The Burden of Tomorrow in Peter Parker: the Spectacular Spider-Man 303

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

More so than most superheroes, Spider-Man knows just how much of a sacrifice it takes to use his powers for good. In fact, the very reason he decided to become a hero at all revolves around the loss of his Uncle Ben. The list of hits doesn’t end there, though: Gwen Stacy, Aunt May, and and the sometimes friendly Osborns have all died at some point or another due to Spider-Man. This means that he’s a character as much defined by his tragic circumstances as he is by his superpowers, which begs the question: if he knew how terrible it is to be Spider-Man, would Peter Parker choose to be him anyway? Continue reading

Dread, Anticipation, and Waiting in Saga 51

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The current arc of Saga has, in many ways, been a slower one. That’s not a complaint — Brian K. Vaughan and Fiona Staples know exactly how to make even simple moments of domestic bliss, strife, or harmony absolutely riveting — just an observation. With Ianthe plotting in the background, and with Saga‘s track record of major twists and deaths coming at a fairly regular pace, there are likely some readers waiting impatiently to get to the next “big” moment and see exactly where this is all leading. Saga 51 brings us one step closer to a major reckoning, but it also reminds readers why these quieter issues are so essential to the series as a whole. Continue reading

Lockjaw 3 is a Cartoony Romp

By Drew Baumgartner

Lockjaw 3

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Gordie: Alright, alright. Mickey’s a mouse. Donald’s a duck. Pluto’s a dog. What’s Goofy?
[…]
Teddy: Goofy’s a dog, he’s definitely a dog.
[…]
Chris: He can’t be a dog. Wears a hat and drives a car.
[…]
Vern: God, that’s weird. What the hell is Goofy?

Stand By Me

There are no rules inherent to a cartoon world. Maybe this is one where dragons exist. Maybe this is one where elephants can fly. Maybe this is one where an anthropomorphized mouse can own a regular (albeit cartoon) dog. We can accept those conceits on the terms they’re given, because it’s a cartoon. Audiences balk at other media for being “unrealistic,” but “cartoony” — effectively stylized unrealism — is a compliment. At least, that’s how I tend to think of cartooniness: a fun relaxations of the “rules” that govern fictional worlds, making room for a heck of a lot more imagination and fun. Such is certainly the case with Lockjaw 3, which finds even more fun to mine from relaxing its already madcap rules. Continue reading

Narrative Twists and Powerful Love in Hunt for Wolverine 1

By Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Modern storytelling loves a narrative twist — you could argue that most stories are exclusively centered around them. With that in mind, do we let the success of a twist dictate the overall reception of a story? Hunt for Wolverine 1 may be such an example. Continue reading

Aphra Faces Her Reflection in Star Wars: Doctor Aphra 19

By Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

It’s often said that “villains are the heroes of their own story.” The most compelling villains are the ones that have a motivation behind their menace other than being evil. There is a gray area between “hero of their own story” and evil maniac however — a place that Doctor Aphra has resided in ever since Kieron Gillen created her. Star Wars: Doctor Aphra 19 suggests that despite her coy demeanor, Aphra might not be so morally ambivalent after all. Continue reading

Doctor Strange: Damnation 4: Discussion

by Spencer Irwin and Taylor Anderson

Doctor Strange Damnation 4

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: Big comic book events and crossovers aren’t exactly known for intimate, character-based storytelling — instead we read these stories to see dozens (sometimes hundreds) of characters all hanging out and mixing together in ways they never would at any other time. Damnation has been an interesting event because it’s the exact opposite — Donny Cates, Nick Spencer, and Rod Reis’ story works best when the scope remains small, and becomes weaker and weaker the more it tries to be an “event.” Continue reading

The Lies Tell the Truth in Doctor Strange 389

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

slim-banner

Doctor Strange is not an honest dude. Whatever other virtues he possesses, Stephen will keep a secret, or distort the truth, without hesitation. Some lies are lies of opportunity: the lie gets him something. But then there’s the much more human lie, the kind that reveals what’s really wrong by highlighting an obvious omission. Issue 389 of Doctor Strange is all about tap dancing about the one hardship Strange refused to address directly: his loneliness. Continue reading

The Story’s Scope is Not Well-Served in All-New Wolverine 34

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I love the concept behind this “Old Woman Laura” arc. Diving into a Wolverine’s future to find a utopia is a refreshing change of pace, and a beautiful way to show how Laura’s more civil and humane approach to heroing — her attempts to be better than Logan — eventually pays off. That Laura’s final regret — and final mission — would be Bellona brings All-New Wolverine full circle in a satisfying way. Issue 34 itself has so many delightful moments; I practically squealed when Kate Bishop showed up. Yet, for everything that I love about this storyline and this issue, it also has a few major problems. A story of this scope needs more time and room to play out than it’s getting. Continue reading

Star Wars: Darth Vader 15: Discussion

by Michael DeLaney and Patrick Ehlers 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: Avengers: Infinity War is coming to theaters this weekend and the world eagerly awaits to see some epic cosmic superhero smackdown. I will see it — and I hope to enjoy it — but there will always be something that the comic book source material will always have that movies don’t: believing the unbelievable. Comic books don’t have a special effects budget — a scene of Iron Man fighting the Hulk costs the same as a scene of Iron Man and the Hulk sitting down for dinner. The action and display of power of the story is of the same medium as its characters, there is no gray area in between. Given that, Darth Vader 15 continues to explore the range of scope of Vader’s powers in a way that no movie has — or likely could. Continue reading

Mighty Thor 706: Discussion

by Drew Baumgartner and Spencer Irwin

Mighty Thor 706

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

And on the seventh day God ended his work which he had made; and he rested on the seventh day from all his work which he had made.

Genesis 2:2

Drew: Can gods be heroes? I might posit that immortality voids the noble qualities like courage and sacrifice that define heroism. To me, anyway, gods and heroes are mutually exclusive groups, which might well be the reason we created the concept of demigods — Hercules slaying the Nemean Lion is less impressive if he has infinite time and power at his disposal, and Jesus dying on the cross is literally meaningless if he can’t die. In this way, we understand that Jane Foster’s nobility comes not from her godliness, but from her humanity — from the sacrifice she can only make because she isn’t a god. But still, she was a god, at least briefly, which maybe entitles her to a bit of rest after all of that sacrifice. Continue reading