Silver Surfer 3

silver surfer 3Today, Greg and Suzanne are discussing Silver Surfer 3, originally released June 18th, 2014.

Greg: I’m just gonna be blunt and cheesy up-top: the human imagination is a goddamn beautiful thing. It’s a place where everything and nothing exists and doesn’t exist. A breeding ground for active creation and idle daydreaming. It’s arguably the most fun thing about being a human, and by combining heady intellectual concepts of quantum physics with a simple yet emotionally grounded narrative drive (combined with a healthy amount of “call the unusual thing out” humor), Silver Surfer 3 is one of the purest encapsulations of imagination I have seen in recent memory.

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Thunderbolts 27

thunderbolts 27Today, Shelby and Drew are discussing Thunderbolts 26, originally released May 28th, 2014.

Shelby: It’s really hard to write about a new creative team on a title; how do you manage to discuss the book as a stand-alone piece without comparing it to the previous issues? It’s even harder when you liked the title before the change, because now you have to make sure you stay objective. If there are things I dislike about the new team, is it because I genuinely dislike it, or is it just because it’s different from how it used to be? I’m faced with this dilemma now as I consider the first issue of Thunderbolts without Charles Soule at the helm, and some of the decisions Ben Acker and Ben Blacker have made with this book definitely have me scratching my head.

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Daredevil 4

Alternating Currents: Daredevil 4, Drew and ScottToday, Drew and Scott are discussing Daredevil 4, originally released June 18th, 2014. 

Not everyone is you.

Kirsten McDuffie

Drew: The realization that there are other people with feelings and motivations separate from our own is a key moment in child brain development. As early (and often) as that lesson comes, we’re still pretty bad at understanding that people have different perspectives. We want different things, value different things, and believe in different methods for how to achieve our goals, yet it’s still hard to understand why someone would disagree with you. It’s obvious they’re wrong! Why can’t they see it? Those differences of perspective tend to correlate to differences of experience — middle aged Russians are likely going to agree with each other more than either would with a teenaged Australian — but it’s the differences within those groups that can lead to the biggest failures of understanding. That’s exactly the kind of failure Matt is confronted with in Daredevil 4, where Kirsten needs to remind him that not everyone is quite as resilient (or noble) as ol’ horn-head. Continue reading

Original Sin 4

original sin 4

Today, Spencer and Patrick are discussing Original Sin 4, originally released June 18th, 2014.

Spencer: Original Sin is the funniest murder mystery I’ve ever experienced.

Okay, that might be a slight exaggeration (Clue certainly gives it a run for its money), but the fact remains that, in a genre not exactly known for being a laugh riot, Original Sin stands out as something strange and unique (and hilarious). Despite the deadly secrets, overwhelming paranoia, and occasional gore, Jason Aaron and Mike Deodato somehow manage to give us an issue with a laugh on pretty much every page, an issue that treats its subject matter with the utmost seriousness but that also has no problem embracing the sheer ridiculousness inherent to the medium. It’s a difficult balance to achieve, but Aaron and Deodato walk that tightrope masterfully. Continue reading

Captain Marvel 4

captain marvel 4Today, Suzanne and Spencer are discussing Captain Marvel 4, originally released June 11, 2014.

Suzanne: Have you ever turned on Fox News or MSNBC and listened to the political pundits’ commentary? You’d hear them prescribe the cure for deep-seated political issues like the Israeli/Palestinian conflict in a five-minute sound bite. But can they really appreciate the complexity of these conflicts from an outside perspective? That’s not even considering the emotion, levels of tragedy and loss the people involved experience. In the last issue of Captain Marvel, Carol Danvers walked into an entrenched political situation wrapped into a public health crisis. The people of Torfa live on a poison planet; people are getting sick and dying and will continue to do so unless they leave. Yet Carol manages to check her assumptions (thanks to Madame Eleanides) and learn from the people of Torfa. And by learning I mean going to other planets and stealing from intergalactic pirates. Continue reading

She-Hulk 5

Alternating Currents: She-Hulk 5, Drew and MichaelToday, Drew and guest writer Michael are discussing She-Hulk 5, originally released June 11th, 2014. 

slim-bannerThe film went from a Japanese Saturday matinee horror flick to more of a Hitchcock, the less-you-see-the-more-you-get thriller.

Stephen Spielberg on Jaws

Drew: I don’t care about authorial intent. It seems totally logical to me — I can’t presume to know what an author’s intent was, so I don’t know why I would bother caring about it — but I often find myself confronted by people who don’t see it that way. The author clearly didn’t intend that, so why am I talking about it? In those instances, I like to point them to the production of Jaws — specifically, the way the malfunctioning Shark puppet affected Spielberg’s choices. His intent was to show the shark a bunch, but circumstances forced him to reserve those shots for key moments, relying more on suspense than jump-out-of-your-seat moments. It makes for a compelling viewing experience, but one that’s virtually unrelated to anyone’s intent. That is, an analysis focusing on the authorial intent of Jaws would dismiss a key element of the final product as if it were a flubbed line, or a member of the crew in frame, some unaccounted-for artifact of the filming process. It would be easy to similarly dismiss a guest artist as a similar artifact of comic books, a decision borne more out of necessity than of creative mojo, but that would ignore the effect those changes have on the reading experience, which — as is the case in She-Hulk 5 — can be quite profound.

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New Avengers 19

new avengers 19Today, Spencer and Patrick are discussing New Avengers 19, originally released June 11th, 2014. 

slim-bannerSpencer: The more I look at the following panels, the more I realize how succinctly they sum up the primary conflict of Jonathan Hickman and Valerio Schiti’s New Avengers 19.

Are we monsters, or are we DEVO?The Illuminati are no longer concerned about whether they can stop the Incursions without destroying inhabited worlds (spoiler alert: they can’t), nor are they any longer concerned about their mission turning them into monsters (they seem to have realized that it’s all but inevitable, and the title of this issue is even “We Are All Monsters Now,” as if to dissuade the reader of any hope otherwise); instead, the million dollar question now seems to be whether it’s better to die with one’s morality intact or to save the universe, but at the cost of one’s own soul.

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Deadpool 30

deadpool 30Today, Patrick and Greg are discussing Deadpool 30, originally released June 11th, 2014.

Patrick: As I get older, I realize that I have to consciously fight my growing instincts to make Dad Jokes. My father, who we called by his first name, Lyle, was quite the connoisseur of these terrible, punny, embarrassing jokes. Nine times out of ten, not even Lyle thought they were funny, but his mugging for laughs at laughless lines elevated the experience to pure anti-comedy bliss. To give all Dad Jokes — and by extension, my baser humor instincts — the benefit of the doubt, their intent is never to be revolutionary or make you think or anything quite so sophisticated. Where a good joke relies on subverting our expectations, a Dad Joke plays into out expectations so hard that the refusal to be subversive is, in a way, subversive. But forget all of that: the Dad Joke is comforting because Dad is saying it. Deadpool 30 leverages our comfort with these kinds of jokes to distract us while getting to the real subversive business — developing, ironically enough, the identity of Deadpool’s daughter. Continue reading

Secret Avengers 4

secret avengers 4Today, Spencer and Drew are discussing Secret Avengers 4, originally released June 11th, 2014. 

Spencer: I’m a big proponent of comics being goofy, and due to my embracing the sillier aspects of comic books, I’ve been a big fan of Secret Avengers thus far. Still, it’s way too easy for “silly” to cross some sort of line, becoming corny or cringe-worthy or sometimes just tonally jarring. I liked last month’s issue a lot more than Drew and Shelby did, but I still have to agree with them that some of the issue’s more bizarre jokes felt out of place amongst the drama of the story itself. That’s not a problem in issue four, though. Gone are the random (if funny) throwaway gags; instead, Ales Kot and Michael Walsh embrace the inherent ridiculousness of their cast and the world they live in without ever betraying the high stakes of the mission itself. Continue reading

All-New X-Men 28

Today, Taylor and Patrick are discussing All-New X-Men 28, originally released June 11th, 2014.

Taylor: Madness fills an interesting role in our imagination. Just enough madness and you’re considered a genius. A little too much madness and you’re considered a nut. We tend to think of someone as being “mad” if they have any of a number of mental defects but retain enough of their personality to still be somewhat coherent. Perhaps the most well known madman of all time is Ahab. His singular quest to destroy the white whale consumed his entire life, even if he did retain the vestiges of a sane man. And that’s perhaps what makes him such a disturbing character. Despite (or perhaps because of ) his madness, he is charismatic. We forget that he’s insane sometimes and actually feel that his quest against Moby Dick is justified. Xavier is similarly hell-bent on killing the X-Men of the past, and similarly might have good reasons for wanting to do so. All-New X-Men 28 has me wondering if this quest is the errand of a madman or the product of love gone awry.

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