The Worst Horrors in Infidel 3 are Real

by Drew Baumgartner

Infidel 3

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

slim-banner

Last month, Patrick remarked on how both real and scary Infidel is — that is, the horrors of this book come from societies worst (but all too real) problems. And they really do seem to come from those problems. For some reason, when I read the solicit for this series, I imagined that the specters in this series somehow caused the islamophobia that runs rampant throughout Aisha’s building; that it was somehow responsible for making people hateful. As we spend more time with them, however, (and as more residents seem to encounter them), it seems like they aren’t so much the cause of the bigotry, but the result of it. That is, they are the manifestation of the fear minorities feel when encountering bigotry. Continue reading

All-New Wolverine 35: Discussion

by Spencer Irwin and Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: I think I may have missed the mark a bit when discussing last month’s installment of All-New Wolverine. I claimed that “Old Woman Laura” was a story about redeeming Bellona and defeating Doctor Doom, the last tyrant left in a world that’s otherwise an utopia, but Tom Taylor and Ramon Rosanas have proven me wrong in All-New Wolverine 35, the series’ finale. Those are a part of this adventure, to be sure, but only a small part. What this story is about — what it’s always been about — is giving Laura Kinney the happy ending she deserves.  Continue reading

The Difference Between Mayoral Action and Superhero Action in Daredevil 602

By Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“New York City’s uniformed protectors are under attack by the Hand.” It’s a straightforward premise, one with both obvious drama and an obvious solution: superheroes fight the ninjas. But as of Daredevil 601, Matt Murdock is more than just a superhero; he’s also the mayor of New York. Suddenly those simple solutions don’t seem quite as simple. Charles Soule, Mike Henderson, Matt Villa and Clayton Cowles’ Daredevil 602 illustrate the difference between the streamlined drama of the superhero and the complicated drama of the mayor. Continue reading

Heroes We Can All Relate To in Green Lanterns 47

By Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I really misjudged Green Lanterns 45. In my write up of that issue I figured Tim Seeley’s story to be primarily interested in teasing out the mystery surrounding the indentity of the murderers who killed Jessica Cruz’s friends, but in truth, the larger “Ghosts of the Past” arc has much more on its mind.

Continue reading

Torture Buddies are the Best Buddies in Poe Dameron 27

by Taylor Anderson

This article containers SPOILERS. If you have not read the issue yet, proceed at your own risk!

It’s easy to overlook throughout the Force Awakens and the Last Jedi, but Poe Dameron and Rey (does she have a last?) have spent virtually no time together by the time the latter film ends. That’s kind of odd when you think about how Poe, Rey, and Finn are touted as the next iteration of Luke, Leia, and Han. This being the state of things, however, it makes sense the three of them would have a lot to catch up on. Still, the last issue of “Story Time with Poe and Friends” wasn’t all that great despite it’s apparent need. So does the second issue featuring the same premise fare any better?

Continue reading

James Bond: The Body 5 Discussion

by Michael DeLaney and Drew Baumgartner 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

slim-banner

Michael: “Realism” can be a dirty word in the realm of comic books and its movie franchise offspring. Making comic book superheroes “more realistic” often makes them lose their larger-than-life qualities. James Bond, on the other hand, is a character who could probably use a little more realism. The Daniel Craig series of James Bond films have been hailed as “more realistic” than their predecessors, but he’s still an uncrackable murder machine. The beauty of James Bond: The Body 5 is that Aleš Kot provides us with a rare opportunity: to get inside Bond’s head. Continue reading

Setting a Mood in Venom 1

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

slim-banner

First issues have a lot to do, and Venom 1 checks off many of those requirements with subtle aplomb. It establishes its hero’s goals, modus operandi, and morality in a casual, understated way, and spends plenty of time looking towards the future, expanding Venom’s world in intriguing new directions. Despite all that, though, more than anything Venom 1 is interested in creating an atmosphere, setting a mood. It’s an issue that’s bleak and relentless, and for once, I mean that as a compliment. Continue reading

Loving the Dimension You’re With in Oblivion Song 3

by Drew Baumgartner

Oblivion Song 3

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Hey, can you get Stockholm syndrome for a place? For a set of circumstances? When generalized in this way, Stockholm syndrome seems less like a pathology and more like a testament to human resilience. We can come to love whatever hand life deals us, even when we initially wanted something completely different. Maybe that’s a coping mechanism to keep us from dwelling on what could have been, but it’s potent, either way. Anywhere you look, from crumbling cities to evacuated war zones, you’ll find people who refuse to leave because this is their home. Or, more precisely, this is their life — they can’t just chuck it all away for something they might have preferred a decade ago. It’s not an attitude that makes a whole lot of sense from the outside looking in, but that may be exactly what the remaining survivors in Oblivion are feeling. Continue reading

A Journey Through Color in Isola 2

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Using color to differentiate settings and characters is not new — even television shows such as Heroes or The Defenders have done it — but I’m still amazed by how well Isola uses the technique. It helps that Msassyk’s colors (combined with Karl Kerschl’s crisp, animation-worthy artwork) are so jaw-droppingly gorgeous — they’d take readers on an immersive journey by that merit alone — yet Msassyk takes things to the next level by constantly varying palettes throughout the issue, shifting his color schemes to indicate new locations, introduce new characters (or bring back old ones), and even just show the passing of time. By the end of the issue things look completely different from the outset, making readers feel like they’ve truly taken a journey with Rook and Olwyn, truly spent a night making their way through this lush fantasy world with them. Continue reading

How Not to Communicate in Runaways 9

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Miscommunication has always been a major threat in superhero comics: after all, one of the most famous tropes of the medium is the idea of pitting heroes against each other simply because they didn’t take the time to talk and explain themselves first. Of course, the Runaways have never really been superheroes, so the miscommunication that plagues their team is a more subdued, realistic one. Don’t let that fool you, though: it’s easily the greatest threat the team faces right now. Continue reading