt more like a barista than a business student? Natasha Romanova feels your pain in Black Widow 12, as jobs constantly pull her away from her preferred role as a spy. Continue reading

Deadpool 35

Alternating Currents: Deadpool 35, Drew and SpencerToday, Drew and Taylor are discussing Deadpool 35, originally released September 24th, 2014.

Then things started to get weird;
middle of the night he would disappear.
He’d come home smelling like bad guys
and that would make me really mad.

Cars Can Be Blue, Dating Batman

Drew: It goes without saying that the lives are superheroes are kind of weird — that’s the reason they’re of interest — but they’re often so removed from any frame of reference that it’s easy to forget just how strange a superheroes daily life actually is. Over the last year and a half, Deadpool has learned that he has an estranged daughter, befriended a group of mutants engineered using his DNA, mourned the loss of his baby mamma, gotten married, and antagonized Dracula. It’s a long, strange list that only feels more disjointed when they’re listed together like that, which is of course what Gerry Duggan and Brian Posehn do in Deadpool 35, hanging a lantern on just how weird it is to be Wade Wilson. Continue reading

New Avengers 19

new avengers 19Today, Spencer and Patrick are discussing New Avengers 19, originally released June 11th, 2014. 

slim-bannerSpencer: The more I look at the following panels, the more I realize how succinctly they sum up the primary conflict of Jonathan Hickman and Valerio Schiti’s New Avengers 19.

Are we monsters, or are we DEVO?The Illuminati are no longer concerned about whether they can stop the Incursions without destroying inhabited worlds (spoiler alert: they can’t), nor are they any longer concerned about their mission turning them into monsters (they seem to have realized that it’s all but inevitable, and the title of this issue is even “We Are All Monsters Now,” as if to dissuade the reader of any hope otherwise); instead, the million dollar question now seems to be whether it’s better to die with one’s morality intact or to save the universe, but at the cost of one’s own soul.

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Original Sin 2

original sin 2Today, Shelby and Drew are discussing Original Sin 2, originally released May 21st, 2014.

Shelby: Last issue, we discussed the merits of a superhero murder mystery. Patrick mentioned that the fluidity of the rules of the superhero world make for a much more fast and loose sort of mystery. It raises the question of how such a mystery can even exist; when you’ve got Emma Frost and Doctor Strange running around, how can you possibly know the answer to anything? I suppose that is was the Watcher’s function; despite the number of characters who have the capability of knowing everything, Uatu was the only one who actually did. The entity for whom there was no mystery is now the subject of a murder mystery of epic proportions. That fact is not lost on writer Jason Aaron, who decides to further upend the concept of the murder mystery by telling us who did it in the second chapter.

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New Avengers 18

new avengers 18Today, Spencer and Patrick are discussing New Avengers 18, originally released May 14th, 2014. 

slim-bannerSpencer: As I’m sure most of us do, I love the big, climatic final battles that usually come at the end of superhero stories. That said, I’m perhaps even more fond of the moments before the final battle, the calm before the storm, the time where the heroes prepare and steady themselves for the horrors to come. Many heroes use this as an opportunity to reflect on what they’ve lost or to visit with their loved ones, but the Illuminati — as pragmatic as ever — mainly use it to steel their resolve and to prepare to do the unthinkable. After all, for them this is only the final battle if they lose; if they win, they get to continue on dealing with an infinite number of Incursions. No wonder they’re so grumpy. Continue reading

Captain Marvel 1

captain marvel 1Today, Drew and guest writer Suzanne are discussing Captain Marvel 1, originally released March 12th, 2013.

All art is autobiographical; the pearl is the oyster’s autobiography.

Federico Fellini

Drew: The notion that art reveals something about the artist is a popular one, and I think is at least part of the reason artists are such alluring figures in our society — who wouldn’t want to be closer to the mind that whose autobiography is the sistine chapel or the brandenburg concerti? What a work of art says about its creator is a fascinating line of inquiry, but I’ve personally always been more interested in what a work of art says about its audience. It’s this other autobiography that is often ignored when discussing (and dare I say creating) a work of art, but I personally think it’s much more important its success. Could I relate to this work? Could I empathize with its characters? Could I understand their sorrows and joys? As a woman holding her own in a male-dominated field, it’s easy to see Kelly Sue DeConnick’s autobiography in Captain Marvel 1, but as ever, this series is really about the fans. Continue reading

She-Hulk 1

she-hulk 1Today, Patrick and Greg are discussing She-Hulk 1, originally released February 12th, 2014. 

slim-bannerThere’s figures on this. 70% of what people react to is the look; 20% is how you sound; and only 10% is what you say.

Eddie Izzard, Dressed to Kill

Patrick: Drew recently brought a Mutilversity article on comic book criticism to my attention. Interestingly, they posted another article that same day on the diminishing role of artists in comics — effectively arguing that we know series by their writers and not by their artists, and isn’t that fucked up? I think there’s room to argue that serialized storytelling in any format is going to be a writer’s medium (just look at how much more writer-driven TV is than the movies, which are much more director-driven). Regardless, the fact remains that there’s a problem in comics — and comic criticism — with focusing too heavily on the words that are written on the page. At one point in this issue, Jennifer Walters — a Hulk that spends very little of her time smashing — asserts that “90% of lawyering is conversation.” That’s an interesting inversion of the pearl of wisdom Eddie Izzard drops in the bit above, but that also might explain why we don’t have the most exciting piece of fiction in our hands. Continue reading

Inhumanity 2

inhumanity 2 INH

Today, Shelby and Ethan are discussing Inhumanity 2, originally released January 29th, 2013.

inhumanity div

Shelby:

Death is lighter than a feather. Duty, heavier than a mountain.

Shienaran proverb, The Wheel of Time

With great power, comes great responsibility.

Ben Parker, Spider-Man 

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New Avengers 13.INH

new avengers 13 INH

Today, Spencer and Ethan are discussing New Avengers 13, originally released December 31st, 2013. 

slim-banner

Spencer: When you need to fight evil dictators or invading aliens, you call the Avengers, but when you find yourself facing threats a tad more existential, threats that can’t just be punched in the face, you call the Illuminati. Indeed, the Illuminati have spent most of writer Jonathan Hickman’s run on New Avengers trying to solve the Incursion problem, but in this month’s issue they find themselves faced with a threat much more tangible, yet just as overwhelmingly impossible as the Incursions themselves. As Doctor Strange says, the Black Priests are eviler than evil, “darker than dark.” Continue reading

Avengers 24

Avengers 24Today, Spencer and Drew are discussing Avengers 24, originally released December 24th, 2013. 

Spencer: Writer Jonathan Hickman has been playing with the metaphor of the Avengers being a machine throughout his entire run on Avengers. In theory it seems like a perfect idea, and Infinity has proven its efficiency in-universe, but there’s one little problem; it turns the various Avengers themselves, each an unique individual with their own skills and personalities, into little more than parts that can be moved around within the machine as needed. Hickman’s writing has often followed suit, using the Avengers to further his own grandiose mythology, but the most enjoyable part of Avengers 24 is the few pages where the machine grinds to a halt and the Avengers are allowed to just be themselves. Continue reading