Today, Suzanne and Spencer Spencer and Drew are discussing The Wicked + The Divine 6, originally released December 17th, 2014.
Spencer: I’ve gone to a lot of shows by myself over the last couple of years, but it’s rare that I’m ever lonely. I am not a bold or outgoing person, but there’s something about knowing that the majority of the people in that building all love the same band I do that makes it easier to reach out and make new friends. That’s what I love about fan culture, how shared love of a show or book or band can bring strangers together, be it in person or online. Unfortunately, there’s a dark side to fan culture, be it pretentious elitists who believe their way of loving a piece of media is the only “right” way or gatekeepers who want to push out anybody they don’t want in their fandom, often resorting to violent or illegal means. The Wicked + The Divine 6 marks the beginning of a new storyline, one which Kieron Gillen and Jamie McKelvie already seem eager on using to explore the darker side of fan culture. See, it turns out that not all of the Pantheon’s fans are as loyal or level-headed as our Laura… Continue reading
Ms. Marvel 10
Today, Spencer and Taylor are discussing Ms. Marvel 10, originally released December 17th, 2014.
Spencer: Ms. Marvel is a revolutionary book in many ways. A title starring a Muslim young woman — and written by a Muslim woman as well — is remarkable enough in its own right, but it’s also notable how writer G. Willow Wilson has used the book, and the character of Kamala Khan, to address issues of identity in a way that any reader could relate to. That said, over the past few issues we here at Retcon Punch have often felt like Kamala’s primary foe, the Inventor, has been strangely unrelated to the themes that seem most important to the book. Wilson and artist Adrian Alphona fix that minor problem in Ms. Marvel 10 by positioning the Inventor as a stand-in for adults who prey on children or make them feel worthless, giving Kamala a new role as a defender of youth culture in the process. Continue reading
The Multiversity: Thunderworld Adventures 1
Today, Mark and Drew are discussing The Multiversity: Thunderworld Adventures 1, originally released December 17th, 2014.
Mark: The Multiversity: Thunderworld Adventures 1 is a story out of time. On Earth-5, Billy Batson and friends exist in a pre-New 52 (and pre-Crisis on Infinite Earths?) continuity. Shazam is the name of a wizard, not the name of our superhero. The Rock of Eternity is attacked and the wizard Shazam taken prisoner by the evil Dr. Sivana. Working in tandem with the Sivanas across the multiverse, Dr. Sivana has mined enough Suspendium to build his own Rock of Eternity and create his own day on the cosmic calendar: Sivanaday, a day where everything goes his way. Continue reading
Batman 37
Today, Drew and Ryan are discussing Batman 36 originally released on December 17th, 2014.
Second verse, same as the first! A little bit louder and a little bit worse!
Traditional
Drew: Repetition is everywhere in art, from the themes of symphonies to the expectation that the hero will prevail, but do you ever wonder why we like repetition so much? Doesn’t it also make art tired and predictable? I suppose some material is more conducive to repetition than others — star-crossed lovers is a more versatile premise than, say, a hot tub time machine — but I would argue that everything can overstay its welcome. Comics are particularly prone to repetition (who will Superman save the day from this week?), but Scott Snyder and Greg Capullo have taken that repetition a step further, regularly weaving recreations of iconic Batman moments into their run (even as recently as last issue). Their love and respect for Batman’s mythology is beyond reproach, but that very emphasis they give every moment may have hit the point of diminishing returns in Batman 36, as Snyder struggles to make Joker even worse than he was the last time he showed up. Continue reading
All-New X-Men 34
Today, Taylor and Drew are discussing All-New X-Men 34, originally released December 17th, 2014.
Taylor: It’s a thing that happens in most time and dimensional travel stories. The inevitable meeting (or in some cases near meeting) between a character and a different versions of themselves. It’s interesting to think about why this trope even exists. One possible explanation could be that since we enjoy reading about our heroes, it would be even better to have a double dose. However, seeing our beloved characters act in different ways or in different situations also is entertaining. And then there is the thought that we all wish we could meet different versions of ourselves, to see what we would be like if x happened instead of y. Whatever the reason, All-New X-Men 34 once again finds our heroes meeting different versions of themselves, but is there anything new left to say about this situation? Continue reading
Batman and Robin 37
Today, Patrick and Spencer are discussing Batman and Robin 37, originally released December 17th, 2014.
…for us and for our salvation, He came down from heaven: by the power of the Holy Spirit, He was born of the Virgin Mary and became man. For our sake, He was crucified under Pontius Pilate; He suffered, died and was buried. On the third day He rose again, in fulfillment of the scriptures; He ascended into heaven and is seated at the right hand of the Father.
-The Nicene Creed
Patrick: Growing up in the Catholic church, I always had a little bit of a problem with this part of the Nicene Creed. On the one hand, it’s very clear: Jesus sacrificed everything — including his life — in order to save the whole world from sin. But on the other hand, death didn’t share any of the long-lasting consequences it does for anyone else. Jesus died, but then he returned, three days later. What’s more is that he transcends his human flesh and embraces his fully divine nature by hanging out with God in heaven. While the drama of death and resurrection is enough to stir a body to faith, it betrays a fundamental truth about death. What’s hard about death isn’t that someone dies, it’s that they stay dead. And yet, this narrative — of death and rebirth — is so powerful it’s one of the stops on Joseph Campbell’s hero’s journey. Batman and Robin has allowed Bruce Wayne to deal with Damian’s death in grounded, real ways for almost two years, but now that “resurrection” is in play, subtlety goes right out the window. This is Damian, the bat-Christ-figure to beat the band, and he only marches back on the field to fireworks. Continue reading
Zero 13
Today, Drew and Patrick are discussing Zero 13, originally released December 17th, 2014.
Ecclesiastes 1:9
Drew: It’s easy for the neophile to be frustrated with art. As much as our society claims to value innovation, our art tends to rely heavily on the comforts of the known. That’s not to say the majority of art is devoid of surprise, just that the forms that those surprises take are so prescribed as to be relatively predictable. Whether it’s the hero returning home or the melody returning to the home key, our most tried-and-true structures leave only the smaller details to truly distinguish themselves. Zero 13 contains a masterful example of this kind of small surprise, but this issue’s biggest surprise might lie in what it reveals about the larger form of the series. Continue reading
Weekly Round-Up: Comics Released 12/10/14
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Spencer, Drew, and Patrick discuss Justice League United 7, Batman Eternal 36, Harley Quinn Holiday Special 1, East of West: The World, Guardians of the Galaxy Annual 1, Spider-Verse Team-Up 2, Rocket Raccoon 6, Uncanny X-Men Annual 1, Amazing Spider-Man Annual 1, and Avengers World 16.
Spencer: Jeff Lemire’s Justice League United has always been a rather straightforward title, and that often proves to be both its greatest strength and its greatest weakness. Issue 7 finds the various League and Legion groups fully assembled and focused on stopping Byth from using Ultra to bring about the end of the universe — there’s a no-nonsense urgency to their meeting that’s refreshing, and Stargirl’s quick smack-down of anyone looking to mercy-kill Ultra (“We do what the Justice League does and find a better way”) is again refreshing both for its bluntness and its unyielding sense of morality. That said, that same straightforwardness robs the story of any real surprises or complexity — for better or for worse, things play out exactly as you’d expect them to. Much of the fun comes from the various interactions between these disparate characters that Lemire packs into practically every panel, but outside of a few established relationships (J’onn and Equinox’s connection to Ultra, Ollie and Buddy’s pseudo-rivalry) none of those moments have any lasting impact on the characters. Ultimately, Justice League United is a book that’s a lot of fun in the moment, but doesn’t leave much of a lasting impression on the reader. Continue reading
Sex Criminals 9
Today, Ryan and Drew are discussing Sex Criminals 9, originally released December 10th, 2014.
Ryan: Sex Criminals 9 begins with an entwicklungsroman of sorts, chronicling the development of the young woman who grows into Jon’s favorite adult actress, Jazmine St. Cocaine. It begins, like all good stories, with an inciting incident: a playground accident — seeming perpetrated by the subtly blood-speckled see-saw — leaves Rae Anne Toots with nerve damage on her clitoris and thus insensitive to that particular type of sexual stimulation. Despite this injury and the high school promiscuity (her intimation, not mine — judgment-free column here) she partially attributes to it, Ana graduates top of her class with her sights set on university. Unfortunately, her father can/will not help her with the financial strings attached, and she eventually finds that supporting herself by working forty hours plus to afford college is for suckers. Continue reading
Avengers 39
Today, Spencer and Mark are discussing Avengers 39, originally released December 10th, 2014.
Spencer: When you read enough comics, you start to see certain repeated themes and styles emerge among various writers. Brian Michael Bendis is known for dialogue-heavy, somewhat decompressed comics. Kieron Gillen makes no attempt to hide his musical influences and knack for clever dialogue. Geoff Johns loves to rehabilitate long-forgotten or mishandled characters and concepts (and is also a bit infamous for cutting off his characters’ arms). Jonathan Hickman, meanwhile, is probably best known for his cerebral, somewhat detached style of writing that can spend years setting things up before finally letting all the dominos fall into place. With this week’s Avengers 39 we’re getting closer and closer to the end of Hickman’s Avengers epic, but the most interesting part of the issue is the commentary Hickman seems to be making on his own writing style. Continue reading
Retcon Punch 