Apr 10 2018

A New Start for the Fantastic Four Marvel Two-In-One 5?

By Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Earlier this month it was announced that the Fantastic Four would be returning to comics. Many assumed that their absence from the pages of Marvel monthlies was due to the fact that Fox owns their movie rights. Disney, not wanting to promote movies from which they wouldn’t profit, phased them out of their comic pages, or so the theory goes. Whether this is true or not may never be known, but now that the Fantastic Four are soon to return, it’s interesting to consider how exactly that will happen. However, if Marvel Two-In-One 5 is any indication, the Fantastic Four may already have reunited. Continue reading →

Apr 9 2018

Jack and Batman Come Clean in Batman: White Knight 7

By Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

As Batman: White Knight races towards its finale, Batman and Jack Napier come face to face with their own egos and shortcomings. After spending the majority of the series as an aggressive bully, Sean Murphy finally gives Batman the opportunity to be heroic again in Batman: White Knight 7. Continue reading →

Apr 9 2018

Batman 44: Discussion

by Mark Mitchell and Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Mark: Comic book characters locked into perpetual monthly stories can never really change; someone like Batman is an archtype unto himself, and if you mess with that alchemy too much, you threaten to change what Batman is. I used to think of this limitation as a bug in serialized comic storytelling, that the lack of permanent change in a character somehow devalued the overall impact any specific authorial choices could have, but I’m beginning to see it as a huge advantage. Continue reading →

Apr 9 2018

Secrets as a Weapon in The Wicked + The Divine 35

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

It should be no surprise that almost every character in Kieron Gillen and Jamie McKelvie’s The Wicked + The Divine are hiding major secrets, nor that, as the series enters its final year, more and more of those secrets are coming to light. What might be a bit surprising, though, is how well the cast leverages these secrets — both their own and others’ — in order to get what they want. Secrets can be a liability, but in the world of WicDiv, they’re just as often an asset, a weapon just waiting to be fired. Continue reading →

Apr 6 2018

Isola 1: Discussion

By Spencer Irwin and Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: The older I get, the more I realize how vital communication is to just about every single facet of life. So many problems and conflicts, be they in business or our personal lives, are caused by simple miscommunications, and the inability to communicate with someone makes it almost impossible to do anything with them or have any sort of meaningful relationship. Communication is a central theme of Isola, the new Image series from former Gotham Academy collaborators Brenden Fletcher, Karl Kerschl, and Msassyk. Not only does Isola 1 explore the difficulties that arise when two parties are unable to communicate, but the methods the creative team use to communicate information with the readers are second-to-none. This is one smartly-told comic book. Continue reading →

Apr 6 2018

Daredevil 600: Discussion

by Patrick Ehlers and Ryan Desaulniers

This article containers SPOILERS. If you have not read the issue yet, proceed at your own risk!

Patrick: Where does power come from? I’ve been seriously grappling with this one since Trump was elected to the White House, but this question obviously extends waaaay beyond that fucking monster. Does power ultimately come from money? From social connections? From one’s willingness to sacrifice their friendships? From violence? From non-violence? As the battle between Wilson Fisk and Daredevil reaches a fever pitch, questions of where either of them gets their power are posed right alongside the question of where Daredevil 600 gets its power. This is a six-hundredth issue, after all — so what makes this one special? Continue reading →

Apr 6 2018

Reconciling with the Past in Black Bolt 12

By Drew Baumgartner

Black Bolt 12

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The superhero genre is littered with emotionally scarred men. Whether it’s a murdered loved one or a superpower-generating freak accident, trauma of one kind or another is a ubiquitous motivator for superheroes. Indeed, for most characters, that tragic backstory is so central to who they are and why they fight that it’s all but impossible to truly confront it — remove the psychological pain, and you “solve” the character’s motivating problem, effectively ending their story. So most of these characters are doomed to never resolve their issues. But what if why they fight has little to do with their trauma? What if that emotional baggage isn’t their motivating force? What if a superhero could confront their problems without destroying the conflicts that make them a hero in the first place? These are questions posed by discerning fans for decades, but rarely have those questions been answered as effectively as they are in Saladin Ahmed and Christian Ward’s Black Bolt 12. Continue reading →

Apr 5 2018

Analog 1: Discussion

By Patrick Ehlers and Drew Baumgartner

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: I listen to a lot of Slate’s Trumpcast. Y’know, because the president has me in a nearly constant state of low-key panic, and I feel utterly powerless to stop our democracy from crumbling, so like, might as well listen to a podcast about it. One of the things that comes up on the show pretty often is the idea that we need to let go of the idea that there is one smoking gun that will implicate the administration and the president himself in collusion with the Russian government. There is no evidence so ironclad that it would force impeachment. Further, impeachment and removal from office would not address the systemic problems with corruption, bigotry, and foreign interference. There’s no “one solution” because there is no “one problem.” Gerry Duggan and David O’Sullivan’s Analog 1 takes a very specific speculative high-concept pitch, and gradually reminds the reader of everything else that is intriguing and terrifying about their world — there is no “one problem.” Continue reading →

Apr 5 2018

Are New Mediums Influencing the Artwork in Astonishing X-Men 10?

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Much has been made about how the internet and e-books are killing the printed word. Even though that’s a bit hyperbolic, it is true that more and more people are reading books on an electronic device. This same trend holds true in the world of comic books, where sites such as Comixology have cut into the traditional printed market. I myself prefer to read comic books on my iPad these days, and as I do so, I sometimes wonder how this change in medium might be affecting the way comics are made and published. With that in mind, I couldn’t help but consider Astonishing X-Men 10 an interesting case study in the way electronic formats might be alternating the way comic book artists produce their craft. Continue reading →

Apr 5 2018

Peter’s Problems Outpace His Growth in Amazing Spider-Man 798

by Drew Baumgartner

Amazing Spider-Man 798

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I had a college professor who liked to talk about “the ascending spiral groove thang” — the notion that we tend to cycle through the same problems, but always with our previous experience informing each new iteration, turning that cycle into a kind of spiral staircase. It’s an elegant idea that helps turn the hopelessness of facing down the same issues again and again feel like an opportunity for improvement. It’s an idea that Peter Parker embodies almost perfectly, vowing to improve (if never quite perfect) the decisions that led to the deaths of his loved ones. But what if those problems have an ascending spiral groove thang of their own? What if Peter’s problems are getting smarter and more mature along with him? That’s exactly what he’s up against in Amazing Spider-Man 798, as Norman Osborn returns with the Carnage symbiote. Continue reading →