All-Star Western 17

Alternating Currents: All-Star Western 17, Drew and Patrick

Today, Drew and Patrick are discussing All-Star Western 17, originally released February 27th, 2013.

Drew: For all of the subtle differences fans can talk about in DC’s current publishing lineup, the fact is: they publish A LOT of superhero comics. A simple lack of capes and tights is enough to make a title like All-Star Western stand out, but writers Justin Gray and Jimmy Palmiotti aren’t content to rest on those laurels. Indeed, recent issues have cribbed stylistic elements form the likes of parlor dramas and Victorian novellas, in addition to the old Westerns that inspired the characters in the first place, all while seamlessly folding in elements of DC’s own fictional universe. It’s a tonal chameleon, taking on whatever style best fits the material at hand. Continue reading

Saga 10

Alternating Currents: Saga 10, Drew and Patrick

Today, Drew and Patrick are discussing Saga 10, originally released February 20th, 2013.

Drew: I owned a lot of magic sets when I was a kid. That is to say, I enjoyed magic, but I wanted to understand how it was done. In may ways, this is the approach that I’ve taken towards art — I love being amazed by good music, movies, writing, etc, but I desperately want to know the techniques (the tricks, if you will) that make art so enjoyable. In general, that has been a very rewarding approach, allowing me a much deeper appreciation for how art works than I might have otherwise, but it has its limits. Ironically, I’ve never been able to really apply that approach to magic — partially because the techniques there are guarded as a matter of course, but mostly because I simply can’t get over how dazzling the effect is. Reading Saga leaves me similarly flabbergasted. Continue reading

Sword of Sorcery 5

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Today, Drew and Patrick are discussing Sword of Sorcery 5, originally released February 20th, 2012.

Drew: Let’s talk motivation. It’s an important thing for characters (both good and evil) to have, but what is it? In the most abstract terms, it’s simply what the character wants, be it an object, a result, or a status (or avoiding any of those things). Morally, we can set up a continuum of motivation from altruism to greed, with most daily motivation falling somewhere in between. Comics, being a medium of contrasts, tend to focus on the extreme ends, with heroes often acting selflessly, with villains serving only their own ends. It’s an arrangement so ubiquitous, it can start to feel trite (which is why writers are so keen on subverting those expectations), but when it’s done well, as it is in Sword of Sorcery 5, it can remind us why we value those traits the way we do.

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Daredevil 23

daredevil 23Today, Patrick and Drew are discussing Daredevil 23, originally released February 20th, 2013.

Patrick: We write a lot of these Alternating Currents — enough that I am often writing one of these things when I should be doing something else. I can’t count the number of times my girlfriend has asked me when we’re going to be able to leave to do something, only to have me respond that I need another 15 minutes. Decoded, I need like half an hour, maybe more — it always takes more time than I think it’s going to. It’s shitty to keep someone waiting — and it’s even shittier when you know they need you. Foggy Nelson legitimately needs Matt Murdock, but Daredevil is always one step away from solving the case. As the clock on the page tells later and later times, I found myself  saying “oh, I can see how this is frustrating.” Continue reading

Batwoman 17

batwoman 17

Today, Patrick and guest-writer Suzanne are discussing Batwoman 17, originally released February 20th, 2013.

Patrick: We’re posting this two days after the Academy Awards, but I’m writing this at 9:25PM, Pacific Standard Time, the Thursday before the ceremony. I’m being so specific because I want to make a prediction: Lincoln will not win Best Picture (editors note: called it!). For everything Lincoln does well, it does not earn the sentiment expressed in its many soaring speeches. Endings are so naturally powerful, and it’s a shame how frequently Spielberg employs John Williams’ moving score and the impassioned performances of some of the best living Hollywood actors to approximate the feeling of catharsis. It’s a shortcut, it’s phony, and it stinks. J.H. Williams III and Hayden Blackman employ no such tricks as they wrap things up in Batwoman 17 and every single moving moment — and there are many — is earned.

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Supergirl 17

supergirl 17 Hel

Today, Patrick and guest writer Zach are discussing Supergirl 17, originally released February 20th, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Patrick: I likes me a good anti-hero. There’s nothing quite like cheering for a character’s success and failure at the same time. Let’s take Walter White as a perfect example of this in modern fiction. He is a terrible husband and father, and an even worse friend, who makes dangerous decisions in the name of greed, power and desperation. And yet, I cheer every single one of his personal victories, no matter how immoral they might be. So much of Breaking Bad is about that character finding a way to feel powerful in the face of illness and poverty, and about how that need to feel powerful never goes away. The ride is exhilarating because there’s nothing more satisfying than a character with agency. Say what you will about Walter White — he has goals and he takes the steps necessary to achieve those goals. Supergirl has no such agency. She spends the majority of issue 17, fighting Wonder Woman just because, and then stops fighting her for equally arbitrary reasons. Neither a hero, nor an anti-hero, Supergirl ends up the clueless victim of her own series. 

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Green Lantern Corps 17

Alternating Currents: Green Lantern Corps 17, Drew and Patrick

Today, Patrick and Drew are discussing Green Lantern 17, originally released February 20th, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage. 

Drew: Retcons. Love ’em or hate ’em, they’re sure to be a part of the kinds of never-ending narratives comics take part in. Our own relationship with reality predisposes us to being suspicious of revisions as cheap or unrealistic, but in a world where everything is made up anyway, what’s really the difference? Conversely, in a superhero comic world, where even the very laws of physics can be defied, continuity may serve as the only “reality,” offering the only sense of what is and is not possible. It’s a touchy subject (which is why so many fans are still so upset by DC’s relaunch), but one that the Wrath of the First Lantern event seems poised to address directly. Indeed, with Green Lantern Corps 17, Peter Tomasi has tackled the very notion of retcons with surprising thoroughness and maturity, seemingly reflecting the audience’s own reactions to its events.

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Justice League 17

justice league 17 Throne

Today, Shelby and guest writer Mogo are discussing Justice League 17, originally released February 20th, 2013, This issue is part of the Throne of Atlantis crossover event. Click here for complete ToA coverage.

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Shelby: When I was in drama club in high school, we put on a lot of older comedies with the entire plot revolving around one basic misunderstanding. That one misunderstanding would compound exponentially (as misunderstandings are wont to do), and before you know it, you’d have a wacky, 2-hour situation involving mistaken identities and hiding in closets. At the end of the show, everyone would reveal themselves, and, with a good chuckle, the guy would get the girl, the plucky sidekick friends would hook up, and everyone lived happily ever after. In ComicBookLand, where two superheroes can’t bump into each other on the sidewalk without getting into a fight and destroying a city block, misunderstandings are never so innocently comedic. Justice League 17, the finale of the Throne of Atlantis, is no exception.
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Green Lantern 17

green lantern 17 wrath

Today, Patrick and Drew are discussing Green Lantern 17, originally released February 20th, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage. 

Patrick: The end of an era is nigh: Geoff Johns and crew are stepping down as shepherds of the Green Lanterns. Wrath of the First Lantern is the grand finale, but it’s already showing signs that it’s really more of a victory lap. With concepts as grandiose as the creation of the universe and altering the past in play, the entire Green Lantern Universe — past, present and future — is exposed and vulnerable. I haven’t been this excited about Green Lantern in years.

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Justice League of America 1

JLA 1

Today, Patrick and Mikyzptlk are discussing Justice League of America 1, originally released February 20, 2012.

Patrick: Are you fucking ready? No, seriously: ARE YOU READY FOR THIS SHIT? Justice League of America has been hyped to high-heaven – apparently our appetite for books called “Justice League” and written by mega-creator Geoff Johns know no bounds (remember how he also wrote the Justice League International annual? You better remember that one; it’s referenced here.) So, okay, we’ve all done our homework as prompted by DC, right? We’ve looked at the line-up and been all like “whoa, Martian Manhunter’s going to make this group really strong” and “Catwoman’s really more of a bad guy” and ‘WTF is Vibe? LOL!” Issue one serves to put your questions into the mouths of Steve Trevor and Amanda Waller – almost perfectly emulating the experience of waiting for this series to come out.

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