Category Patrick Ehlers

Patrick Ehlers, Co-Editor-In-Chief
patrick@retcon-punch.com

Location: Los Angeles

History With Comics: Patrick came late to the comics game. After enjoying adaptations of Batman, Superman and the Justice League, he was finally tricked into picking up a set of graphic novels after seeing Robert Rodriguez’ Sin City. Naturally, this lead to further exploration of Frank Miller’s work, specifically with Batman. But it was not until an unexplainable desire to read Blackest Night that Patrick began purchasing the trades of Geoff Johns’ run Green Lantern. With a convenient new entry point and a handful of friends to follow him into the madness, Patrick began reading monthlies with the New 52’s Justice League #1.

New 52 Favorites: The Flash, Swamp Thing, Batwoman

Other Favorite Comics: Usagi Yojimbo, Teenage Mutant Ninja Turtles, Saga

Aug 19 2013

Saga 13

saga 13

Today, Patrick and (guest writer) Brandon are discussing Saga 12, originally released August 14th, 2013.

Patrick: At the midnight Saga release party at Meltdown Comics over a year ago, Brian K. Vaughan said that he wanted to tell the story of a normal family stuck in the middle of an interstellar war that they wanted nothing to do with. The series itself bears this idea directly – Marko and Alana are combatants from opposite sides of an endless war that find each other through their shared belief in peace. From a storyteller’s perspective, War is much easier to write than Peace. In war (metaphorical or otherwise), there is an objective: no matter how messy and dark it gets, conditions for victory are clear. Saga 13 finds our characters searching blindly for what they’re ‘supposed’ to do next. It’s a meditation on the hope buried in hopelessness and the origin and influence of values. That’s right – welcome back to motherfucking Saga.

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Aug 16 2013

Cram Session: Avengers 1-17 – World Builders and World Breakers

It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.

Retcon Punch got you covered.

Infinity is already looking to be an insane exercise in more, MORE, MORE. If you missed out on Hickman’s run on Avengers, you’ve missed out on that precedent. “Bigger” is the name of the game, and it’s in that spirit that we cram 17 issues into one six-minute video. Enjoy!

Aug 15 2013

Infinity 1

infinity 1-INFINITY

Today, Spencer and Patrick are discussing Infinity 1, originally released August 14th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

infinity divider

Spencer: “So…what is Infinity actually about?!” It’s a question that, in one form or another, has been tossed around Retcon Punch quite a bit the past few months. Up until now, my answer has always been, “Um…Thanos?,” and even the Preludes over in Avengers and New Avengers did little to clarify things. Thankfully, now that the first issue has dropped, I can finally give a clear answer: “Infinity is the story of what happens when two different universe-ending threats—each capable of supporting a summer crossover all on their own—hit at the same time, leaving the Earth absolutely helpless.” Pretty cool, huh? Now I only hope that the series can live up to the massive threats it’s spent its first issue establishing.

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Aug 15 2013

Batman 23

Alternating Currents: Batman 23, Drew and Patrick

Today, Drew and Patrick are discussing Batman 23, originally released August 14th, 2013.

Drew: Origin stories are a fact of life for comic book fans. Love them or hate them, they’ve become an obligate part of superhero storytelling. Every movie franchise, every hard reset, every soft relaunch, needs to retell the origin story with a new spin (you know, to justify the retelling), folding new elements into those of previous iterations. The result is a strange, multi-generational chimera, cannibalized from every version of the story that’s come before. The results can range from beautiful to grotesque but the best manage to pay homage to the past while pointing a way forwards. Scott Snyder and Greg Capullo tackle a seminal moment of Batman’s history in Batman 23, perfectly balancing the admiration and innovation, building to a climax perfectly designed to excite Batman fans. Continue reading →

Aug 14 2013

All-New X-Men 15

all new x-men 15

Today,  Shelby and Patrick are discussing All-New X-Men 15, originally released August 7th, 2013.

Shelby: No one knows better than I the importance of taking a break every once in a while; heck, I took several writing breaks before I even started this post. But seriously, it’s important to take breaks to keep from getting burned out, and the same applies to comic books. Stories take little breaks with what we call “hang-out issues,” where the bulk of the plot consists of the characters hanging-out. The beauty of the hang-out issue is, when it’s done well, we get a story break AND character development. Artists take breaks too, but the obviously visual nature of art can make an artist break more jarring and disruptive. This month, Brian Michael Bendis gives us a story break as we wait for Battle of the Atom to start, and David Lafuente gives Stuart Immonen a break on pencils; the result is a story which feels very different from what we’re used to in All-New X-Men.

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Aug 14 2013

Manhattan Projects 13

Alternating Currents: Manhattan Projects 13, Drew and PatrickToday, Drew and Patrick are discussing Manhattan Projects 13, originally released August 7th, 2013.

Drew: We often joke about “historical fiction” being an oxymoron, but that mostly stems from a misperception of just how fictionalized history is. Indeed, if history were simply a compilation of irrefutable facts, we could probably stop writing books about the life of Abraham Lincoln or whatever. Instead, we have a messy timeline made up of conflicting accounts and countless ways of explaining all of it. To me, the biggest difference between history and historical fiction is that history needs to back up its conclusions with more facts — it’s basically the narrative between to factual points — whereas historical fiction treats the facts more as a starting point, but doesn’t need to tie back to any facts. In that way, Manhattan Projects has become a kind of meta-historical fiction, taking a fictionalized conclusion as its starting point, and building to ever more spectacular fictions. It’s never been anything other than divorced from reality, but as the narrative continues, it somehow manages to become even less related to history. Continue reading →

Aug 14 2013

Green Lantern 23

green lantern 23

Today, Patrick and Drew are discussing Green Lantern 23, originally released August 7th, 2013.

Patrick: I moved out to Los Angeles because I wanted to be a television writer. If you want to be a lumberjack, you move to the forest, right? I don’t have much in the way of family on the West Coast, and I knew that distance from those that I loved was just going to be part of this bargain I was striking. The idea of giving up family for my art was romantic — I could live an idealized life of creativity and yeah I’d suffer for it, but I’d be suffering for a reason. When my older sister had her second kid, however, I was on a plane to Atlanta: I wasn’t going to miss out on meeting my nephew. It’s love, and it’s a primal motivator. No matter how much you will it away, love can dictate your actions. It’s the sort of thing that will make Hal Jordan drop the fight that he’s right in the middle of to check on the girlfriend he swore off to defend the corps. Continue reading →

Aug 9 2013

Swamp Thing 23

swamp thing 23

Today, Patrick and Scott are discussing Swamp Thing 23, originally released August 7th, 2013.

Patrick: Alcohol is weird. It’s dulls our senses, it shortens our lives, it gets us into trouble – and yet we engage with it time and time (and time) again. Why? Because it’s fun. Because when we dial back our inhibitions a little bit, we find the casual courage to do something we’ve always wanted to do. All of that freedom is great, until you cross that line. YOU KNOW THE ONE I MEAN. The moment in the evening where you don’t make decisions with your complete mental faculty. I’ve always had people tell me that drinking brings out who someone really is, but that’s faulty. If anything, booze dulls the prowess of the super-ego, allowing the baser urges of ego and id to take priority. But the id isn’t a person’s “true self” – the psyche isn’t a list of three psychic apparatuses, but the relationship between the three. What you are can more accurately be defined by how you deny the more destructive urges deep in your Freudian well. That’s the kind of thematic material Charles Soule mines in his story about a magician, a plant-man and a booze-tree. Continue reading →

Aug 8 2013

Trillium 1

trillium 1

Today, Shelby and Patrick are discussing Trillium 1, originally released August 7th, 2013.

Shelby: I would read anything Jeff Lemire wrote for good reason. He made me love a C-list hero I had never heard of before, and rescued not one but TWO books, taking them from bad to two of my favorite titles. Underwater Welder made me cry on the train on my way to work, it’s so beautiful. It’s no surprise, then, that I have been eagerly awaiting Trillium since it was first announced last October. I couldn’t possibly imagine how a botanist from 1800 years in the future and a World War I vet in the 20’s could possibly encompass “the last love story ever told,” but since Lemire was at the helm I didn’t bother sweating the details; I just assumed it would work and be incredible. One issue in, and I am already pretty sure I was right to believe.

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Aug 7 2013

Uncanny X-Men 9

Alternating Currents: Uncanny X-Men 9, Drew and Patrick

Today, Drew and Patrick are discussing Uncanny X-Men 9, originally released July 31st, 2013.

Drew: Earlier this year, I became addicted to Radiolab, NPR’s quirky show about science and the philosophical repercussions of that science. The show is fascinating, but is also maddeningly self-referential — the hosts will often refer to massive concepts and conclusions from episodes that aired years before. The one that has come up the most often is the idea that your sense of self — the thing that makes you you — is basically the story you tell yourself about your life. That is to say, it isn’t how you look, how you spend your time, what you value, or even the company you keep — what you are is the narrative you believe about your life. Uncanny X-Men 9 finds Brian Michael Bendis examining every single one of his theories, as our new mutants (and a few old ones) struggle to get a handle on their own identities. Continue reading →