Deadpool 15

Alternating Currents: Deadpool 15, Drew and Scott

Today, Drew and Scott are discussing Deadpool 15, originally released August 28th, 2013.

Just like Pagliacci did
I try to keep my sadness hid
Smiling in the public eye
But in my lonely room
I cry the tears of a clown
When there’s no one around

Smokey Robinson, Tears of  a Clown

Drew: The tragic clown is a surprisingly persistent archetype. It’s no coincidence that Smokey Robinson could name-check Pagliacci in his own song about sad clowns, but there are just as many modern examples, from the claustrophobic depression of Louie to the exaggerated kvetching of Krusty the Clown. There’s something about the smile as a mask that speaks to the little things we grin and bear throughout the day. Of course, there’s also something very true about the idea — comedians are famously unhappy people — suggesting that humor is most often honed by those that use it to cope. The reveal of deep sadness behind the jokes is always a bit of a shocker, subverting our expectations something fierce, and recasting every subsequent joke in a tragic light. In Deadpool 15, Gerry Duggan and Brian Posehn start to hint at what’s behind Wade’s mask, revealing a past that may be as ugly as the man himself.

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New Avengers 9

Alternating Currents: New Avengers 9, Drew and PatrickToday, Drew and Patrick are discussing New Avengers 9, originally released August 28th, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Drew: The US is lucky to have never fought a modern war on its own soil. Wartime always divides our attention between the warfront and the home front. Of course, governing a country can be a handful even in peace, so one of these often gets put on the back-burner. During World War II, it seemed that the emphasis was on the war, with resources being reallocated such that almost every American was consciously aware of the war effort. It was this kind of attitude that made George Orwell see war as an effective means of controlling the populations of Oceania in 1984 — war acts as both an explanation for a shitty situation AND a rousing source of patriotism. More recently, however, it’s been the war front that people push to the back of their minds, at times all but forgetting we’ve been at war for over a decade. That very well could have been the attitude on Earth as the Avengers rode off to face the Builders, an abstract threat that no earthling has ever even seen (hell, it’s likely that the public doesn’t even know about the threat), but they sure start to feel it in New Avengers 9. Continue reading

Daredevil 30

daredevil 30

Today, Drew and Patrick are discussing Daredevil 30, originally released August 21st, 2013. 

“You know, I always wanted to pop you one. Maybe this is my lucky day.”

“You disgust me. I hate you.”

“Are you as turned on as I am?”

“More.”

Sam Malone and Diane Chambers, Cheers

Drew: What is it about unlikely couples that makes us root for them? Antagonism is great fodder for will they/won’t they story lines, but why are audiences so interested in seeing these love-hate relationships? I ask, because while I can’t fully explain it, I’m an absolute sucker for these stories. Of course, that means I’ve been pulling for Kirsten McDuffie since she showed up, guns out, in Daredevil 1. We haven’t seen her since Matt awkwardly interrupted her date in issue 24, but she’s back in all of her fiery glory here, as writer Mark Waid takes full advantage of a one-off team-up to ramp up the will they/won’t they of their relationship. Continue reading

Green Lantern: New Guardians 23

new guardians 23

Today, Drew and Spencer are discussing Green Lantern: New Guardians 23, originally released August 21st, 2013.

DrewThere’s an old joke about a man who goes to the doctor, and after running several tests, the doctor returns with his diagnosis written on a piece of paper. He gives the man the paper, but instructs him never to read it, and is then rudely kicked out of the office. The man is similarly shunned when he shows the paper to his boss, his friends, and his family, but each time, they tell him not to read it himself. The joke can build for however long the teller likes, but eventually, the man shows the paper to the pilot of a plane in mid-air, and the pilot insists that the man exit the plane immediately. The man opens the door, and facing certain death, finally decides to read the diagnosis. He pulls it out of the pocket, and it is promptly blown out of his hands and out the door. When done right, we’re lead to believe that there’s an actual punchline, but ultimately, the “joke” is on us — it only exists to fuel our frustrations. I doubt that is what Justin Jordan set out to do in Green Lantern: New Guardians 23, but as Relic begins showing his own piece of paper around, there’s a similar feeling that the story is shutting us (and only us) out of the information that ultimately drives the narrative. Continue reading

Batwoman 23

Alternating Currents: Batwoman 23, Drew and Shelby

Today, Drew and Shelby are discussing Batwoman 23, originally released August 21st, 2013.

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Drew: At the end of Batwoman 22, Kate asks Bones for thirty hours to prepare for her planned takedown of Batman. We all suspected that that request might not be entirely on-the-level, assuming that Kate would use that time to set-up her own counter-plan. Issue 23 reveals that we were only half-right — Kate does use that time more for her own personal ends than for preparing for her mission, but how she uses it is entirely unexpected. Continue reading

Red Sonja 2

Alternating Currents: Red Sonja 2, Drew and Patrick

Today, Drew and Patrick are discussing Red Sonja 2, originally released August 15th, 2013.

Drew: Finales get all the attention, but I firmly believe that starting a serialized narrative is the much more impressive feat. Each subsequent chapter can build upon the previous ones, but the very first entry must whip a meaningful relationship with the audience out of thin air. This often requires relying on character types that seem almost embarrassing when looked back upon, like bad yearbook pictures, or early blog posts. It’s a strange paradox; we like complex characters, but you can’t achieve that much complexity in 22 pages (or 42 minutes, as the case may be). Character types allow us to make connections with characters quickly, but at the expense of specificity — nobody is exclaiming “that’s so Raven” after the first episode of That’s so Raven. The handoff from those early, type-driven chapters to later, character-driven ones is perilous, but writer Gail Simone handle’s it beautifully in Red Sonja 2. Continue reading

Batgirl 23

batgirl 23

Today, Drew and guest writer Chuck Maa are discussing Batgirl 23, originally released August 14th, 2013.

Drew: Superheroes lead miserable lives. The demands of serialized storytelling require that they are regularly beset by life-altering tragedies, are perpetually unlucky in love, and maybe die once or twice in their career. Month-to-month, it’s exciting, but when you total it all up, the life of your average superhero is unspeakably depressing. Take, for example, Barbara Gordon. Her mother abandoned her when she was a child because of her psychotic brother; her fledgling vigilante career was violently ended when she was shot in the spine; after regaining the ability to walk, she suffered from rather severe PTSD. Oh, and remember her psychotic brother? He grows up to be a serial killer who she now feels guilty of killing. Also, her dad also holds her responsible for killing her brother. Things seemed to be finally looking up for her last month, as she forgot her troubles and went on her first date with a new squeeze, but we all knew it couldn’t last. Continue reading

Green Lantern Corps 23

Alternating Currents: Green Lantern Corps 23, Drew and Spencer

Today, Drew and Spencer are discussing Green Lantern Corps 23, originally released August 14th, 2013.

Drew: When Scott (my younger brother) was in college, he inherited hosting duties for an event called “Wine Wednesdays,” where friends would get together to drink wine on (you guessed it) Wednesday evenings. Due to scheduling conflicts, the event had to move its regular meeting time to Tuesdays, and in the interests of alliteration, became known as “Taco Tuesdays” in spite of really just featuring the wine. That same year, he was living in an apartment his friends all called “Bear Snake.” Anyway, in a message to his friends informing him that this week’s Taco Tuesday would be held at Bear Snake, Scott thought it would be funny to replace all of the vowels with the letter “a,” such that the message read, simply: TACA BAAR SNAKA. The fact that that message could possibly convey that his friends should come to his apartment for wine on Tuesday amuses me to this day, but it’s actually quite common for shared knowledge and jargon to pile up in similar ways. Green Lantern Corps 23 achieves something approaching “TACA BAAR SNAKA” impenetrability, digging DEEP into recent Green Lantern history, delivering an issue that may be difficult for all but the most hardcore fans to follow. Continue reading

Justice League of America 7

Alternating Currents: Justice League of America 7, Drew and Taylor

Today, Drew and Taylor are discussing Justice League of America 7 originally released August 14th, 2013. This issue is part of the Trinity War crossover event. Click here for our complete Trinity War coverage.

trinity war divDrew: Determining a level of focus is perhaps the most important step in evaluating a work of art. These foci are specific to the style at hand — harmonic analysis is likely going to tell you very little about a rap song, just as an examination of brush strokes wouldn’t add much to a discussion of da Vinci. Intriguingly, these styles often begin to resemble each other as you zoom in and out — abstract paintings may share concepts of form, color, or composition with those of the Rennaisance masters, for example — further increasing the importance focus in an analysis. Geoff Johns has always written “big” — he’s been at the helm (or at least sharing the helm) of some of DC’s most important events over the past decade — and his writing has often chafed at the analyses of his critics. Justice League of America 7 actually avoids many of the pitfalls Johns is often cited for (a lot of stuff actually happens here), but it still has me wondering if we’re simply using the wrong tool for the job of evaluating a giant, Geoff Johns-penned event. Continue reading

Batman 23

Alternating Currents: Batman 23, Drew and Patrick

Today, Drew and Patrick are discussing Batman 23, originally released August 14th, 2013.

Drew: Origin stories are a fact of life for comic book fans. Love them or hate them, they’ve become an obligate part of superhero storytelling. Every movie franchise, every hard reset, every soft relaunch, needs to retell the origin story with a new spin (you know, to justify the retelling), folding new elements into those of previous iterations. The result is a strange, multi-generational chimera, cannibalized from every version of the story that’s come before. The results can range from beautiful to grotesque but the best manage to pay homage to the past while pointing a way forwards. Scott Snyder and Greg Capullo tackle a seminal moment of Batman’s history in Batman 23, perfectly balancing the admiration and innovation, building to a climax perfectly designed to excite Batman fans. Continue reading